본 논문은 일반적인 상황이 아닌 전시라는 특수한 환경에서의 영상기반 AI 모션캡쳐 적용방법의 다양한 시도 를 살펴보았다. 이전의 방식을 살펴보면서 다양한 전시 환경과 조건에 따라 활용 가능한 방법을 연구하고, 장 단점을 서술하여 인터렉션 전시공간에 적용 가능한 영상기반 AI 모션캡쳐 모션캡쳐 기술의 필요성과 적용 가 능성을 설명한다. 또한 MIVA 프로젝트를 진행하면서 전시공간이라는 비규격화 된 공간에서의 불편한 점을 파 악하고 이에 대한 대응할 수 있는 기술적인 환경 구성에 대하여 정리하였다. 또한 실제 공간에서 캡쳐 프로그 램을 설치하고 전시에 적용하면서 생기는 문제점을 파악하고 해결하면서 적절하게 적용 가능한 모션캡쳐 기 술 환경 파이프라인을 제안한다.

This, an association research for design-improvement and model-development of exhibition shops at rural tourism communities, is to secure objective data by analyzing customers' awareness-tendency of and demand for agricultural-specialty exhibition shops. Survey-questions for finding out consumers' awareness-tendency and demand were determined through brainstorming of a professional council, 30 rural communities of which visit-rate by consumers is considerably high were selected for the recruit of 200 consumers. For investigation and analysis, survey and in-depth interview were carried out at the scene with the application of frequency analysis and summarization of their opinions, which revealed that they have a strong will to visit the rural tourism communities for the purchase of agricultural specialties along with the experience of learning-program and on-the-scene direct dealing and that their viewpoint on the direct dealing at the scene was very positive. Also it was confirmed hat their satisfaction with the purchase of agricultural specialties by on-the-scene direct dealing, their pleasure at the purchase, their satisfaction with services and their intention for re-purchase of them were very high while their satisfaction with the exhibition shops was very low. With on-the-scene survey, the consumers' opinions could be listened to in depth. Almost all of them said their satisfaction with the trip to those rural tourism communities was considerably high since they could go to those communities themselves to relieve the stress from their modern life, to experience healing and to see the goods on the scene. Their satisfaction also was attributed to the fact that they have enough trust in purchase along with feeling the warm-heartedness of rural residents. As to their awareness of exhibition shops, they showed a positive response to the on-the-scene direct dealing at rural communities while they, thinking that the space in those exhibition shops was not sufficiently wide, demanded for more systematic counters in more accessible and affordable exhibition shops so that they might be more satisfied with the exhibition shops. Their demand for the necessity of exhibition shops selling agricultural specialties was found to be over 80%, which indicates that the necessity is very high. As to the suitability of function, they have the opinion that the business at those shops had better be focused on sales since they have the understanding of information when they take a trip to the rural communities, while there was another opinion: since agricultural products are seasonal items they should be exhibited and sold at the same time. More than 90% of the respondents had a positive viewpoint on direct dealing of agricultural specialties on the scene, which showed that their response to it was very high. They preferred the permanent shops equipped with roll-around table-booths. In addition, it was revealed that they want systematic exhibition shops in rural communities because they frequent those communities for on-the-scene direct purchase. The preferred type and opinion resulting from estimation of consumers' demands have been reflected for development of practical designs. The structure of variable principles has been designed so that the types of display-case and table-booth might be created. The result of this study is a positive data as a design model which can be utilized at rural communities and will be commercialized for the verification of its validity.

본 연구는 화훼장식 소재 이용의 흐름을 파악하여 금후의 트렌드를 가늠해 봄으로써 화훼장식의 유행을 선도할 목적으로, 1998년부터 2007년까지 10년간의 (사)대구서라벌꽃예술협회 전시회 1,195 작품과 월간지 플레르 914 작품에 대해 식물성 소재 중 절화, 절엽, 절지의 종류 및 사용빈도를 조사하였다. 각 품목별 상위 10위의 소재를 보면, 절화류는 국화, 안수리움, 맨드라미, 장미, 해바라기, 용담, 심비디움, 칼라, 나리속, 극락조화 등이고, 절엽류는 아스파라거스속, 엽란, 필로덴드론 셀로움, 드라세나속, 루모라고사리, 잎새란, 몬스테라, 편백, 아이비, 절지류는 버드나무속, 청미래덩굴, 흰말채나무, 삼지닥나무, 노박덩굴, 풍선초, 다래덩굴, 속새, 화살나무, 대나무였다. 사용 빈도가 증가 추세인 식물성 주소재로는 전시회 작품에서 절화류의 국화, 맨드라미, 수국, 심비디움과 절엽류의 드라세나속, 편백, 엽란, 절지류의 속새, 삼지닥나무, 히페리쿰 등으로 나타났으며, 월간지 작품에서는 절화류의 장미, 국화, 안수리움, 심비디움, 맨드라미, 나리속과 절엽류의 아스파라거스속, 이끼, 필로덴드론 셀로움, 파초일엽, 유칼립투스, 절지류의 흰말채나무, 대나무, 노박덩굴, 풍선초, 히페리쿰 등으로 나타났다. 이상의 결과로부터 화훼장식의 식물소재는 지속적으로 개발, 변화되고 있으며 이에 따라 작품의 표현방법도 다양해 질 것으로 생각되었다.