The purpose of this study is to analyze the characteristics and symbolism of peony, the traditional noble flower, create knit fashion designer applying the aesthetic beauty of flower, and suggest the various possibility of developing knit fashion design. As for the study method, the study conducted review on literature and previous studies to investigate on history, characteristics, symbolism of peony, and examined various expressive technique through previous studies about fashion design using flower images. To express characteristics of peony in three dimensions, the study investigated and reflected on crochet expressive technique to design 4 women’s knitwear. The results are as below. First, as shape of peony is big, voluminous, fancy and noble, it symbolizes wealth and beauty. Including red which is the generally known color of peony, there are yellow, white, pink, purple, green, blue, black, gray, white purple, white color. This study reflected characteristics and symbolism of peony and created knit fashion design applying abundant aesthetic characteristics of flower. Second, crochet method is advantageous as it is operable with thread and hooked crochet hook without time and space restriction, it can create unique fashion design. Crochet knitting on hand knit can diversity changes to express relief textures, and as there is no limit in size, it can be applied to small props to big pieces. This study suggested the various possibility of knit fashion design development and various expressive possibility on modern fashion design.

The garden festival is mostly required to move visitors while omitting the value of taskscape, temporality, and contextuality, which are in the original garden. Therefore, it is necessary to pay attention to how the garden festival represents a given theme by implication and embodies the disconnected time. For this purpose, this study is intended to look at the narcissism garden (entitled “To you who don’t love me [To me in the mirror]”), which was exhibited in the garden art section of the Goyang International Flower Festival in 2018, to investigate how it effectively conveys the theme how space, time, and human senses in the garden were expressed. The mystic gate acts as a gateway into the garden and is a space for setting up the time and context that is cut off at the garden festival. The inside wardrobe creates a visual focus through objects and decorates the appearance with a time that is trapped in the eyes of others, but expresses the inside that is itself hurt by a lack of confidence. The hourglass in the heart expressed the social atmosphere of tightening the corset strings that it was wearing and a look wanting to hold onto the flying time. The double-sided mirror newly interpreted narcissism by arranging two dressing tables and looking at itself ecstatically in front of the broken mirror, thinking its face was beautiful. The message wall had a direct expression through the text and indirectly expressed the message that it is beautiful by planting a peach tree, but is only a temporary appearance in which flowers fall after a short period of time. The significance of this study is that both the design strategy and motive for clearly delivering the theme given to the festival to the visitors were reflected in the actual space through a focus on the time of the garden and the forming of new thinking and approach.

This study created a thematic garden, entitled “Spring revisited”, in the outdoor garden section of the 2017 Goyang International Flower Festival to present the life and ideas of poet Yoon Dongju through garden culture. It used visual narrative techniques to express and present the poet’s life and the value of his literature in the language of space design. Through this method, the garden provided a holistic experience of Yoon Dongju’s selfhood and literature through indirect perceptions experienced in the space rather than as direct experience. The room of wind and time embodied the poet’s life by overlapping small pieces of blue-colored clothing, and fluttering cloths and grasses were used to represent the wind. In the room of night and stars, a black mirror expressed the night sky as a visual embodiment of his poetry. In the road of desolation, a long passage was created with walls on either side to express the desolation and agony of life to the viewers as they walked through the dark space. The path of the writing pad was modeled on a manuscript to convey the meaning of the poet’s path, and the poetic language of the poet’s masterpiece, heaven, wind, stars, and poems, were written there on. The stone grave, flower grave area combined the negative words of “stone grave” with contrasting images of stone and flower to seek a transition in the emotional atmosphere. The poet’s room was a partially open space inspired by a prison cell. A chair and a desk with a writing pad and pen reminded the viewers of the poet and helped them to experience him. The space of spring was a double meaning of the spring time he could not experience and his aspiration for the nation’s independence. At the height of the garden festival, numerous types of beautiful spring plants were presented. The significance of this study lies in its design techniques that enabled a clear presentation of the topic in the garden space to a general stream of visitors combined with the values pursued by the poet.

The purpose of this study is to create knit ruffles that represent the aesthetic and artistic values of painted works of art that rhythmically express flower petals and add an artistic impression on the knit ruffle designs. This study is based on the artistic life of Georgia O’Keeffe and changes in her artistic background, and the world of paintings. The relevant data was gathered from domestic and foreign references, academic journals, and the internet. The characteristics of Georgia O’Keeffe paintings were examined. Her paintings typically include a series of various motifs, symmetry, balance, and harmony of detailed realistic expressions and abstract elements, repetition, and the principles of contrast and emphasis in shaping. The decoration techniques used on fabrics were applied using the knitting machine which controls the tension to develop a variety of textures, apart from the previous standardized knit textures, through various knitting techniques. A gradation effect was then applied by piece-dyeing the knitted materials in various colors to express asimilarity to the original colors in O’Keeffe’s works with delicate color expressions. After the piece-dyeing, the decorative knitted materials were trimmed on a model to re-create the natural curves of flower petals. This study aims to converge works of art with fashion designs to develop various creative knitted fashion and to impart an artistic sense in the fashion design industry.

본 연구에서는 돌잔치 공간의 화훼장식에 대한 소비 자들의 성별 만족 요인과 디자인의 선호도 등 의식을 파악하기 위하여 성인 남녀 650명을 대상으로 설문조 사를 실시하였다. 그 결과, 돌잔치 공간에 화훼장식 디 자인이 잘 되어 있으면 소비자의 만족도가 향상되고 재방문 의도 또한 증가하였다. 남성의 만족도에 가장 큰 영향을 미치는 요인은 화훼장식 디자인의 조화와 색상이었으며, 여성의 경우에는 화훼장식 디자인의 스 타일과 구성이었다. 성에 관계없이 화훼장식의 위치는 테이블, 입구, 단상, 벽, 천정 순으로 선호하였으며, 식 물소재는 장미를, 화훼장식 디자인의 색상은 분홍색으 로 볼륨감 있는 화훼장식품을 선호하였다.

This study purposed to examine how the window display of flower shops affects consumers' buying desire, and for this purpose, we surveyed flower buying customers' interest in window display according to their gender, age, and occupation. The survey was conducted using a questionnaire with flower shop customers in Seoul, Daegu, and Gyeongju. Interest in window display was over 1.5 times higher in women than in men. Among criteria for choosing a flower shop, window display was more important than other factors. With regard to experience of being stopped by unique window display, many of the respondents replied that they had such an experience, and the frequency was higher among women than among men. Among different types of window display, theme-type window display was most effective in stimulating customers' curiosity and buying desire. According to occupation, housewives showed particularly high interest in window display. The results of this study show that the window display of flower shops has a significant effect on consumers' buying desire.

화훼장식품 제작 시 플로랄 폼은 쉽게 썩지 않기 때문에 감상기간 이후 심각한 환경문제를 발생시키는 문제점을 지니고 있다. 본 연구를 통해 플로랄 폼을 사용하지 않고 화훼 고유의 부분별 특성을 살려 여러 가지 효과적인 꽃의 고정형태를 디자인하였다. 화훼장 식의 표현기법 연구를 위해 가지, 줄기, 잎, 열매, 꽃, 뿌리 등 식물소재 고유의 형태적, 재료적인 특성을 파 악하였다. 이를 통해 화훼의 각 부분이 가진 다양한 조형적 특성을 활용하여 꽃을 고정시키는 여러 가지 기법으로 작품 제작에 적용하였다. 본 연구를 통해 환경문제를 야기할 수 있는 인공적 인 부자재인 플로랄 폼 대신 꽃의 각 부분의 특성을 살려 여러 가지 기법을 제안하였다. 화훼장식의 미적 측면뿐만 아니라 제작 후 발생하는 환경문제에 대한 대안을 제시하고 화훼장식에서의 활용 매체를 다양화할 수 있었다. 특히 일상생활에서 쉽게 구할 수 있는 자 연소재를 이용하여 누구나 쉽게 디자인할 수 있으므로 화훼장식 저변 확대에도 기여할 수 있다. 앞으로 우리 주변의 작은 소품에서부터 공간장식으로까지 그 활용범 위가 확대될 것으로 기대된다. 이러한 화훼 고유의 특 성을 살린 표현 기법의 지속적인 연구, 개발을 통해 자연친화적인 개념의 화훼장식이 확대되어야 한다.

This study was carried out to design New Certification of Floral Arrangement based on the National Competency Standards to Using Competency Map. Currently the industrial base certification systems, not academic base, are emphasized. Because the industrial base certification system were derived by job analysis of industrial sites. The data were gathered by direct survey on industrial fields and internet homepages of HRD Korea and Q-net etc. and verified by brainstorming on the expert FGI and interview on the flower design industries. Certification events were 2 items such as ‘Unit Floral Arrangement L2’ and ‘Unit Floral Arrangement L4’, and critical duties and optional duties, and levels and required study time were derived. And Competency Map and lifecycle certification development paths were conducted, and the objectives and subjects, required time of education and training for expert and qualification of technical certification. In this study result, the certifications upto level 5 were suggested, if social and legal system would be served the certification level 8 or below could be developed and suggested. Finally news jobs, such as spatial floral arrangement and eco-friendly floral arrangement, are needed to be suggested and competency maps inked into unit flower design and certification events were developed.

화훼 산업 정체에 대한 대안으로 주목되고 있는 프리저브드 플라워의 브랜딩 작업의 일환으로 연구된 색채 감성 패키지에 대해 디자인 목적과 표현의 적합성을 검증해 보았다. 전문가 설문을 통해 디자인 컨셉 설정 측면에서 적합함을 도출하였으며, 후속 연구에서는 Elegant 언어에 대한 패키지가 의미를 가질 수 있음도 알 수 있었다. 디자인 표현에 있어서는 3개안에 대해서는 표현과 의도가 일치함을 도출하였고, 1개안의 경우는 패키지 디자인의 특성을 고려하여 의도적으로 표현 수위를 조절했다는 측면에서 볼 때, 표현의 적합도를 올리기 위한 점과 함께 설문 방법적인 면에서 보완이 필요하다는 점도 얻을 수 있었다.