Since the late 2000s, fashion exhibitions have expanded to encompass a variety of concepts and sizes, and the need for research on exhibition planning, installation, and direction, including curating, is emerging. In this context, basic research is deemed necessary to encourage more experimental and in-depth research into the planning and orientation of domestic fashion exhibitions. Accordingly, by analyzing the exhibitions of Judith Clark, a pioneering fashion curator, and fashion exhibition planner, the aim of this study is to examine the characteristics and directing points of her curation. This study proceeds as follows: first, the concept and type of fashion exhibition and curation are investigated. Second, the exhibition cases curated or produced and installed by Judith Clark are examined and analyzed. Finally, based on this analysis, the characteristics and directing points of her curation are identified. In exhibitions, Clark’s directing style features use of a variety of objects, the diversification of the flow-path through space division, and collaborations with various fields or experts. Clark’s curation points, based on such characteristics, are as follows: reproduction- oriented curation to capture the age of the time based on historical research; storytelling-based curation; and transboundary curation with multiple methods and open processes. This study is expected to serve as a foundation and precedent that will lead to further research on fashion exhibitions and implementation.

Abstract
I. Introduction
Ⅱ. Theoretical Background
    1. Concept and types of fashion exhibition
    2. Concept and types of fashion curation
Ⅲ. An Analysis of the Exhibition Case of Judith Clark
    1. Judith Clark
    2. Types of Clark’s exhibitions
    3. Characteristics of Clark’s exhibition style
Ⅳ. Conclusion
References

• Ji Yul Kim(Dept. of Fashion Design, Graduate School of Fashion, Hongik University) | 김지율
• Jin Joo Ma(Graduate School of Fashion, Hongik University) | 마진주 Corresponding author