Yeats presented the fallen majesty of Sophia who is a veiled goddess as in Valentinian of Christian Gnosticism, Cabalism and Rosicrucianism. In this respect, Yeats himself rejected the masculine Trinity and insisted on an androgynous Trinity throughout his works. Yeats’s view of Sophia is that of Attis for goddess Cybele. Yeats sought to reveal that Daughter-Sophia was a fallen Deity such as Helen of Troy or Cinderella and Sleeping Beauty of the fairy tale. Therefore one of Yeats’s major poetic themes is the longing for Sophia. From his early poems, Helen is symbolized as Sophia’s secular image and as one of the Yeats’s personal poetic heroines. Yeats wanted Helen, the cause of Troy’s fall, compared to Sophia who was the cause of the Christian’s fall for early Christian Gnostics. Also, several of Yeats’s poetic heroins can be approached in terms of Sophia’s secular and mournful beauty who is suffering with mankind in this world. Especially, Yeats as a master myth-maker himself recreated Helen as his personal unique mythic character in Sophia’s image. For Yeats, Maud Gonne’s poetic role was the embodiment of Ireland as Rose, Helen, Cathleen, Deirdre, Niamh and Jane. These figures are all symbolized as a divine Feminine Principle existing within the God, Masculine Principle before the all creation. And Yeats lays himself and the world at her feet as the love poet or her sole priest just as did Attis for Cybele. Yeats’s personal and poetic heros as symbols of Yeats’s portraits: Attis, Homer, Jester, Oisin, Red Hanrahan, Fergus, Cuchulain, and Aleel. Through Sophia’s imagery, Yeats suggested gnostic speculations about the female elements of divinity, rigorously suppressed by the orthodox Christian fathers of the early church, and this rejection remains to this day. In other words, Yeats tried to carry out a poetic recovery of one single body work of art from the veiled goddess, Sophia. Because Yeats wanted to become Sophia’s sole priest, Valentinian. His hope appears in his poetic theme of a ‘Unity of Being’ by uniting with Sophia after his own death and Sophia’s death too. In this sense, Yeats often illustrated in his poems sorrowful love and an eagerness for the death of the beloved. This idea and sentiment is seen in Aleel’s attempted unity with Cathleen: Aleel suggests Countess Cathleen who is suffering with her people go to Heaven to escape her pains. Although people mocked Yeats’s attitude regarding Sophia, he envisioned a heroic dream in which Sophia will be revealed with her Heavenly power in a future as her era comes. And at last, she will recover her genuine glory in Heaven. Sophia’s era will come 2000 years after Christ’s birth according to Yeats’s unique historical view. For example, “Leda and the Swan” and “A Nativity” symbolize the coming of the masculine Trinity era with in the Orthodox Church. So Yeats stated when the Christ or Helen or Christ’s sister (Daughter-Sophia) was born, the Mother of God, Mary or Leda was frightened and terror-struck. Therefore Helen symbolized secular beauty suffering with mankind during the 2000 years of the masculine Trinity age. On the other hand, in “The Second Coming,” Yeats suggested that Sophia’s veil be removed when she recovers her glory. The terrible Sphinx stands for this coming of Sophia, which will establish an androgynous Trinity just as seen in the Egyptian Trinity: Osiris, Isis and Horus. Sophia as Yeats’s beloved is also symbolized by the Sphinx, ‘half lion, half child’ in “Against Unworthy Praise.” Thus we see Yeats endeavoring to draw the readers’ attention to the stress laid by feminine principle, Helen-Sophia who is with mankind as Countess Cathleen -with sacrificial love and her suffering under the masculine Trinity- until the new age comes, which was stated as ‘until coming sphinx’ or ‘until God burn time.’ So Yeats was an authentic prophet in our time.

This study examines the Symbolic notions of Haein Buddhist Monastery based on the context of Feng-shui. Through the study, it is verified that the geographical features surrounding the Haein Buddhist Monastery are imbued with the basic layout of the monastery and the constitutional elements of the Haein Buddhist Monastery are structured and formed with the architecture and landscape of the monastery. Thus, the study maintains that the siting and the arrangement of the Haein Buddhist Monastery reflect the context of Feng-shui.

본 연구는 최근 방영되었던 TV 드라마 ‘SKY 캐슬’의 극중 등장인물의 성격유형을 시각적으로 강조할 수 있는 의상색채를 통해 살펴보고 그 연관성과 상징성을 도출하고자 한다. 연구 목적은, 첫째, MBTI 방식 관점에서 드라마의 극중 역할에 따른 등장인물의 캐릭터를 성격유형에 따라 분류하여 드라마 의상 색채의 상징성을 정의한다. 둘째, ‘SKY 캐슬’ 드라마의 시놉시스에 따른 배역 캐릭터를 MBTI 방식의 성격유형으로 드라마 의상색채가 가지는 상징성을 이해한다. 셋째, ‘SKY 캐슬’ 드라마 등장인물의 성격유형에 따른 드라마 의상의 색채 상징성 특성을 도출한다. 연구 결과는 다음과 같다. 첫째, 드라마 ‘SKY 캐슬’의 스토리 이해를 위한 등장인물 한서진, 이수임, 노승혜, 진진희, 김주영의 성격유형은 MBTI 방식으로 분류가 가능하였으며, 드라마 의상에 사용된 색채의 의미와 상징성을 유형화 할 수 있었다. 둘째, MBTI 방식으로 분류된 등장인물의 성격유형은 INTJ, ISFJ, INFP, ENFP, ENTJ/INTJ으로 분류되었으며 의상색채의 관점에서 그 상징성을 도출 할 수 있었다. 셋째, 등장인물 한서진, 이수임, 노승혜, 진진희, 김주영의 성격유형 INTJ, ISFJ, INFP, ENFP, ENTJ/INTJ의 관점에서 의상색채 검정, 하양, 빨강, 노랑, 초록, 파랑의 상징성을 결과로 도출하였다.

신체는 기본적인 의사소통의 수단인 언어와 함께 인간의 감정과 행동을 표현하는 보조 수단으로 활용되어 왔으며 특히 신체의 일부인 손은 상징성과 중요성에 큰 의미를 부여해 왔다. 손을 활용한 커뮤니케이션은 비유적인 표현과 관용적인 표현 전달이 모두 가능하기 때문에 다양한 의미를 내포하는 도구로 사용되고 있다. 은유와 환유는 대상에 대한 다양한 해석과 기의를 나타내는 기표의 표현 방법 중 하나로 다른 대상을 통해 의미가 전달되어지는 기호의 가장 기본적인 수단이라 할 수 있다. 본 연구는 보편적 기호생산에 의해 확장된 손의 기의에 대한 선행 연구로 연구 결과는 다음과 같다. 첫째, 손은 인간의 물리적 노력과 기술력, 솜씨와 같은 수완 등을 대변하는 의미를 내포하고 있다. 둘째, 손은 위생적 의미작용으로 위생과 밀접한 연관성을 가지고 있다. 셋째, 손의 감성적 의미작용으로 이성과는 대조되는 표현으로 사용되고 있다. 넷째, 손의 폭력적 의미작용으로 상대를 억누르거나 거칠게 제압하는 상대적 힘을 상징할 때 기표로 사용하고 있다. 다섯째, 제품의 특성이나 공익적 메시지를 전달하는 광고의 목적에 따라 표현된 기표의 의미작용이 다르게 나타나고 있다. 본 연구의 결과를 기반으로 다양한 매체와 목적에 따라 표현되는 대상의 기호작용과 확장에 관한 향후 연구를 진행하고자 한다.

The goals of this study is to offer the campus identity program. This campus design covers the following: a survey of the present status, a site analysis, a schematic design, and design development. To create the interior or exterior landscape, the site analysis was carried out. Based on that, we proposed campus identity program by the concept of bible symbol. Analyzing the symbols design of bible it is found out that the theme image in exterior and interior design is presented in many bible' meanings. For example, creation, trouble, resurrection, relief and so on. Through the theme garden created by this plan, we will have more opportunity of contact with campus identity program. It aims to prove the fact that campus users needs the campus identity design which connects theme garden with university image. It will improved the image of campus and opened to the public.

Even if people living well-being need more green space and green experience in urban area, there is not enough open space like trees and forests. It may be caused by which the image elements of city are focalized only on physical elements like buildings, structures, etc. since Lynch's 'the image of the city'. This study tries to create new green image elements instead of the physical city image elements of Lynch style. For making new green elements it is used symbol, image, and meaning of trees abtained from results of reviewing in arts, music, religion, literature, myth, etc. The 5 new green image elements are water, isolated trees, green corridors, forests, and forest cultural event. Water is origin of all green lives, isolated trees are natural monuments(trees) and big trees, green corridors are street trees and green way, forests are woodland in city, parks, and village forests, and forest cultural event is events related to forest culture.