Young-dang(影堂) is a ritual pavilion where figures of a dedicated person is enshrined. According to literature, establishment of Young-dang architecture is thought to have the affinity with Buddhist tradition in the beginning of its history. A tradition of enshrining figure could be found especially in Buddhism. Until the mid Joseon dynasty, enshrining figure made of wood, clay and bronze was quite often at Young-dang. In Confucian ritual tradition, a pavilion where enshrining ancestor’s sprit tablet called Sadang(祠堂) or Myo(廟). In regarding portrait is a sort of figure, it has to be concerned with Buddhist ritual tradition. For this reaseon, Young-dang started to be distinguished from older aspect of existence in mid Joseon dynasty when the study of Confucian courtesy widely spread. It show the transformation process of Young-dang architecture from Buddhist tradition to Confucian tradition in J oseon dynasty.

Abstract
1. 서 론
2. 조선시대 영당의 건립 주체와 유형
    2-1. 영당의 건립 주체
    2-2. 봉안된 상의 수와 공간 구성
    2-3. 봉안 대상의 생사 여부와 건립 의도
3. 조선시대 영당의 분포와 건립 양상
    3-1. 조선전기 영당의 분포와 지리지의 분류
    3-2 조선후기 영당 건립의 변화 양상
4. 조선중기 이후 영당 건립의 변화 양상
    4-1. 二主에 대한 인식과 영당 제도의 구분
    4-2. 사찰에서 마을로의 주된 입지 변화
    4-3. 유교적 제도의 흡수와 서원으로의 확장
5. 결론
참고문헌

• 배창현(울산대학교 건축학부) | Bae Chang-Hyun Corresponding author