本文以同時出現於官窯和民窯兩類屬性不同窯口的玲瓏瓷為例，首先討論這類作品 流通於十七世紀上半葉東西貿易航道的情形，其次探討相關樣式的起源與流變，最後也 反省了十八世紀乾隆朝官窯生產玲瓏鏤空雙層器的經過，以及督陶官為皇帝重新轉譯的 創新樣式。

The paper uses linglong porcelain wares existing at two different types of kilns- Guanyao (official kiln) and Minyao (folk kiln) as examples. Firstly it discusses the situation of this type of works circulating between the East and the West during the 17 th century. Secondly it explores the origin and development of its styles. Lastly, it reflects on the process of Qianlong official kilns producing linglong openworks with two layers and the pottery supervisor’s innovative style made for the emperor.

摘要
Ⅰ、關於「玲瓏」
Ⅱ、東西貿易航道上的玲瓏瓷
Ⅲ、玲瓏樣式的出現與傳播
Ⅳ、十八世紀的轉變
Ⅴ、乾隆官窯的玲瓏瓷
Ⅵ、餘論
參考文獻

• 余佩瑾(臺灣 國立故宮博物院, 常務副院長) | Pei-Chin Yu (Incumbent General-affairs Deputy Director, National Palace Museum, Taipei)