본 논문은 베율명（贝律铭）의 건축 업적에 대한 광범위한 탐구를 수행하며, 특히 전통 중국 미학과 현대주의 디자인 원 칙을 통합하는 그의 숙련을 요약하는 쑤저우 박물관 신관에 중 점을 둔다. 베율명（贝律铭）의 작품에 대한 이 철저한 검토는 고대 전통과 현대 혁신을 결혼시키는 그의 디자인 철학의 복잡 성을 풀어낸다. "留白" 개념, 대칭, 재료, 색상 및 정원의 조화 로운 통합의 복잡한 적용으로 특징 지어진 쑤저우 박물관 신관 은 문화 유산이 건축 디자인에서 어떻게 보존되고 현대화 될 수 있는지에 대한 횃불로 서 있다. 본 논문은 또한 베율명（贝 律铭）의 작품 세계의 보다 광범위한 함의와 해석을 분석하며, 문화 보존과 건축 미학의 지속적인 진화에 대한 그것의 깊은 영향을 드러낸다. 본 논문은 문화 의사소통에 대한 그의 기여 에 대해 자세히 설명하고 현대 건축을 위한 통찰력있는 교훈을 제공하며, 역사적 맥락과 현대 해석 사이의 통합 가능성을 강 조한다. 베율명（贝律铭）의 독특한 시각을 통해 쑤저우 박물 관 신관을 탐험함으로써 본 논문은 건축이 문화의 반영이자 혁 신자가 될 수 있는 방법에 대한 우리의 이해를 더해준다. 본 논문은 세계 건축 분야를 계속해서 영감을 주고 형태를 만드는 건축 비전가로서 베율명（贝律铭）의 지속적인 유산을 확증함 으로써 결론을 내린다.

우리나라 정원 트렌드를 분석하기 위해 국내 활동 디자이 너를 대상으로 설문을 통해 조성 경력, 디자인 양식, 식재 이 용성, 정원 소재 선호도를 분석하였다. 최근 5년 활동 경력 보유 디자이너는 연 평균 1~4개소의 정원을 조성하며, 주로 공모전 및 초청 전시와 기업 및 공공기관 정원 조성에 참여 하고 있다. 정원 조성 시, 주변 생태, 경관 및 식재의 조화를 고려하여 주로 비정형식 디자인을 선호한다. 정원 내부 설치 구조물 보다는 식재 활용성이 약 74%, 교목 및 관목보다는 초본류 식재율이 약 39~55% 더 높은 것으로 확인하였다. 국 내 디자이너는 정원 내 교목, 관목, 초본류의 식재 비율을 평 균 2:5:9로 설정하며 저관리성 소재인 사초 및 양치류의 선 호도가 높은 것으로 나타났다. 식재 밀도의 경우, 정원 이용 목적 및 디자인에 따라 상이하지만 100m2 기준 평균 11~40 종을 활용하여 약 1,000~3,000본/주를 식재하는 것으로 조 사되었다.

This paper presents a study on the design and implementation of a secure contactless system leveraging Quick Response (QR) codes as a core component. The main goal of this system is to bridge the gap between strong security and improved user experience within the realm of digital interaction. The system's versatility can be expanded with broad compatibility with a variety of applications. Utility can be expanded to areas such as contactless payments, electronic ticketing, secure identity verification, and convenient access to medical records. The international standardization of QR codes ensures seamless cross-platform compatibility, strengthening their role in the digital ecosystem. We actually create and develop a non-contact security QR code system and check the expandability of the system. This study highlights the pivotal role of QR codes within the realm of secure contactless systems. Through its effective balance of digital security and user convenience, QR codes are emerging as an important element in the continued development of a secure and user-friendly digital environment. The potential for future research lies in exploring more complex use cases and further advancements that improve both security and user-centered design.

User churn in games often arises due to inadequate game difficulty. To address this, non-player characters (NPCs) has been utilized to modulate difficulty according to individual game skill. Nevertheless, the effectiveness of solely NPC-based adjustments is limited since game difficulty is influenced by both NPCs and environmental factors. This paper introduces a novel method for dynamically tailoring game difficulty by adjusting in-game environments based on player behavior patterns in top-down shooter game. Through analysis of diverse user game play data, we find that factors within the game environment, such as the distribution of enemy characters and the arrangement of terrain, have a substantial influence on the level of difficulty. Furthermore, it has been observed that behavioral patterns of players show variations according to changes in the game environment. Using these analytical result, we devise an artificial neural network model that configures an environment that suit player behavior patterns. With the model, we figure out the user player pattern and control the difficulty dynamically by changing the environment factors. Through the experiments, we show that our method provides an appropriate level of difficulty for users to prevent user churn.

The gaming industry is experiencing rapid growth due to recent advances in technology. Game engines such as Unity and Unreal are being actively utilized. These game engines offer a variety of plugins to naturally extend the functionality of the engine. Among them, innovations in 3D graphics technology have made game characters more expressive and enhanced the user experience. However, traditional 3D modeling approaches can sometimes bring limitations and challenges. In particular there are problems with the representation of fine details when utilizing general photos through AI scanning. This paper aims to overcome these difficulties by designing and implementing a game 3D character generation framework using Stable Diffusion. By improving the creation process by utilizing concept art images without hairstyles, it enables fast and efficient character creation. The application of this framework allows for faster and more consistent character creation with fewer steps in the creation process and helps game developers to adapt characters to the engine more easily and quickly. In addition, we verified the effectiveness and scalability of the 3D game character data generated by Stable Diffusion by checking the animation behavior in the game engine.

The global PC game market is enjoying sustainable growth, and diverse grow types and quantities of games. Among the many, the theme of horror circulates in the market. Ahead of placing orders, the poster initiates the first exchange with the game, players and consumers, and affects buyers' behavior and cognition subject to its color. What is an eye-catching poster? Different games have different styles and philosophies, so it leads to a certain degree of variation in the poster design of each game. In order to study the common points of popular game color design. For the top 10 most acclaimed horror games on STEAM (PC), 5 to 6 color elements were mined from each poster for analysis and offered suggestions on poster design. First, in the color selection, more warm colors are on the list of recommendation, such as yellow, you can also choose cool colors such as blue. Second, high-saturation and high-brightness colors speak for better choice. The design of color is not absolute, and this thesis only analyzes the posters of commercially circulated and well-received horror games. It is hoped to provide insights for user-friendly interface design, support and understanding of user behaviors.

Based on conceptual metaphor theory and speech act, this study aims to examine the communicative functions of language use by analyzing texts used in Seoul’s urban design. Considering that life in a modern society is based on the ecosystem of its cities, the importance of urban design in increasingly felt by modern individuals who share limited space and move along predetermined routes. According to El-Khoury and Robbins (2004), urban design is both an abstract and relative concept, and the purpose of a city can be interpreted differently according to differences in experience and perspective. Conceptual metaphorical language expressions not only have a communicative function but also provide the hearer with a certain perspective by concretizing the events or phenomena indicated by the speaker. Metaphorical language expressions based on metaphors created by the speaker perform speech acts by serving as an effective means of persuasion and communication (Searle 1979). We examine the linguistic aspects based on the metaphor of the development of illocutionary forces in Seoul’s urban design texts.

망문백자는 기면 위에 도안화된 그물문을 장식한 것으로 중국과 일본, 한국에서 제작됐 다. 본 연구는 그동안 종합적으로 조망되지 못했던 망문백자의 양식을 규명하고, 동아시아 망문백자의 제작양상과 특징을 고찰했다. 망문백자는 명 말기 수출자기 양식으로 확산됐다. 따라서 명 말기 망문백자가 유통되었던 국가들의 자료를 종합하여 살펴봄으로써 중국 망문백 자 제작 경향을 파악했다. 한편, 중국 망문백자는 주요 소비국이었던 일본에서 모방 및 변용 되었다. 일본은 경질백 자를 생산한 이래로 망문백자를 꾸준히 생산한 것으로 이해된다. 일본에서 망문 그 자체는 길상상징으로 도자기를 비롯한 공예품의 의장으로 애호됐다. 특히 도안집을 통해 널리 유포 되었는데, 이러한 도안집이 조선 19세기 이후 등장하는 망문백자 제작에 자극이 되었을 가 능성을 추정했다. 조선 후기는 백자 제작에 있어서 일본의 영향이 고조되는 시기로 대일교류 를 통한 망문백자 제작을 밝혔다. 이처럼 중국과 일본, 조선에 이르기까지 각국에서 망문백 자 제작과 수용이 각기 다른 양상으로 나타난 점을 통해 동아시아에서 공통으로 출현하는 망 문백자의 상호 영향관계를 탐구했다.

본 연구는 워터프론트에 조성된 공원을 “워터프론트 공원”이라는 유형으로 특정하고 워터프론트 공원 이 다른 공원과 구분되는 특징 및 가치를 고찰한다. 그리고 뉴욕시에서 2010년부터 2020년까지 공사 완료 개장한 워터프론트 공원들의 분석 연구를 통해 최신 워터프론트 공원에서 두드러지는 설계적 특 징 및 경향을 종합한다. 최신 워터프론트 공원의 설계경향 및 특징은 다음과 같다. 첫째, 다양한 경험이 가능한 수직적 구조의 제안 둘째, 배후도심과 공원구조의 유기적 연결을 통한 접근성 향상 셋째, 생태적 다양성의 증진과 원생경관의 회복 넷째, 기후 리질리언스 설계 도입 다섯째, 역사적 장소성 강조를 위한 역사 유산의 물리적 활용 마지막으로 자전거 전용도로와 공공 수상 교통을 위한 접안시설의 제공이다. 이를 바탕으로 본 연구는 앞으로 조성될 워터프론트 파크의 설계 및 계획을 위해 다음의 시사점을 제시 한다. 먼저 워터프론트 공원의 설계 및 조성 기법의 지속적 연구 둘째, 배후도심과의 워터프론트 공원의 강한 연계를 위한 행정적 지원 및 계획적 기획 세 번째, 워터프론트 공원을 통해 도시의 리질리언스를 증진할 수 있는 설계 연구의 필요성 마지막으로 개별적 워터프론트 공원의 조성에만 집중하는 것이 아 닌 도시/지역적 스케일을 아우르는 상위계획의 확립이다.

The study used the whole-life carbon assessment method to conduct a thorough carbon-neutral evaluation of a standard steel structure. To further assess carbon emissions, 11 design-changed models were evaluated, with changes made to the span between beams and columns. The results of the carbon emission assessment showed savings of approximately 13.1% by implementing the stage of the beyond life cycle. Additionally, the evaluation of carbon emissions through design changes revealed a difference of up to 42.2%. These findings confirmed that recycling and structural design changes can significantly reduce carbon emissions by up to 48.6%, making it an effective means of achieving carbon neutrality. It is therefore necessary to apply the stage of beyond life cycle and structural change to reduce carbon emissions.

In recent years, young Chinese consumers have become more favorably inclined toward products relating to traditional culture. Therefore, this study aimed to develop a textile design that incorporates traditional Chinese patterns and cultural symbolism that will appeal to consumers from the MZ generation (millennials and Generation Z). Through a literature search for traditional Chinese patterns and symbols regarded as auspicious, our design concept and motives were established. We selected peony, lotus, and frog motifs as representative of a “wealth and eternal prosperity” design theme. In textile design work 1, we used hand drawing and watercolor techniques, color transformation with Adobe Photoshop, and colorway and end-use 3D simulation with TexPro. The 3D simulation work suggests that this textile pattern is suitable for women’s outerwear, mufflers, and tote bags. Textile design work 2 conveyed the ‘wealth and eternal prosperity’ design theme and had a graceful mood that embodied the nobility of the lotus flower whilst also encompassing the symbolism of money and status. The end design is a modern reinterpretation of traditional Chinese patterns and motifs. As such, it is hoped that it will satisfy the needs of young consumers for cultural values yet offer a unique new aesthetic distinct from existing textile designs. These qualities can be expected to enhance the competitive market value of textiles bearing this design.

The objective of this study was to explore the symbolism associated with phoenix patterns in China and the temporal aesthetic characteristics of these patterns found in Dunhuang Mogao Grottoes. The study involved collecting examples of clothing designs featuring phoenix patterns from China Fashion Week and the Vogue website, spanning from spring and summer of 2016 to fall and winter of 2022. After collecting and organizing these examples, representative cases were selected for analysis. The objective was to identify effective techniques for incorporating phoenix patterns within the context of Dunhuang Mogao Grottoes and provided insights for future clothing design and textile pattern design research. Phoenix patterns boasted a lengthy history and were laden with symbolic meaning. Early renditions of phoenix patterns found at Mogao Grottoes in Dunhuang were relatively simplistic in design, mainly employing elements like rhythm, coordination, balance and symmetry to convey a sense of nature and gravity. Over time, these patterns evolved under the influence of the prevailing cultural backdrop, employing repeated emphasis to portray notions of abundance and tenacity. Furthermore, regarding the use of phoenix patterns in clothing, there were four prevalent expression techniques: embroidery, beading, printing, and knitting. Traditional techniques like embroidery and beadwork often prioritized aesthetic features like coordination, emphasis, and symmetry, thereby showcasing the opulent characteristics of phoenix patterns. On the other hand, printing and knitting techniques used a single phoenix pattern or a modified version to simplify designs by emphasizing or repeating aesthetic characteristics while adhering to a modern artistic approach.

Modernism is an internationally accepted design style. In addition, traditional Korean costume is not the clothing of the past, but its form is also used in modern fashion. Therefore, the purpose of this study is to examine the social and cultural contents of the morphological structure of traditional Korean costume, in order to derive the design characteristics of modernism and examine the global applicability of traditional Korean costume structure. For this study, photographic materials from museums, schematic drawings of relics, and Hanbok production books published by government agencies were analyzed. Further, this study examined traditional Korean costume, especially the modernism characteristics derived from Paul Greenhalgh and previous studies. The results are as follows. First, The traditional Korean costume is a cut based on basic shapes, along with a silhouette appears according to the background of the times. Second, the characteristics of modernism can be divided into universality, functionality, and simplicity. Third, as a result of analyzing the form structure of traditional Korean costume based on the characteristics of modernism, universality is expressed as standardized form, functionality as practical aesthetics, and simplicity as sustainable diversity. Furthermore, Korean costume has a difference in that was greatly influenced by various Eastern ideas and aesthetics of the late Joseon Dynasty. These findings provide a perspective of modern reinterpretation of the uniqueness and universality of traditional Korean costume in line with globalization by utilizing the design characteristics of modernism, an international style.

In this study, the change in the mold opening stroke of important functional parts according to the 20, 50, 80, and 100% increase in the injection speed of a hydraulic 150 ton hydraulic injection molding machine was studied to verify the accuracy of the injection speed and mold opening stroke and the reproducibility of the standard deviation. The null and alternative hypotheses were confirmed by conducting hypothesis verification according to the experimental condition change using the experimental design method.