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Development of futurism fashion design based on 3D digital clothing technology KCI 등재

3D 가상착의를 활용한 미래주의 패션 디자인

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복식문화연구 (The Research Journal of the Costume Culture)
복식문화학회 (The Costume Culture Association)
초록

In this study, we aimed to apply 3D digital printing to basic clothing production and to propose futuristic fashion design and production methods that correspond to contemporary trends. Literature on future trends, dynamism, mechanical aesthetics, and experimentalism were used to define the characteristics of “futurism.” Based on theoretical considerations about futurism, we created fashion designs using 3D digital printing methods. These designs were produced using the aesthetic characteristics of futurism; the 3D digital clothing program; and application of digital printing technologies to futuristic silhouettes, colors, and materials. The results were as follows: First, with the application of futurism as a fashion motif, we pursued collaboration between artistic work and fashion, and we then explored the possibility of creative expression. Second, harmony between achromatic and chromatic colors revealed even better dynamism and activeness, and the potential to express dynamism was observed. Third, with the development of fashion design processes based on 3D digital printing methodologies, it was found to be possible to eliminate the limitations of time and space, solve problems related to limited budget or communication, and positively influence the fashion industry by enhancing convenience and diversity. Fourth, with the development of fashion design that utilizes digital printing, it was found that problems related to time, space, or limited budget were able to be solved, as compared to the use of traditional printing and image reproduction.

목차
Abstract
I. Introduction
Ⅱ. Theoretical Background
    1. Art of futurism
    2. Futurism in contemporary fashion
    3. 3D digital clothing technology
Ⅲ. 3D Digital Fashion Design Development and Production
    1. Design intent
    2. Development of 3D digital fashion design and production
Ⅳ. Conclusion
References
저자
  • 최설맹(한양대학교 의류학과 휴먼테크융합전공 석사) | Xuemeng Cui (Master, Major in Human-Tech Convergence, Dept. of Clothing & Textiles, Hanyang University, Korea)
  • 이윤미(한양여자대학교 니트패션디자인과 교수) | Yoon Mee Lee (Professor, Dept. of Knit Fashion Design, Hanyang Women’s University, Korea)
  • 이연희(한양대학교 의류학과 휴먼테크융합전공 교수) | Younhee Lee (Professor, Major in Human-Tech Convergence, Dept. of Clothing & Textiles, Hanyang University, Korea) Corresponding author