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论香港僵尸电影叙事影像研究 KCI 등재

  • 언어CHI
  • URLhttps://db.koreascholar.com/Article/Detail/423177
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中國學 (중국학)
대한중국학회 (Korean Association For Chinese Studies)
초록

僵尸片是香港影坛独有的电影题材,在其它电影市场基本没出现过。香港僵尸电影起 步于20世纪30年代,其发展经历过三个时期:形成期、蓬勃发展期、没落期。在蓬勃发展 期,正因为它具有独特的叙事影像,才取得了巨大的成功。这种成功不仅体现在票房上, 而且也体现在影片本身的叙事上,尤其是叙事影像。因此很有必要研究发展期香港僵尸电 影的叙事影像,探索其独特的艺术影像魅力。香港僵尸叙事影像主要包括叙事影像元素、 叙事影像色彩、叙事影像时空背景。叙事影像元素包括恐怖化身的僵尸形象、正义化身的 道士形象、打败“僵尸”的法器;叙事影像色彩主要体现在通过对比色渲染情境、以色彩 情感元素表达主题;叙事影像时空背景则呈现出独特的文化内涵。本文通过叙事影像对香 港僵尸电影进行探讨和研究,总结一般规律,为以后的僵尸电影发展提供一定的理论基础 和支撑。

Zombie films are unique to the Hong Kong film industry, and have basically never appeared in other film markets. Hong Kong zombie movies started in the 1930s, and its development has gone through three periods: the formation period, the vigorous development period, and the decline period. During the vigorous development period, it achieved great success precisely because of its unique narrative image. This success is not only reflected in the box office, but also in the narrative of the film itself, especially the narrative image. Therefore, it is necessary to study the narrative images of Hong Kong zombie films in the development period and explore their unique artistic image charm. The narrative images of zombies in Hong Kong mainly include narrative image elements, narrative image colors, and narrative image space-time backgrounds. Narrative image elements include zombie images incarnated by terror, Taoist images incarnated by justice, and magic tools to defeat “zombies”; the color of narrative images is mainly reflected in rendering the situation through contrasting colors and expressing the theme with color emotional elements; the space-time background of narrative images presents a unique cultural connotation. This article discusses and studies Hong Kong zombie movies through narrative images, summarizes the general rules, and provides a certain theoretical basis and support for the future development of zombie movies.

목차
1. 绪论
2. 香港僵尸电影的发展史
    1) 形成期:1936年—1979年
    2) 蓬勃发展期:1980年—1990年
    3) 没落期:1990年—至今
3. 叙事影像元素
    1) 作为恐怖化身的僵尸形象
    2) 作为正义化身的道士形象
    3) 作为打败“僵尸”的法器
4. 叙事影像色彩
    1) 以色彩对比渲染情境
    2) 以色彩情感元素表达主题
5. 叙事影像时空背景
6. 结语
저자
  • 李 韬(世宗大学公演·影像·动画系博士课程) | 이 도
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