The first thing that the word “memory” brings to mind is a kind of pure, internal phenomenon of the human body. However, memory is not something that can only be explained by the body’s autonomous ability or control system, but is rather a more external issue. Jan Assmann considered that while it was the individual who had the memory, this memory was under the influence of society. Memories exist and persist in interaction. People’s memories contain not only the content exchanged during interactions, but also what is placed in the frame of collective memory. “Cultural memory” is a term increasingly used in literary studies. This paper selects the literary genre of novels characterized by fiction storytelling, elaborating on how the overseas Chinese writers revealed cultural elements in collective memory through three short Chinese literary stories serialized in the 1960s. It also shows the new relationship between these cultural elements. The purpose of this paper is to examine how these novels positively contributed to the recollection and identification of the overseas Chinese population, by using collective memory as the core transmission method. 저