The Honam region has played an important role in the development of Korea poetry. So this study focuses on Song Soon among various factors of Honam architecture in 16th century. He was ahead of his times in development of Korean literature, and made buildings that become background and materials of his literature. Song Soon built Myonang-jong in Damyang for his life time and tried to design to pull in nature into his buildings. These buildings were built in beautiful landscape, and showed elegance as a retired scholar and Taoism characteristics. He provided basic ideas, that is, pulling in nature into architecture, and metaphysics morality, and his ideas also influenced Honam School Including Jung Chul. This study looks into Nujung architecture that had become materials of Myonang-jong Song Soon literature and characteristics of Honam architecture through his buildings at the same time.

The bureaucrat-scholars, ruling class of the Choseon Dynasty, used to build small private pavilions for rest and study for themselves. In the early period of the Dynasty, the pavilions had plain shapes with rectangular plan and simple wooden structure without any walls so as to enjoy the surrounding scenery. From the 16th century, the building form began to change into some diverse one by putting in an ondol room, an unique floor heating equipment. The pavilions also began to show regional differences by placing the ondol rooms in the floor. Myonang-jong, a pavilion occupied by a famous bureaucrat-scholar Song Soon, was built at Damyang of the southwest part of the Korean peninsula, so called Honam area, in 1533. At first, the building form followed the ordinary early pavilion shape using simple wooden structure and wooden floor. But when it was rebuilt in 1654 after burning down by war, there happened some changes. An ondol room was put in the center of the floor, of which regarded as a dominant regional characteristic of the Honam area. The change of the building form of Myonang-jong showed that it was the 17th century Honam area got the regional characteristic in the architecture of pavilion.

Myeonangjeongsameonga is a poem written in Chinese originally created by Song Sun. Song Sun was born is Sangdeok-ri, Bongsan-myeon, Damyang-gun in Jeollanam-do. He was a poet and politician in the middle of the Joseon Dynasty. His pseudonym is Myeonang, and the pavilion named Myeonangjeong was constructed for him. Besides, he was the representative of the Myeonangjeong poet club. He composed 560 Chinese poems, 30 shijos(a three-stanza Korean ode) and one gase(a sort of essay). Myeongangsameonga is very peculiar in its form. It consists of three letters on one line. Unlike a poem with five to seven letters on one line, this song is the first one that was composed of three letters on one line. The theme of this song is mostly about nature. The content of this poem had an effect on the productions of Myeonangjeongdanga(shijo) and Myeonangjeongjangga(gasa). In conclusion, the form of Song Sun's Myeonangjeongsameonga is very unique. Myeonangjeongdanga and Myeonangjeongjangga are also based on this song. In other words, Myeonangjeongsameoga forms the basis of Song Sun's poems.

Song sun(1493~1582) is one of the most famous writers in the 16C in Chosun dynasty. He lived all his life as an politician and poet. Song sun, born at Bongsan, Damyang in Chunnam, was especially instrumental in developing korean poetry. He is said to have written over 30 poems and korean poetry such as Myungangjeongga, which is Gasa and he is also credited with more than 500 Hansi. With these writings, he is frequently called the greates of korean poets. Our ancestors admired NATURE much more than any other nation. This is why most of their works are focused on natural poetry. Natural poetry made a start with the foundations from the poetry of Corye. This nature became the object of poetry in Chosun dynasty. From "Ganghosasiga" written by Mang sasung, nature came to be the stage of poetry. Thus, korean could find a true natural beauty in Chosun dynasty and many natural poems appeared in the world of poetry. But this nature is not the same to anyone. People have an apparently different point of view on nature. In the East, people were under the control of Buddhism, Taoism and Confucianism. Consequently it is natural that people who had a different thinking and philosophy had different sights on nature. In Buddhism, they thought nature as forest itself. In Taoism, they understood nature as a motionless one. and they regarded nature as an object which is considered to be looked at far in the distance in confucianism. Confucian often called it "Gangho" poems. The earlier natural poems of Song sun were not yet in harmony with Gangho, since he was still sttached to the reality. They became identical with nature in the late period. In this paper, we investigate the character and quality of Song sun's natural poems, that is, wide varieties of natural poems. It deals with the form of natural poems, the meaning of nature, the identification with nature and the view point on nature.