Eliot's image as a highly reputable and influential literary figure does not go along with the personality as found in Four Quartets in terms of analytical psychology. What the reader is led to find there is the return to the world of his childhood, where the poet is ruled by the mother, rather than to seek for equal and harmonious terms with the anima-figures. Eliot strongly advocates Ihe communion wilh the Logos, which is parallel 10 the psychological encounler with the Self, the God-image. However, in Four Quartets there is hardly found any feminine participation, which is a vilal preliminary step for the union of the ego with Ihe Self. The role of the feminine element, the anima, in the development of the psyche is to strengtheD ego-consciousDess against the overwhelming power of the unconscious. The ego-coDsciousness, firmly established wilh stability and autonomy, is then ready to experieDce the EDcounter without the risk of self-diss이utiOD， achieving a harmony and balance in its relalioDship to the Self. Four Quartets is dominated by the motif of self찌bnegatioD and Eliot here appears to deDy the value of autonomy of the human, urging giviDg it up ahogether for an access to the Logos. Analytical psychology would n이 see this posture as any way leading to the goal of psychological development, the individuatioD, but just a regression to the mother-ruled childhood.

1. Jung Reads Eliot
 2. Night Journey
 3. The Logos and the Self
 4. Four Trios, not Quartets: Missing Femininity
 5. More Years to Go
 Works Cited
 Abstract

• Byung-Hwa Joh(Koje ColIege)