KOREASCHOLAR

A study on the development of fashion cultural products by applying Korean folk painting - Focus on the necktie and scarf - 민화 이미지를 활용한 패션 문화 상품 개발에 관한 연구 - 넥타이와 스카프를 중점으로 -

방혜경, 김태미
  • 언어KOR
  • URLhttp://db.koreascholar.com/Article/Detail/417281
복식문화연구 (服飾文化硏究)
30권 5호 (2022.10)
pp.689-702
복식문화학회 (The Costume Culture Association)
초록

Global fashion houses have recently incorporated traditional Korean motifs within their inspiration. This trend is an opportunity to showcase the colors of traditional Korean culture by investing in the new design content. Products specifically based on traditional Korean culture are lacking in brand awareness despite the success of Korean content. Accordingly, this study designs cultural products based on Korean folk painting that captures Korean people’s satirical sense of humor. Korean folk painting theories are analyzed, from which different types of folk paintings are classified based on research of bibliographies and online documents. Following classification, the results are dataized as different types of folk paintings and their meanings. Furthermore, images of folk paintings are categorized and scanned digitally. The digitized images of the folk paintings are processed through Adobe Photoshop CS for overall layout and Adobe Illustrator CS for detailed designs. Traditional categories of Korean folk paintings are used, including flowers and birds, letters, and study stationery. Using the main elements of the flower and birds category, designs with cultural products such as images of flowers, birds, animals, and fish are produced. The final designs are used to create fashion items that can easily be used for embellishment or self-presentation: a scarf and a necktie. The scarf and the necktie are not only merchandise; they also symbolize the story, humor, and hope that Korean folk paintings once symbolized.

목차
Abstract
I. Introduction
Ⅱ. Review of Literature
    1. Korean folk painting
    2. Fashion cultural products
    3.Prior research on the development Korean folk painting
III. Research Method
IV. Results and Discussion
    1. Creation and description of design work
V. Conclusion
References
저자
  • 방혜경(경기대진테크노파크 전문위원) | Hey Kyong Bang (Expert Committee Member, Gyeonggi Daejin Technopark, Korea)
  • 김태미(한국폴리텍대학 패션디자인과 조교수) | Taemi Kim (Assistant Professor, Dept. of Fashion Design, Korea Polytechnics, Korea) Corresponding author