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現象學을 통한 Yeats 시 해석: “Per Amica Silentia Lunae”의 철학적 시 배경 KCI 등재

A Phenomenological Opening to Yeats’s Poetry: Philosophical Co-presences in “Per Amica Silenti Lunae”

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The Yeats Journal of Korea (한국 예이츠 저널)
한국예이츠학회 (The Yeats Society of Korea)
초록

Poetical revealation of Yeats’s philosophical ideas can be spurred through the phenomenological insights. Its textual practices into Yeats’s poetic totality could open an entrance towards his poetic Tower in his visionary poetic geography. With help of many literary or poetical representations in his poetic universality, some signifiers can be converged to the common inflections, such as intuition, reduction(epoche), Pure Consciousness, life-world, etc. The “Indira’s network” has been spread for the poetics and praxis of E. Husserl’s Phenomenolgy and Yeats’s “Per Amica Silentia Lunae,” one of his philosophical manifestos. Yeats’s enigmatic domains in his poetic suliminal consciousness. such as immediate felt images, ironical rethorics, primitive intellect, incarnated phenomenality, could be illuminated by the reductionary ideation and intentionality, bracketing of Phenomenology. Yeats’s ‘Anima Hominis’ and ‘Anima Mundi’ in “Per Amica Silentia Lunae” has shown the similar process of Epoche-like ideation. His visionary dogmas has traced the same epistemalogical traits of the Phenomenology. The categorial intuiting of the outside phenomenal objects could be the same on the basis of “suspension of belief” either poetically or philosophically. Yeats’s cognitive acts is not so different from Husserl’s in the sense of “Going back to the pure consciouseness.” Their formality and terminology might be distinguishable but the basic ideas show the similar principles on the authentic reality(external and internal). His somewhat visionary solipcism could be elucidated by the ideas of intersubjectivity, monadology, inference by analogy in Phenomenology. Yeats’s “A Tenedo tacitae per amica silentia lunae,” thoghtful sedimentation, gradations of perceptual shading in the Vision, eidectic reductions of moon phases, are all the reflections of intentionality of his poetic muses. His “arrow women” into the “boundless and unpredictable world” are the metonymy of “Reduction into the Essences.” His actual and ideal aphorie, pure ego, soul duality shows the three processes of description, intuitive expression of consciousness, and symbolic significations, so oftentimes found in the phenomenal ideas. These insights could lead to the light-shedding onto the comparative study of Zen ideas.

저자
  • 한태호(관동대) | Han Taeho