在明代士商关系密切，士商对流的新社会背景下，作为明代社会生活真实写照的代表 作“三言二拍”打破了传统文学作品中士商阶层对立的角色设计范式，在作品中塑造了士 商互融的新人物形象。这一人物形象的设计是当时社会士商对流现象的真实反映，具有新 的时代特征。既有别于一般的士人，也与普通的商人有所不同，在他们的人生中都同时经 历了求仕和经商的选择，在言谈举止、商道精神和经营智慧等方面都具有与当时文学作品 中所塑造的一般商人形象所不同的特征。明末社会尊儒敬仕同时又重视商品经济的双重社 会特征则是作者设计该人物形象的社会根源，该人物形象在当时现实社会的舞台上也具有 现实意义。

Under the new social background of the close relationship between intellectuals and businessman in the Ming Dynasty, “Sanyan and Erpai” broke the role design paradigm of opposition between intellectuals and businessman and shaped it in the works the new role of the integration of intellectuals and businessman. The design of this role is a true reflection of the convection phenomenon of social scholars and merchants at that time, and has new characteristics of the times. Different from ordinary intellectuals and ordinary businessmen, they have all experienced the choice of seeking official positions and doing business at the same time in their lives. They have the same skills in terms of mannerism, business spirit, and management wisdom. Different characteristics of the general merchant roles portrayed in literary works. In the late Ming Dynasty, the dual social characteristics of respecting Confucianism and respecting officials at the same time attaching importance to the commodity economy were the social roots of the author's design of this role. This role was also of practical significance on the stage of the real society at that time.

1. 绪论
2. “三言二拍”中士商互融人物形象的类型
    1) 士人向商人阶层的渗透
    2) 商人对士人阶层的攀附
3. “三言二拍”中士商互融人物形象的特征
    1) 温文儒雅的言谈举止
    2) 以义取利的商道精神
    3) 慎思笃行的经营智慧
4. 士商互融人物形象的社会根源及其现实意义
    1) 士商互融人物形象塑造的社会根源
    2) 士商互融人物形象的现实意义
5. 结论
参考文献
논문초록

• 왕페이(인덕대학교 중국어과) | Wang, Fei (仁德大学 中文系)