This study identifies Kim Jihaye and Lee Jeanyoun as actor-networks with cultural values and meanings. It analyzes the process of reorganizing their works into Korean orientalism via an action of co-construction with formative techniques. First, the historical context of orientalism formed in the fashion world will be studied, followed by the design characteristics of orientalism, and the correlation between the Korean orientalism of these designers on the world stage influenced by the globalization discourse of Korean tradition since the 1980s. Next, works of Kim Jihaye and Lee Jeanyoun from 2000 to 2012 will be analyzed, revealing aspects of Korean image reproduction. Consequently, this study finds that the Korean image is restructured socio-culturally through technological imagery as a reproduction of reality by the production subject. This study reminds us of the reflective and cultural meaning of fashion designers in the area of image reproduction, sociocultural practice, and materials and technology.

Abstract
I. Introduction
Ⅱ. Literature Review
Ⅲ. Methods
    1. Data collection
    2. Analysis
Ⅳ. Results
    1. The characteristics of world fashion orientalismand Korea fashion orientalism: 1980-2000s
    2. Characteristics of Korean orientalism: 2000-2012
    3. Imageization of Korean orientalism reconstructedby fiber, color, and patterns
Ⅴ. Conclusion
References

• Seungyeun Choi(목포대학교 아시아문화연구소) | 최승연