본 논문의 목적은 대화협력원리를 통하여 『史記』 대화문에 출현하는 표경부사(表 敬副詞) ‘幸’의 함축 의미를 분석하고 어떠한 한국어 번역으로의 화행 표현이 효율적 인가를 살펴보는데 있다. 이를 위해 먼저 ‘幸’의 사전적 의미와 용법에 대해 알아보고, 화자와 청자의 맥락적 관점에서 의사소통 과정을 살펴보았다. 표경부사로 사용되 었을 때 ‘幸’은 단순히 허사의 용법으로 해석되는 것이 아닌 前後 맥락의 함축 정보에 따라 표현이 각각 달라지기도 한다. 해석과 번역은 문법적으로 같은 구조, 어휘적 으로 같은 형태의 문장일지라도 각각 내포된 의미에 따라 서로 다르게 표현된다.

The word “execution 執行” is a common word used in modern Chinese. The main meanings in modern Chinese are: 1. implemented according to law. 2. do it according to the plan or resolution. Both “execution” and “going” in ancient Chinese are polysemous words of monosyllabic. Under the “implementation” position，the same meaning field is a synonym relationship. As the compound word “execution”，it is deeply influenced by the Buddhist scriptures. “Execution” was initially compounded from the ancient Chinese period. The table “has adhered to the rhythm”，but it is not popular. In the Middle Chinese period，influenced by the Chinese translation of the Buddhist scriptures，the same morphological concept was re-integrated and stabilized to form a compound phrase，mainly referring to “In the period of modern Chinese，it mainly refers to” the implementation of “legalization according to law”; in modern Chinese，it is based on the table “to do according to plans or resolutions”.

In the South China Sea Arbitration, the Chinese term-“li shi xing quan li” was mistranslated into “historic rights short of title,” regardless of the official English translation provided by Chinese government and preserved by international organizations. ‘quan li’ connotes a categorical meaning covering sovereignty and non-sovereignty rights, while “li shi xing” relates to claims and conduct historically before 1982. China’s “li shi xing quan li” in the SCS developed with the history of the general category of historic rights-an umbrella concept connoting both exclusive historic title and non-exclusive historic sovereign rights. It included China’s exclusive sovereignty over nansha qundao in the SCS and its non-exclusive sovereign rights in part of SCS. The Arbitral Tribunal’s negligence of the conceptual difference led to uncertainty in China’s maximum maritime entitlements in the SCS and reasonable doubt about its decision on the Philippines’ Submissions 1 and 2.

Chapter One (甲篇) of Yin Yang Wu Xing in “The Compilation of Mawangdui Silk Manuscript” (《長沙馬王堆漢墓集成》), which has been seriously damaged, still needs further adjustments. From line 1 to 16 (Jicheng Vol.1 p250-251) in Zhu Shen Ji Xiong, we delete two silk pieces and move 2 other pieces according to the Fan Yin Wen (反印文) in Chapter Xi (徙), Tian Di (天地) and Nv Fa (女發) (Ji Cheng Vol.1 p244-245). Some pieces have been added. New transcription can be given by those adjustments. We notice that figures in this chapter were pieced and numbered mistakenly. Some line numbers of transcriptions do not match their figures. In addition, some texts that can be read together were separated.

說文에서 말하는 이체자중 古文과 籒文의 자형은 문자학상의 가치가 매우 높다. 그러므로 한자 형체 발전 과정에서 매우 중요한 자료이다. 許愼이 말하는 소위 省의 개념은 주요하게 몇 가지 방면 으로 나타나는데 이것이 바로 한자발전상 매우 중요한 현상 省形 省聲현상과 연관된 것이다. 본 논문은 說文의 籒文과 古文중의 省形 省聲현상을 연구하고, 연구대상은 籒文이나 古文에서 形旁이나 聲旁을 생략한 글자로 삼는다. 說文 籒文과 古文의 省形 省聲字를 고찰한 결과, 籒文의 省形字는 6개, 籒文의 省聲字는 14개, 省形이면서 省聲字는 2개, 형체에 의혹이 있는 글자는 1개이다. 古文의 省形字는 5개, 省聲字는 7개, 고문자와 소전과의 관계를 省形과 省聲으로 잘못 오해한 것이 18개로 가장 많았다. 省形과 省聲은 일종의 특수한 현상으로, 이러한 현상이 생기는 원인은, 고대 사람들이 글자를 쓰기에 편리하게 하기 위하여 만들거나 쓸 때 자형의 균형을 위해서 조자 과정중 일부형체를 省略한 것이다. 한자는 簡化와 변화의 모순 속에서 발전하고 있고, 발전과정도 서사나 기억의 簡化를 위해, 공시 적이나 통시적 평면에서 존재하고 발전하고 변천하고 있다. 許愼이 비록 古文字 材料의 한계로 인해, 字形의 분석에 오해를 가져왔지만, 說文解字의 省形 省聲방법은 漢字를 創造하는 방법으로, 후 대사람들이 漢字構造를 硏究하는데 많은 도움을 주었다.

Both Chinese culture and South Korean culture have a very long history. The two cultures share many things in common. Chinese characters and Confucianism had great influence on ancient Korean Peninsula in terms of national thought and social mental state as well as the development of its classical literature. When Korean was established at the very beginning, Confucianism had become the dominant thought. What is more, the introduction of Hsin-li Hsueh also had greater impact on Korean classical works. The Confucian thoughts of Loyalty, Righteousness, Chastity, and Piety were deeply rooted in Korean classical literature. The regulation of Hsin-li Hsueh had resulted in the appearance of the thought of “no sweet without sweat” and the theme of “punishing evil-doers and praising good-doers” as well as the frequent usage of Chinese allusion in Pansori novels. With the introduction of ancient Chinese literary works into Korea, literators in Korean Peninsula not only enjoyed all these works in terms of reading and referring, but also flexibly put all the overseas cultural genes into their literary production. Biography of Xing Fu was the typical one. The thesis is going to analyze the imago of swallow and cucurbit and ancient Chinese classical literary works in Pansori novels from the standpoint of cultural transmission and variation so as to interpret the deep root of Chinese element in Biography of Xing Fu, which will definitely provide a better understanding of this novel.