Analysis of Leigh Bowery’s works through Bakhtin’s discourse on the grotesque body 바흐친의 그로테스크 몸 담론을 통한 리 보워리의 작품 분석
pp.823-835
The body is an important object of costume expression, and the reflection of the aesthetics of the body according to age, culture, individual or group determines the form of the costume. In particular, British artist Leigh Bowery provided many designers and celebrities with original design ideas. Leigh Bowery’s costumes are related to the carnival concept. Thus, this study analyzed Leigh Bowery’s life and works, and examined Michael Bakhtin’s grotesque carnivalesque theory. Based on Bakhtin’s carnival theory around 100 works by Leigh Bowery, in the form of YouTube videos and DVD clips were analyzed in this study. The results of the analysis Leigh Bowery’s body and costume research are as follows. First, this study can define fetishism as a characteristic of costumes such as body suits, harnesses, high-heeled boots, and stockings, that stress the body. Second, the character of the body is not expressed as that of an idealized body, but the fat and ugly aspect are revealed. Third, Leigh Bowery’s costumes are characterized by ambiguity. The costumes blur the boundaries between women and men. Fourth, common sense, combined with normal and bizarre, brings out a strong sense of carnival humor with ridiculousness arising from the gap between reality and reality. His performance has had a significant impact on victims of discrimination or unequal treatment in sexual, racial, and age-related situations. This study should inspire many designers through the study of Leigh Bowery’s body expression and dress, but it also introduces fashion icons that are not well known in Korea.
I. Introduction
Ⅱ. Backgrounds
1. Leigh Bowery’s life and his influence
2. Mikhail Bakhtin’s discourse on the body
Ⅲ. Bowery’s Expression of the Body and D
1. Fetishism
2. Profanation
3. Eccentricity
4. Playfulness
Ⅳ. Conclusion
References