Remediation of fashion shows through social media 소셜 미디어에 의한 패션쇼의 재매개
pp.694-705
Forming perceptions and having experiences through digital media is becoming more common than having in-person relationships in digital media environment. This study, which was conducted when Fashion Week transitioned to a digital platform in 2020, focuses on fashion shows that are announced through social media. The purpose of the study is to explore how traditional fashion media change through social media and what their media characteristics are from the perspective of remediation, which has been suggested by Bolter and Grusin (1999) as the logic of change in the new media. The results of the case analysis in this study, based on the definition and logic of remediation outlined through a literature review, are that social media fashion shows are remediated from traditional fashion shows in the manner that they are represented, improved, refashioned, and absorbed. The characteristics of remediation expressed in social-media-based fashion shows were derived from repurposed video content, improved the elements of fashion shows to express the shows in various ways, expanded places within the fashion shows, and decontextualized and visually flattened spatial discontinuity, and from genre transitions and perceptual shifts. Socialmedia- based fashion shows are becoming a tool to renew the fashion experience and views of fashion and strengthen the authenticity of the brand by interacting with the audience, improving on the spatial limitations of traditional fashion shows, and diversifying fashion presentation methods.
I. Introduction
II. Background
1. The perspective of the media and remediation
2. Changes of fashion shows and social media
III. Methods
IV. Results and Discussion
1. Representation of fashion shows through narrative reconstruction
2. Expansion of the spatiality of fashion shows through media improvement
3. Decontextualized and flattened spatial discontinuity of fashion shows through media refashion
4. Genre transition and perception shift of fashion shows through media absorption
V. Conclusion
References