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슈만의 《판당고》(Fandango) -민속적 모델의 변이 혹은 새로운 창조? KCI 등재

Robert Schumann's Fandango; Is it a Metamorphosis or Recreation of Folkloric Model?

이윤정
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음악이론포럼 (Music Theory Forum)
연세대학교 음악연구소 (Yonsei University Institute of Music Research)
초록

The Fandango is a dance that comes from Spain and its origins can be traced to a rural peasant dance. In the 18th century, the dance spread across the whole areas of Europe. The use of the Fandango by both Mozart and Gluck led to specific formations of tonal and melodic features of the Fandango. Schumann`s Fandango serves as an example of modifying or changing a fixed model of the dance, and also of redefining compositional characteristics, which mean the title of the dance suggesting its true origin. Entries made in Schumann`s diary suggest that the composer took the characteristics of Spanish folklore dance from a vivid Fandango scene in Malkolm, a book written by Heinrich Stefens.

키워드
슈만Robert Schumann판당고Fandango피가로의 결혼Le Nozze Figaro모차르트Wolfgang Amadeus Mozart카사노바Giacomo Casanova코메디아 델라르테commedia dell`arte부를레스크burlesque타란텔라Tarantella스페인의 민속춤spanish folk dance슈테펜스Heinrich Stefens
저자
  • 이윤정 | Youn Jung Lee