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        검색결과 2

        1.
        2016.06 구독 인증기관 무료, 개인회원 유료
        Between 1936 and 1940, Herrlee G. Creel and Peter A. Boodberg engaged in what has come to be seen as a celebrated debate over the nature of Chinese writing. Creel characterized this writing as fundamentally “ideographic.” Boodberg, for his part, objected that by definition writing represents speech, and therefore all writing—very much including Chinese writing—must be fundamentally phonetic. Seventy-five years have passed since Boodberg’s second essay was published. Although a number of influential Western scholars—especially those with an interest in linguistics—have pronounced his to be the final word on the topic, the history of Chinese writing is sufficiently rich to stimulate renewed discussion and perhaps also new ideas (or at least restatements of old ideas). In this essay, I suggest that not only can the category of Chinese characters termed semantographs have an ideographic basis, but the same is true as well for a sizable percentage of phonograms.
        7,800원
        2.
        2012.12 KCI 등재 구독 인증기관 무료, 개인회원 유료
        The Diviner He – Group inscriptions of Shang oracle-bone inscriptions (i.e., Period III) feature an unusual of the word xiang鄉. Although past studies have treated it as part of the divination charge, I argue in this paper that it should be understood instead as a sort of verification or crack notation, indicating that the spirits have “received” the communication being divined. I then use evidence in the Mozi 墨子 and the Shanghai Museum manuscript of the Zhou Yi 周易 to argue that this function of xiang as a verification continued into the Zhou dynasty, and is the original form of the word heng 亨 seen in the formula yuan heng li zhen 元亨利貞 of the Zhou Yi. On the basis of this identification, I propose a new way to understand Zhou Yi divination.
        4,500원