지속적인 기후변화로 인해 매개 곤충을 통한 다양한 신종감염병이 국제적으로 확산되고 있으며, 발생빈도 또한 증가하는 추세이다. 이러한 매개질병을 관리하기 위해서는 질병을 매개하는 매개체에 대한 정보와 지속적 인 모니터링이 필요하다. 이 연구는 제3급 법정 감염병으로 지정된 중증열성혈소판감소증후근(Severe Fever with Thrombocytopenia Syndrome, SFTS) 및 라임병(Lyme disease) 등의 매개체로 알려져 있는 참진드기를 대상으로 충남 당진 일대에서 2018년부터 2023년까지 총 6년, 4월-11월의 기간동안 월 1회 4개의 환경(무덤, 산길, 잡목림, 초지)에서 드라이아이스 유인트랩을 사용하여 발생밀도를 조사하였다. 그 결과 2018년 16,996마리, 2019년 16,698마리, 2020년 6,417마리, 2021년 7,380마리, 2022년 3,451마리, 2023년 3,465마리로, 총 54,407마리가 채집되 었으며, 초지에서 가장 많이 채집되었다. 채집된 참진드기는 2속 3종으로 작은소피참진드기(Haemaphysalis longicornis), 개피참진드기(H. flava), 일본참진드기(Ixodes nipponensis)이며, 작은소피참진드기 (H. longicornis) 가 42,489마리(78.09%)로 높은 우점도를 보였으며, SFTS 보유 여부를 확인하기 위해 RNA 추출 및 Nested RT-PCR 단계를 걸쳐 전기영동을 수행하였으나 양성 검체는 0건으로 확인되었다. 이러한 연구 결과는 SFTS의 주요 매개 체인 참진드기 발생 양상 파악 및 매개 질병 관리 전략 수립에 기초 자료로서 활용될 수 있을 것으로 사료된다.

This study aims to restore the dignity of the elderly based on “filial piety” and community values in preparation for the 'silver tsunami' in Jeju by studying the case of Whitney Center in the United States, PASSi, Jeju's Isidol Nursing Home, and the haenyeo society. The main goal was to develop the Asian Jeong Nang model which was named by professor Koh Chang Hoon, Chair of Island Research Institute at Jeju National university. Jeong Nang(정낭) is the gateway with 3 wooden bars to the traditional residential space of Jeju where several generations live together. Dr. Hesung Chun Koh, Chair of East Rock Institute gave me motivation and support for the study of the elderly welfare model at the Jeju National University Island Research Institute. As the head of this study, I was dispatched from the Jeju National University Island Research Institute to the East Rock Institute (ERI). Dr. Hesung Chun Koh, M.D. Ann Datunashivili who is a practice professor at Medical School of Yale and in charge of Medical Center of Whitney Center. and Mike RambaRose who is Chief Executive Officer of Whitney Center, supported my research. In addition ImJa Choi, CEO of PASSi, also allowed two research students, Lee Seung Yong and Ko Yu Seok, from Jeju National University, to help my research related to psycho-social approach for the elderly at PASSi. This study was intended to develop a model for senior citizens in Korea through Hesung Chun Koh's ERI CCAI Model, Whitney Center's residential apartment model for retired seniors, and PASSi's community care model for the multi-cultural community.

Young-dang(影堂) is a ritual pavilion where figures of a dedicated person is enshrined. According to literature, establishment of Young-dang architecture is thought to have the affinity with Buddhist tradition in the beginning of its history. A tradition of enshrining figure could be found especially in Buddhism. Until the mid Joseon dynasty, enshrining figure made of wood, clay and bronze was quite often at Young-dang. In Confucian ritual tradition, a pavilion where enshrining ancestor’s sprit tablet called Sadang(祠堂) or Myo(廟). In regarding portrait is a sort of figure, it has to be concerned with Buddhist ritual tradition. For this reaseon, Young-dang started to be distinguished from older aspect of existence in mid Joseon dynasty when the study of Confucian courtesy widely spread. It show the transformation process of Young-dang architecture from Buddhist tradition to Confucian tradition in J oseon dynasty.

Koreans considered themselves as a critical link between the past and future and not as an autonomous individual of now, in contrast to what many westerners emphasized and modern Koreans are beginning to think. This study is to apply the "Asian Jeong Nang silver model" as a spirit of "happiness and dignity of the elderly " as the basic policy for the aging Baby Boomers. The way of life of Jeju Haenyeos was similar to the typical life style of retired Baby Boomers, who had been devoted to social contribution until the last minute, returning expert knowledge to the community. That’s why Haenyeo community was chosen as a typical archetype, as well as other example, for a new silver model development. Cross Cultural Ageing Initiative (CCAI)’s purpose is to promote international exchange and collaboration between Korea and United States for research, education and service for the aging population. To bring together the best practices of the East and West, involving all the stake holders of the wider community such as participants in “the 2021 Global Ageing Network(GAN) Biennial Conference : East meets West: Approaches to Healthy Ageing and Wellness in both Seoul and Jeju Island in S. Korea September by GAN and GAN Korea. In particular, the upcoming “Silver Tsunami” in Korean society shows the necessity of welfare models for Korean baby boomers who have retired as highly educated professionals.

The aim of this study is to develop new wedding dress designs by blending the traditional female Korean upper garment of Han-bok, known as dang-ui, with Western-style wedding dress designs. For this research, the author considered the various types of wedding dresses and their historical development based on literary resources and previous studies of the subject. The results are as follows: first, this study featured the use of different types of fabric for the dang-ui, selected from the various fabrics available for wedding dresses. Starting from the basic design of a sleeveless and strapless princess-line tight top, three different styles of A-line dresses were created: a tiered long dress, an unbalanced tiered midi dress, and a spangled and pleated mini dress. The study also resulted in a tight H-line mini dress with a bustle. In this way, the author was able to suggest new wedding dress styles that are well suited to the cultural trend of the Korean wave. Second, the traditional Korean dang-ui is an elegant ceremonial garment that harmonizes well with Western-style wedding dresses. Satisfaction can be found from combining these creative fusion gowns with traditional Korean aesthetics. Third, the traditional Korean ceremonial coronet jokduri and veil, which go well with dang-ui wedding dresses, are suitable accessories for contemporary wedding dresses. The dang-ui wedding dress, a result of merging the Korean dang-ui and the Western style, will help enhance business for both the Korean and the international wedding industry thanks to an aesthetic that has global appeal.

This study investigates how the spatial recognition structure is emerging through the case of rectangular plan combined with a combination of Dang-Sil(堂室) and Gong(工) shape roof, and identifies a type of architecture in the early Joseon Dynasty that has never been revealed. The conclusion of this study is as follows. First, the Dang and the Sil are connected to each other, but the architectural elements such as pillars, frame, and windows are distinguished and appear as separate buildings. Second, the distinction between Dang and Sil is evident by the difference in the number of ridges and the shape of the roof. In addition, the roof and roof framework of the independent rooms and the rooms were common in the right angled architecture where the direction and the expandability of each structure were maintained. Third, the construction of the Dang-Sil combined structure, in which two or more structure frameworks were combined with the rectangular combined flat roof structure, gradually changed into a single structure with a single ridge. Fourth, this change means that people of the early Joseon Dynasty recognized the Dang and Sil as separate architecture, but the strict sense of spatial separation has disappeared over time.

Geum’yeok-dang house in Andong was originally constructed in 1558. The original floor plan of the upper base featured a 90-degree tilted ‘日’ shape, and had inner court(內庭) on each side of ‘Jungdang(中堂, center hall)’ building that was placed on the south-north axis. When designing the building, the Neo-Confucian client of Geum’yeok-dang applied his understanding of how Ga’rye(家禮) defined the structure of ritual space. Consequently, ‘Daecheong(大廳)’, the place where guests were greeted and ancestral rites and coming of age ceremonies for male were held, was built in a protruding fashion. ‘Jungdang’[otherwise known as ‘Jeongchim(正寢)’], where coming of age ceremonies for females were held, the master of the house faced death, and memorials for close ancestors were held, was placed at the center of the residence on the south-north axis. The Geum’yeok-dang today was greatly renovated in the early and mid 18th century, due to the spread of ‘Ondol’ heating system. As the Ondol heating system became popular, the pre-existing drawbacks and the inconvenience of the house stood out clearly. As a result, the house was renovated into today’s structure consisting of ‘口’ shape ‘Anchae’ and ‘Daecheongchae’ in separate building.

Source criticism is very important on the research of architectural history as well as general history. In this point this research studied on the original form and change of Dokrak-dang that is very important building in architectural history of Korea. The result is as in the following. Dokrak-dang that Whoijae built at first was three by two kans size that had daecheong of four kans and ondol-bang of two kans. Gye-jeong that Whoijae built was three kans size that had daecheong of two kans and ondol-bang of one kan. After Whoijae died, Dokrak-dang’s ondol-bang was changed to maru between 1555 and 1556 and ondol-bang in west side and stack room was added in 1630. Gye-jeong was changed to ㄱ-shaped floor plan that was added up two kans from three kan’s ‘一’-shaped one.

Since the end of 1960s, an era of internationalization, Interculturalism has been reflected in intercultural plays which borrow concepts of foreign-cultural aesthetics for the performance and create a new stage language. Among many writers and performers, Oh, Tae-seok created his own unique aesthetic performances through experimental and avant-garde methodologies connected with various areas of art. His plays are worth studying since they suggest us a point of view which helps us to get out of the ordinary, fixed thought and try to see variety of reality. Therefore, our study categorized Oh, Tae-seok’s play into four areas according to grotesquery interculturalism : Evil sprit, Abhorrence, Exaggeration and distort, and Heterogeneity. Based on this category, we analyzed plastic artistic characteristics of his plays’ stage costume, for example, shapes, materials, and color, and tried to enhance the aesthetic value of his plays. We made a conclusion that the play showed grotesquery features in stage costume, which represented death, tragedy, evil sprit of human negligence, surprising and grotesquery abhorrence by deformity of the body, exaggeration and distortion, ridiculousness, and heterogeneity, the mixture of abnormality and unstableness. Our study could help produce adequate stage costume matching the features of the performance, and be the cornerstone of grotesquery aesthetic interculturalism study reflected in stage costume.

In spite of the increasing significance on a scale of building measurement unit and its system having been used in many areas of architecture, only a few researchers carried out the studies on a specific period. It is even harder to find a research results dealt in view of architecture. This research gives a focus on different types of scales employed in the ancient buildings and their sites, based on the research results of unit scale or scales found in recent excavations. After the review of literature on the scales widely used in the ancient times and of the various types of scales excavated archeologically, a kind of scale unit system that had been widely and extensively employed throughout the period of 'Three Kingdoms' could be revealed. The scale system is possibly able to be applied to estimate the exact scale of buildings and their sites as well in that era. The research results show that the scale and its system employed in the East and West buildings and their sites of 'Kum-dang' in 'Mi-ruk Sa' temple are different from 'Kokuryo' scale that was believed in to be used in the temple. Contrary to the suggestion by excavation report on the type of scale employed in the buildings their sites, a scale of 29 centimeters, similar to that of Tang, was employed. It was also found that one module consists of three 'Chuk's of 88.8 centimeters. Based on this scale system, we could conclude that three modules of the buildings on the front and two and half modules of them on the sides were explained by this scale and its system.

Dang, jonghae had written five books on chinese medicine, 『Hyeoljeungron』 is his most important work. He wanted to correct the fallacies of the theory of Jang(臟) and Bu(腑) by comparing with chinese and western medicine. He distinguished Bi(脾) from Cheomyuk(甛肉) by comparing the spleen with the pancreas. He recognized Stomach as the warehouse of foods, and explained that Bi took charge of digestion actually. Bi charged the function of Transportation(運化) and Blood-govering(統血) in addition to plain digestion, he wrote. Dang, jonghae regarded the metabolism of the human body as the interaction of Gi(氣), Blood (血), Water(水) and Fire(火). And he explained that Bi adjusted them. He classified Syndrome of Blood(血證) into five sorts of syndrome and presented four kinds of treatment. Especially he took a serious view of the treatment connected with Bi and Stomach. He set up the theory of Bi and Stomach(脾胃論) practically on basis of anatomy, but he didn't assorted the physiology and pathology of each organ clearly. However he proved the importance of Bi and Stomach by treating Syndrome of Blood and provided with the foundation of merging chinese and western medicine.

Dok-Rak-Dang and Hyang-Dan, upper class houses of Chosun Dynasty on the early and mid 16th century, are generally known as specific style houses among traditional residences in Korea. Architectural singularities of these two residences are summarized as double facades, uncertain circulation, self-secluding construction, dilemmatic structure, and rotative circulation that are far from architectonic principle of that time. Characters of Deconstructionist Art, deconstruction of binary oppositions, double session, displacement without reversal, and paradox, are very similar to those of two residences both as a material phenomenon and as a metaphysical idea. Thus, this paper attempt to analyze architectural singularities of Dok-Rak-Dang and Hyang-Dan with the perspective of Deconstructionist Art Theory.

The purpose of this study was to investigate the effect of dietary Morus alba L.(Bong-ip, B), Glycyrrhizae glabra(Gam-chei, C), Pinus densiflora(Sol-lp, S) and Angelica gigas(Dang-gi, D)powder on serum composition in rats(Sprague-Dawley male rats, 100-110g). Serum TG(triglyceride, p〈0.01), total cholesterol, glucose, total protein, albumin, GGT(γ-glutamyl transferase, p〈0.05) were significantly increased D group than that of nomal and other groups, but UA(uric acid, p〈0.05) was significantly decreased, and C group(p〈0.05) was significantly increased. but C group of urine(p〈0.05) was significantly decreased. Also, B and S groups(p〈0.05) of BUN(blood urea nitrogen), S group(p〈0.05) of ALP(alkaline phosphokinase, Band C(p〈0.05) of CPK(creatinine phosphokinsae, p〈0.05) were significantly increased. B, S and C groups were better than D group for lipid metabolism, and pretection to liver. Also, B and C groups of glucose were same as normal diet, so Morus alba L. was good food for lipid metabolism and hypoglycemic effect.

Located in a rear garden of Changdeok Palace, Yeonkyeong-Dang is valued as the most characteristic building of the houses of aristocrats of the later Joseon Dynasty. The time of the construction has been much debated, however, it is perceived through this research that the construction was completed in September 1827(the 27nd year of king Sunjo's reign). The shape of the buildings during this period resembles a letter ㄷ as shown in the picture of Dong-Kweol. We previously described that the purpose of Yeonkyeong-Dang was to carry the portrait of king Yikjong while keeping the shape of building when it was first established until the 8th year of king Heonjong (1842). In 1865 (the 2nd year of king Gojong's reign), it was reconstructed with very different outlook which has remained the present shape. The characteristic features of the residences of aristocrats were reflected in newly reconstructed Yeonkyeong-Dang. The structure was largely divided into two quarters that occupied by male and female residents respectively. The two quarters were bordered by fences and added with a study and a pavilion. The reconstruction was conducted by king Gojong's father, Daewon- Goon and its purpose was to prepare a separate house for the king and queen before the kings wedding that was about to come. During the 19th century, building an imitation of houses of aristocrats became quite a trend in the palace. Built in 1847, Nakseon-Jae was precedented and followed by Yeonkyeong-Dang. Also later Geoncheong Palace was built in Kyeongbok Palace in 1873. All of the three buildings imitated houses of aristocrats. Divided residences of male and female sections and splendid decorations were common features. Nakseon-Jae was the smallest in the structure of spaces, ornamentation of details and its sizes, Yeonkyeong-Dang was the second and Geoncheong Palace was the most distinguished building. The constructions of these three buildings created an innovative architectural wave in the 19th century palace. Yeonkyeong-Dang was the building that mediated the new flow of architectural structure in the 19th century palace.