Development of fashion design applying to costume and Huangping batik of the Chinese minority Miao 중국 소수민족 묘족(苗族) 복식과 황평 납염 특성을 활용한 패션디자인
pp.585-602
The purpose of this study is twofold: First, to develop new sustainable design methods (aligned with ethnic elements and traditional culture) combined with three-dimensional digital clothing technology throughout the design process, which can be presented as guideline materials for various fashion designs to be developed in contemporary sensibilities. Second, it is the intention to produce creative fashion designs by incorporating the characteristics and methods of Miao’s Huangping batik dyeing technique and to present various possibilities in the fashion design field. The overall design characteristics sought by Miao minority are in line with the complex terrain and the ecological and climatic conditions. Miaoist batik dyeing (registered as part of Chinese national intangible cultural heritage) features unique production methods and patterns. The study results are as follows. First, this attempt has enabled understanding of the national costume culture as Chinese Miao’s traditional cultural heritage to be promoted, while the direction of contemporary design development using traditional elements has been presented. Second, the study demonstrated new and innovative expressions and styles relying on three-dimensional digital contouring technology and identified the possibility of developing various designs. Third, it was confirmed that the dyed batik pattern design created by the three-dimensional digital contouring technology could be recombined or expanded as digital printing to express the traditional ethnic designs in a practical manner utilizing digital printing techniques based on traditional characteristics.
I. Introduction
Ⅱ. Costume of the Chinese MinorityMiao
1. The regional characteristics of Miao costume
Ⅲ. Characteristics of Miao Huangping Batik
1. Animal pattern
2. Plant pattern
3. Geometric pattern
Ⅳ. Development of Works
1. Development intention and method
2. Deployment of digital clothing design
3. Production of a work
Ⅴ. Conclusion
References