본 연구는 코로나 19로 인해 불안, 우울 등의 심리적 어려움을 겪는 사람들이 많아지면서 사회 구성원 간의 갈등을 해결하려는 방안의 하나 로 ‘관광’을 치유의 수단으로 활용하여 ‘치유관광상품’을 개발하는 것을 목적으로 한다. 그 결과, 첫째, 규칙적인 둘레길 산책 프로그램이나 도보 여행 관련 상품 개발, 둘째, 스트레스 해소를 위한 야외 관광 활동 관련 상품 개발, 셋째, 친구, 친지, 가족과 동행하는 관광상품 개발, 넷째, 하 던 일과 생각을 잠시 멈추는 등의 넋 놓기 관광상품 개발 등을 제시하였 다. 이는 코로나 19 장기화에 따른 우울증 ‘코로나 블루(Corona Blue)’ 가 일상생활의 어려움을 넘어 분노까지 느끼는 ‘코로나 레드(Corona Red)’를 호소하는 사람이 많아지면서 위험사회가 되어가고 있다는 관점 에서 이를 극복하기 위한 정책 대응방안을 요구받는 시점에서 제시한 것 이다. 본 연구는 전 국민적 심리 상담이 필요한 시점에서 관광을 기반으 로 치유하는 ‘치유관광상품’ 개발이 갈수록 위험사회로 치닫고 있는 우리 사회의 문제점을 조금이나마 해결할 수 있기를 바란다.

Global fashion houses have recently incorporated traditional Korean motifs within their inspiration. This trend is an opportunity to showcase the colors of traditional Korean culture by investing in the new design content. Products specifically based on traditional Korean culture are lacking in brand awareness despite the success of Korean content. Accordingly, this study designs cultural products based on Korean folk painting that captures Korean people’s satirical sense of humor. Korean folk painting theories are analyzed, from which different types of folk paintings are classified based on research of bibliographies and online documents. Following classification, the results are dataized as different types of folk paintings and their meanings. Furthermore, images of folk paintings are categorized and scanned digitally. The digitized images of the folk paintings are processed through Adobe Photoshop CS for overall layout and Adobe Illustrator CS for detailed designs. Traditional categories of Korean folk paintings are used, including flowers and birds, letters, and study stationery. Using the main elements of the flower and birds category, designs with cultural products such as images of flowers, birds, animals, and fish are produced. The final designs are used to create fashion items that can easily be used for embellishment or self-presentation: a scarf and a necktie. The scarf and the necktie are not only merchandise; they also symbolize the story, humor, and hope that Korean folk paintings once symbolized.

본 연구는 국가와 도시의 브랜드 이미지를 활용한 문화상품 개발을 목적으 로 하고 있다. 연구 목적을 달성하기 위해 먼저 국가와 도시 브랜드 이미지의 개념과 사례, 그리고 문화상품 대한 이론적 논의에 대해 살펴보았고, 이러한 이론적 논의를 바탕으로 실질적인 문화상품 제작과정을 한국과 부산의 도시브 랜드 이미지의 디자인 연구와 한국과 부산 도시브랜드 이미지를 활용한 문화 상품 개발로 구분하여 진행하였다. 브랜드를 다른 상품과의 차별화를 위한 가 치부여라고 정의한다면, 국가와 도시브랜드 역시 차별화에 초점을 두고 있다 고 볼 수 있다. 따라서 국가 브랜드와 도시 브랜드는 특정 국가와 도시가 가지 는 다양한 환경, 기능, 시설, 서비스 등에 의해 다른 국가와 도시로부터 구별되는 상태라고 정의할 수 있다. 그리고 문화상품은 상품화의 가능성이 상대적으 로 낮았던 문화를 원천으로 하여 만들어진 상품으로 일반상품에 비해 상대적 고부가치성을 가진 상품이다. 국가와 도시브랜드 이미지를 입힌 디자인을 기 초로 하는 고부가치성의 문화상품은 국가와 도시를 새롭게 각인시키는 데 긍 정적인 기제로 사용이 가능한 상품이다. 이상과 같은 이론적 논의를 바탕으로 본 연구에서는 한국의 상징과 과거와 현재를 담고 있는 부산의 브랜드 이미지 를 스토리텔링 방법을 적용하여 패턴화 하여 총 200여종의 문화상품을 제작하 였다. 본 연구에서 제작된 한국과 부산의 브랜드 이미지를 활용한 문화상품들 은 기존 한국과 부산의 브랜드 이미지를 강화하는 데 일조할 수 있을 것이며, 관광객들에게 ‘매력적인 방문지로서 한국과 부산’이라는 이미지를 각인시키는 데 긍정적인 효과를 가져다 줄 수 있을 것이라 자평할 수 있다.

IT기술의 발달로 인하여 의사소통을 위해서 스마트폰은 없어서는 안될 중요한 존재가 되었다. 그 중에서도 카카오톡이나 라인과 같은 모바일 메신저는 인간과 인간사이에 의사소통을 원활하게 하는 중요한 전달 수단이 되었다. 초창기의 모바일 메신저는 단순히 문자들 주고 받거나 사진을 주고 받는 수단에 불과했다면 최근에는 캐릭터를 이용한 이모티콘 사용으로 의사소통을 좀 더 편하고 빨리 접근하도록 하고 있다. 이렇게 이모티콘이 많은 인기를 끔에 따라 지자체에서도 메신저를 활용한 마케팅을 적극적으로 활용하고 있는데 그 중에서도 이모티콘을 활용한 마케팅을 활발하게 추진중에 있다. 또한, 지역캐릭터를 활용한 이모티콘을 무료 배포함에 따라 시민들에게 다양한 참여를 유도하고 있다. 하지만 이러한 무분별한 이모티콘 개발은 지자체 예산만 소진할 뿐 별다른 소득을 얻지 못하고 일시적인 흥미만 유발하는 사례가 발생하고 있는 실정이다. 이에 본 연구는 지역 관광산업의 활성화를 위하여 이모티콘 활용방 안을 제시하기 위하여 이모티콘 캐릭터가 가지고 있는 표현유형을 분석하고 성공적인 이모티콘 캐릭터 사례를 조사하여 이에 대한 해결방안을 제시하는 것이 목적이다. 그 결과, 이러한 문제점을 해결하기 위해서는 캐릭터를 개발할 시 부터 디지털 환경을 고려하여 디자인할 필요가 있으며 이를 위해 형태와 색이 단순화된 캐릭터가 그 효율성이 더 높을 것이다. 또한 지역예산은 낭비하면서 까지 유사한 유형의 캐릭터를 만드는 것이 아닌 성공한 이모티콘과 콜라보레이션하여 지역 관광산업의 바로 도움이 될 수 있는 비즈니스 시스템을 구축할 필요가 있다. 마지막으로 캐릭터의 중립성과 형태 및 색채의 단순성, 자유로움 움직임 반영하여 디자인 되어야 한다. 본 연구에서 제시된 결론 및 제언을 통해 내 외국인의 관광객의 증대와 연계되어 관광산업 활성화와 지역사회에 조금이이나마 도움이 되었으면 하는 바램이다.

This study examined images typical to this city and explored ways to develop cultural products using these images. Researchers reviewed literature about fashion cultural products and related previous research, and then conducted a closed-ended survey to analyze universal fashion preferences. For the examination material, such a way was used as information data base and network review inside and outside the country, dissertation screen, and published media including separate volumes. The following are considering points in the developing process. First, the study identified design, color, price, practicality and quality as factors that should be taken into consideration when using the image of Gangneung. In particular, it determined that the image needs to reflect a modern sensibility while maximizing its representation of local culture. Second, Gangneung’s symbolic image should incorporate the sea, Gyeongpo, and coffee. In other words, the sea, Gyeongpo, and coffee should receive top symbolic priority. Third, from a development perspective, the most appropriate items for displaying the image include t-shirts, keychains, umbrellas, or other accessories, since these items are easily available in terms of price. In sum, this study highlighted the necessity of reconsidering Gangneung’s currents ymbolic image, suggesting that a new image should be developed. Developing a typical fashion cultural product image will enrich Gangneung’s cultural industry and the distribution of newly designed products will improve the localeconomy.

As a plan for establishing Korea's cultural identity and its competitive edge in the world market and for enhancing Korea’s cultural status, creative and unique high value-added cultural products need to be developed utilizing our inherent cultural assets. Accordingly, this study focused on the development of the design of fashion cultural products that utilize the convergence of Hangeul our peculiar font style and Korea's cultural heritage, which is registered as part of UNESCO’s World Heritage. A design method was devised that converges archetypal images of cultural property with the unique Hangeul font in a way that targets Korea's symbolic architectures. The symbolic architecture includes Korea’s world-heritage pagoda architecture, such as Seokgatap pagoda and Dabotap pagoda at Bulguksa temple. It also included the architecture of royal palace, such as Injeongjeon hall at Changdeokgung palace. Finally, it also included the architecture of the fortress wall, such as Paldalmun gate in Hwaseong fortress. Thus, by developing cultural assets made from a convergence between architecture and the Hangeul font as a consumer-product image that has universality, the possibility of cultural products was pursued by applying color planning after an analysis that involved extracting the compositional colors of the flags of the world. This research and approach will lead to opportunities for further progress for Korea's cultural products in the global market as a results of additional recognition for their value, excellence, and universal appeal.

The purpose of this study was to identify the consumers’ demands on functional design of sports climbing pants. Data were collected through a field survey. 82 male and 70 female amateur sports climbers in Seoul participated. The questionnaires measured aspects of functional design in sports climbing pants, specifically motion adaptability, comfort and aesthetic value of the climbing pants. The results of this study show that comfort during climbing postures was the most important value of the climbing pants. The subjects sought motion adaptability at the hip, crotch, thigh and knee. The preferred style and degree of fit of climbing pants were differed according to gender. Men preferred loose or semi tight fit style climbing pants but women preferred the leggings style of the sport pants. The soft touch seam line and body shaping function were also important for women. The type of pants preferred for sports climbing also differed by the climbing experience period. Men began to wear the outdoor mountaineering style pants when they had experienced sports climbing for 6 months and to wear the climbing expert style pants when they had experienced sports climbing for a year. Most women wore leggings style sports pants from the beginner stage. This study also analyzed Korean market trend in 2016~2017 F/W for sports climbing pants design. The men’s pants were more likely to be designed to improve mobility compared to the women’s pants, even though the aesthetic value of the sports climbing pants was important for women.

The objective of this study was to develop anti-browning agents for commercial ready-to-eat pear products, which are preferred not only to maintain the flavor, color and texture of pears, but also to increase consumers’ preference. The sliced ‘Shin-go (Niitaka)’ pears were immersed in 5% and 10% oxidized starch, 1% citric acid, and 5% and 10% oxidized starch with addition of 0.1% sucralose for 3 minutes, and then they were packaged in vacuum sealed bags at 1℃ for 9 days. In order to evaluate the quality of packaged sliced pears, the quality index was determined in terms of color, firmness, soluble solids, and sensory quality. With the passage of storage time, no specific variation in firmness and soluble solids was observed. However, the ΔE value of the sliced pears treated with 5% oxidized starch solution was significantly lower than that of the other pears. Also, the Hunter L and b values of the sliced pears treated with 5% oxidized starch solution remained nearly constant from the beginning of storage. This observation shows that 5% oxidized starch solution was effective in reducing surface browning of sliced pears. Moreover, sliced pears treated with oxidized starch solution with addition of 0.1% sucralose were given an overall liking score which was slightly higher than that given to the other pears because of the sweetness of sucralose. In conclusion, 5% oxidized starch solution with addition of 0.1% sucralose was effective in reducing browning of sliced pears and in improving the taste of sliced pears.

The purpose of this study is to develop a design as a high value-added exportable industrial product by developing a cultural product, that can be accepted as having universal beauty by people in the Western cultural area. This is done by, re-analyzing it from a modern perspective after applying the color representation, used in pop art, to Shin Saimdang’s Chochungdo (草蟲圖, insects on flowers) which clearly expresses Korea’s national emotion and aesthetic consciousness. The research method depends upon developing cultural products such as scarfs, neckties, handkerchiefs, and folding fans, which are communicated in the global market The expressive technique of pop art is utilized after reconstructing the color sensation of pop art in the aesthetic dimension of the natural, physical, and formative beauty of Chochungdo based on the whole understanding of our country’s genre of Chochungdo and Western pop art. With regard to the colors in the developed design, the basic colors were extracted and applied by selecting 10 pieces in the flower series, which were made with the silkscreen printmaking technique in the 1970s by Andy Warhol, a master in pop art. A work that integrates pop art, a global art trend, with Korean traditional culture is expected to highlight Korean traditional culture in the global cultural era.

The object of this study is to develop textile designs and fashion products based on the cultural resource of Jeju Bangsatop, which means a stone tower preventing misfortune and driving out evil spirits. The field surveys of 32 Bangsatops located at 17 villages in Jeju were conducted. As a result, unlike stone towers located in other regions, Jeju Bangsatops made with basalt. In addition, wood and stone birds, Dolhareungbang, and other sculptures are built on the tops. Jeju Bangsatops were classified into four types based on the body form of the tops: Conical, truncated conical, trapezoid, and irregular shaped Bangsatops. Jeju Bangsatops located in a area or a village are symmetrically arranged in direction of south and north, left and right, east and west, or face to face. The conical, truncated conical, and irregular shaped Jeju Bangsatops which are designated as folk cultural properties or which have the unique sculptures of stone birds and the statues of Dolhareungbang built on the tops were selected as motifs for textile pattern design. The 4 basic patterns of Jeju Bangstops were designed. The six creative textile designs were developed by the various repeat arrangements of the basic patterns and were printed on oxford cotton fabrics by digital textile printing (DTP) method. The sixteen products of wallets, bags, hats and shoes were actually made with the DTP fabrics, the DTP fabrics which were naturally dyed in gray and blue colors, or the DTP fabrics which were redesigned with textile crayon. Therefore, it is confirmed that Jeju Bangsatop could be very useful as a motif for the development of cultural products focusing on Jeju tourism souvenir market.

This study is to develop cultural products based on 'Jeju Choga', which means the traditional houses in Jeju. For the product development, old literature review, field surveys, and consumer surveys were employed. Through old literatures and field surveys, the unique and visual characteristics of Jeju Choga were confirmed: A thatched roof with lattice pattern, a side wall and fences with porous stones, a 'Jungnang' serving as a gate, and a 'Pungchai' preventing strong sola radiation and 'Ollai' meaning a narrow street in front of the Choga. As a results of consumer survey conducted before the development of products, consumers highly recognized and associated Jeju Choga as Jeju representative image. The six basic patterns of Jeju Choga were drawn and eight textile designs were created through the repeated arrangements of the basic patterns. Using the created textile designs and digital printing method, the eleven new fabrics with the patterns of Jeju Choga were developed. The various kinds of ten bags and tow wallets made with the new fabrics. As a result of consumer evaluation for the twelve products made in this study, the scores of preference and purchase intention were above the average work for the most products of them. In particular, the preference and purchase intention of the square shoulder bag, the big-size shopper bag, and the small-size cross bag were very positively evaluated. Therefore, it is confirmed that Jeju Choga could be very useful as a motif for the development of cultural products focusing on Jeju tourism souvenir market.

This study aims to develop motifs and patterns for fashion cultural product designs in order to promote the Iksan Seodong Festival, which is the most representative festival in Iksan region. The motifs and patterns developed in this study can be used to introduce the distinct traditional culture depicting the legendary Seodong tale. This study used Adobe Illustrator CS4 and Adobe Photoshop CS4 to reconstruct the lotus motifs found from the green-oiled-lotus-motif rafter tile, the atrifact from Iksan Mireuksaji Museum. This lotus motif and the motif based on the Iksan City's logo were applied to a repeating pattern with colorways using the CMYK found from the Iksan city's logo. A total of 24 product designs, including 8 necktie designs, 8 scarf designs, and 8 T-shirts designs, were presented for fashion cultural products. The designs developed in this study can promote not only the local Iksan culture but also the national image of Korea on a global scale.

The pattern cases for Korean traditional socks are named “beoseonbongip” which means a pouch to keep patterns for making “beoseon”. “Beoseon” is Korean traditional socks. This study is to identify characteristics of the pattern cases and to develop cultural products based on the unique characteristics of the pattern cases. One hundred fifty one photos of “beosonbongip” were collected and quantitatively and qualitatively analyzed. Seventy percent of them were made between Joseon Dynasty and 1960s. As a result, most of the collected pattern cases are rectangular and square shapes, red color, and silk fabrics, and sizes of them are from 9cm to 15cm. A few pattern cases with different sizes and colors were also observed. Most pattern cases were made by fixing two among four triangle pieces which made by folding four tips of a rectangular or square cloth and then puting a not or a loop on the remaining triangle pieces in order to open and close the pattern cases. In a small number of the pattern cases, three of the four pieces were fixed and a button, a bead, a broach, or two nots or two loops were put on the other piece for opening and closing. Products such as apparels, bags, pouches, frames, and key holders were made using “beoseonbongip” form and construction method. This shows that “beoseonbongip” is a useful motive for creative product development.