The Fusion of Visual Arts in Chinese Traditional Music and Explorations in Practice
Chinese traditional music is a representation of the intellectual accomplishments of the Chinese people and holds significant cultural and artistic attributes. To effectively showcase it to the general audience, it is necessary to implement visual design techniques that concentrate on the innovative progression of Chinese traditional music. This paper analyses the practical significance of visual design in the context of Chinese traditional music, using the unique characteristics of this music as a starting point. The paper maintains a clear structure with logical progression, ensuring a logical flow of information with causal connections between statements. Technical term abbreviations are explained when first used, and precise subject-specific vocabulary is employed where appropriate. The language used is formal and free from grammatical errors, while the text adheres to a consistent footnote style, format, and citation. Biased language is avoided, with positions on subjects made clear through hedging. Finally, conventional academic sections are included and titles are factual, unambiguous, and occasionally employ freer wording for interest. In addition, it examines the visual representation of Chinese traditional music. Building on this groundwork, the paper delves into a case study concentrating on “Four Seasons Scenery” to embark on a research journey and practical exploration of the visual design of Chinese traditional music. Through a combination of scholarly inquiry and practical application, the aspiration is that this pursuit may offer new perspectives and methodologies for the perpetuation and innovation of Chinese traditional music.
中国传统音乐是中华民族思想成就的代表,具有重要的文化和艺术属性。为了更有效 地传播中国传统音乐,需要寻求视觉与音乐的融合。笔者从中国传统音乐的独特性出发, 分析了视觉设计在中国传统音乐中的实际意义,并探讨了中国传统音乐的视觉表现形式。 在此基础上,本文以“四时景”为案例,展开了对中国传统音乐视觉设计的研究之旅和实 践探索。通过学术探究与实践应用的结合,以期更好的为中国传统音乐的传承提供新的视 角和方法。