The purpose of this study is to establish the relationship between Durand's architectural theory which provided reasonable architectural logic in the early 19th century, and architectural logic of the Modern Movement of Architecture led by avant-garde architects in the 1920’s. The system of thought in architecture proposed by Durand which clarified a architectural design method(composition) is very similar to the one of the International Style(Book), which summarizes commonalities in the flow of modern architecture. This approach has something in common from the perspective of the systems of thought, despite differences in external forms and time gaps. Therefore, this study intends to examine the systems of thought in three ways. It is to examine how the two systems of thought define architecture, what is the logic of building production, and finally the value of architecture (including aesthetic values) while eliminating classical aesthetics.

Abstract
1. 서 론
    1-1. 연구의 목적
    1-2. 연구 대상과 방법
2. 뒤랑과 국제 양식의 건축 정의
    2-1. 뒤랑의 건축 정의
    2-2 국제 양식의 건축규정
3. 뒤랑의 구성과 국제 양식의 평면
    3-1. 뒤랑의 건축 구성
    3-2. 국제 양식의 건축 디자인 원리
4. 건축 미학과 자율성
    4-1. 뒤랑의 건축 미학적 근거
    4-2. 국제 양식의 건축 미학 근거
5. 맺음말
참고문헌

• 신건수(경남대학교 건축학부) | Shin Gunsoo Corresponding Author