ㅊThis study aims to analyze fashion design cases using traditional elements based on the research and analysis of traditional folk cultural paper-cutting crafts in China, and to expand the area of fashion design using traditional elements by developing 3D digital fashion design. For herein, the techniques and characteristics of Chinese paper-cutting crafts were investigated. This survey facilitated an analysis of the formative characteristics of battery crafts in contemporary fashion design. As for the analysis case, the case of using battery crafts expressed in modern fashion for 10 years from 2010 to 2024 S/S was selected. The results are as follows. First, the typical characteristics of Chinese paper cutting technology—relief, micro-carved, combined with relief and micro-carved expressive techniques of engraving art effect— can be explored by analyzing contemporary fashion case collections through the perspective and trend of leading traditional culture. Second, in the traditional paper cutting process, most paper-cutting works are expressed in red, but white and black are mainly used in fashion, in addition to the active use of the five colors. Third, the characteristics of contemporary fashion patterns primarily utilize the paper-cutting process, incorporating elements such as plants, animals, and geometric patterns. Fourth, the utilization of paper cutting in 3D digital design offers time and economic benefits, allowing for quick adjustments to various design developments. In contemporary fashion, it is expected that the use of paper cutting can provide useful creativity and value for the inheritance and modernization of traditional culture.

I.􀀃 Introduction
Ⅱ.􀀃 History􀀃 and􀀃 Characteristics􀀃 of􀀃Chinese􀀃 Traditional􀀃 Paper􀀃 Cutting
    1.􀀎 Characteristics􀀎 of􀀎 Chinese􀀎 traditional􀀎 paper􀀎cutting
    2.􀀎 Types􀀎 of􀀎 Chinese􀀎 traditional􀀎 paper􀀎 cutting
Ⅲ.􀀃 Contemporary􀀃 Fashion􀀃 Design􀀃 by􀀃Using􀀃 the􀀃 Characteristics􀀃 of􀀃 Chinese􀀃Traditional􀀃 Paper􀀃 Cutting
    1.􀀎 Expressive􀀎 technique
    2.􀀎 Color
    3.􀀎 Pattern
Ⅳ.􀀃 Development􀀃 of􀀃 Design
    1.􀀎 Production􀀎 intention
    2.􀀎 Development􀀎 of􀀎 3D􀀎 digital􀀎 fashion􀀎 design
Ⅴ.􀀃 Conclusion
References

• Linlin Lu(Ph. D., Candidate, Major in Human-Tech Convergence, Dept. of Clothing & Textiles, Hanyang University, Korea) | 로림림 (한양대학교 의류학과 휴먼테크융합전공 박사수료)
• Younhee Lee(Professor, Major in Human-Tech Convergence, Dept. of Clothing & Textiles, Hanyang University, Korea) | 이연희 (한양대학교 의류학과 휴먼테크융합전공 교수) Corresponding author