본 논문은 영화 『헤드윅』의 주인공‘헤드윅’의 드랙퀸 분장과 이희문의 드랙퀸 분장에 대하 여 연구하였다. 이희문의 드랙퀸 복장이 국내 다양한 TV 프로그램과 공연에서 한국적 드랙퀸의 모습을 보인다는 점에서 연구가 시작되었으며 이희문의 드랙퀸 분장에 대한 차별점 분석을 목적으 로 하였다. 연구 방법으로는 영화『헤드윅』에서 헤드윅이 공연하는 장면에서 입은 모든 드랙퀸 의상의 종류와 특징에 대해 정리하였고 국내 TV와 YouTube(유튜브) 채널 그리고 라이브 공연에서 활발히 활동하고 있는 이희문의 드랙퀸 복장도 분석하였다. 본 연구의 선행 연구 논문으로는 드랙 퀸의 젠더 정체성 분석과 헤드윅의 공연 의상분석이 주를 이루고 있다. 본 논문에서는 헤드윅의 젠더 수행성보다는 드랙퀸 분장을 엔터테인먼트적인 요소로 활용하였다는 점에 집중하였다. 이희 문의 드랙퀸 분장은 그가 소속되었던 <씽씽 밴드>를 중심으로 분석하였고 <씽씽 밴드> 해체 이후 그의 새로운 여러 공연을 참고하였다. 이희문의 드랙퀸 분장은 그의 인터뷰 내용과 라디오 출연 또는 방송 출연에서 직접 이야기한 내용을 중심으로 비교 연구를 진행하였다. 연구 결과 이희문의 드랙퀸 분장은 엔터테인먼트적인 요소를 활용하여 다양한 예술 장르와 방송, 미디어에 등장하였 으며 이것은 앞으로 다양한 예술 장르가 엔터테인먼트적인 요소로 활용되어 미디어와 공연에서 시도될 수 있을 것으로 예측하였다.

The purpose of this study is to identify the relationship between experience marketing using makeup services and theme park users’ satisfaction, loyalty, and revisit intention. This is because it can identify the usefulness of makeup services and provide implications for effective field marketing strategies. In order to achieve the purpose, 668 users of the theme park were surveyed after convenience screening as research participants. The main theme was the makeup service for visitors to Lotte world, Everland, and Hapcheon Ghost theme park. this study reviewed previous studies and applied them to the makeup service. Based on this, the research model and the hypothesis were established, and as part of the empirical research, the hypothesis was verified through analysis methods such as frequency analysis, reliability verification, factor analysis, and structural equation modeling. The summary of the research results based on empirical analysis is as follows. First, as a result of analyzing experience marketing using makeup services has a positive impact on the satisfaction of customers using theme parks. Second, experience marketing using makeup services has a positive effect on customer loyalty. Third, experience marketing using makeup services has a positive effect on intention to return. Fourth, satisfaction and loyalty were found to affect the intention to return. Based on this research, we hope that the makeup service as experiential marketing can be effectively applied in various fields, and that the research can be used as basic data to make the makeup service into the representative cultural contents marketing.

The influence of digital media according to environmental change of multi-media came to have significance more than what we imagine. In accordance with high resolution of HDTV in digital media era, the cautious awareness is required for skin color by the immediate color such as replica of TV color, lighting and clothing. As for the broadcasting makeup expression technique caused by a change in broadcasting environment in the digital media era, the first, There is necessity for natural makeup technique, and for expressing the whole makeup evenly and very delicately. The makeup work gets much more delicate. For the delicate expression, more time is being required than the existing makeup time. Second, Lots of time and manpower are required for elaborate real-object processing on all the production fields such as background set, stage properties, and makeup. Third, Realistic expression is available on the screen. Importance of basic makeup is highlighted. Thus, even the skin care shop came to be prevalent. Development in only HD cosmetics is needed for foundation with fine particle in new material and with diverse colors hereafter. The video-media field is a method that is ignored a sense of distance through vehicles such as camera, picture tube, and several kinds of broadcasting machinery and equipment and that is delivered vividly to viewers through screen, unlike the stage makeup, thereby being needed the makeup technology proper for HDTV according to the changing broadcasting environment and media. The video machinery and equipment are proceeding with being gradually high-tech and precise. Thus, an expert in makeup needs to know common sense on the video machinery and equipment before makeup, and needs to make an effort according to it. And, a follow-up research can be said to be necessary on the advance in makeup method and on more diverse dedicated cosmetics along with a research on color tone proper for HDTV.

Hahoe Mask Dance is one of the most representative Korean Mask Dances in traditional folk customs. With the longest history among all the Mask Dances, it is the only one that has been appointed as the national treasure. The particular figure designs and tinges in Hahoe Mask Dance not only reflect the traits of characters in the plays but also present to the world the Korean tradition and its immanent thoughts, culture, morality, arts and so on. If kimchi is the most representative food of Korea, Hahoe Mask Dance must be the most representative face. In China, Beijing Opera, as the most influential one, enjoys the fame as “national opera”. It has been spread to the whole world and has become an important means to introduce Chinese traditional culture. The painting on the face of an opera performer is called a facial mask which is a big characteristic of Beijing Opera. The facial masks can help the audience to understand the plots of an opera. hey are different based on different roles. For the roles of “Sheng” and “Dan”, the facial makeups are quite simple with little cosmetics. So they are often called as “handsome makeup”, “plain face” or “clean face”. As for the roles of “Jing” and “Chou”, their facial masks are more complex. “Jing”, particularly, is always heavily painted with complicated designs. So it is often called “flowerish face”. The facial masks in Beijing Opera mainly refer to the facial paintings of “Jing”. The article is aimed at an analysis and a comparison between Hahoe Mask Dance and Beijing Opera in the aspects of figure designs, tinges and colors, hence to understand the traditional cultures of both countries deeply.

보리 F2 용 종자에 대한 찰성유전자(wx)와 분장성 전분유전자(fra)에 대한 유전현상을 구명하고 또 이들 두 유전자간에 관계를 구명키 위하여 실험을 한바 그 결과는 아래와 같다. 1 찰성 및 전분상성 배분인자는 각각 1개의 열성유전자가 관여하였으며, 2. 찰성과 분장성 전분유전자는 각각 독립적으로 작용하였다.