This study focuses on an analysis of the Song cycle Reisebuch aus den österreichischen Alpen(op.62) by Ernst Křenek(1900-1991). When Křenek composed this Song cycle in 1929, the Orchersterlied had become a main genre in the 20th concert program and since Pierrot lunaire, Lied accompanied by a chamber ensemble elevated its position high in vocal music creation. Therefore, the conventional 19th century art song with piano accompaniment tradition had not continued into the 20th century. Křenek completed 31 art songs in his life. And this means a lot in the history of 20th century art song. Another fact that Křenek was of great importance in the history of 20th century art song is that he composed five Song cycles. Among these, four are based on his own poem, and the other one is Reisebuch aus den österreichischen Alpen. Composing Song cycle on his own poem verify the fact that Křenek was a person of a literary turn of mind and he faithfully followed the Song cycle tradition of the 19th century in purpose of unfolding a story based on one theme. Křenek’s Reisebuch aus den österreichischen Alpen consists of 20 pieces(19 songs and an Epilog added later) and is modeled on Wienterreise by F. Schubert. The Romantic inclination appeared in this Song cycle is the use of consistent rhythmic pattern in the song number eight ‘Unser Wein’, the pattern also favored by Schubert’s piano pieces. As Schubert described disenchantment of love in hisWienterreise, the fact that Křenek depicted his own hapless love for his homeland in this Song cycle is also considered to be a reflection of Romantic tendency. Křenek recapitulated the theme of the first song in the song number nineteen ‘Heimkehr’ and this is compared to the construction of Schumann’s Song cycle Frauenliebe und -leben. There are several factors in this Song cycle that continued the 19th century art song tradition, musical aspects of the cycle contain various contents of the 20th century. Twenty songs can be divided into two categories according to musical language: songs in Romantic musical languages are song number one ‘Motiv’, number seven ‘Regentatg’, number eight ‘Unser Wein’; songs in Expressionism musical languages are song number eleven ‘Alpenbewohner’, number twelve ‘Politik’. There are songs with text simply describing apparent impressions of journey such as song number two ‘Verkehr’, number three ‘Kloster in den Alpen’, and number six ‘Friedhof im Gebirgsdorf’. But those which put psychological, moral, social, and political contents into text are song number five ‘Traurige Stunde’, number nine ‘Rückblick’ and number twelve ‘Politik’. The close relationship between text and musical languages are conformed through the analyses.

이 연구에서는 과학사를 활용한 교수-학습 자료를 개발하고 교육 현장에 적용하여 과학 학업 성취도와 과학과 관련된 태도에 미치는 효과를 중학생의 성취수준에 따라 조사하였다. 여중생 3학년 4개 학급을 대상으로 실험 집단에서 대하여 과학사 활용 수업, 통제 집단에 대하여 전통적인 수업을 실시하였다. 과학사 활용 수업에서는 필수 학습요소와 관련된 과학사를 다양한 방법으로 학생들에게 소개하여, 학습자의 흥미와 STS인식을 유도하였다. 과학사 활용 수업은 전통적인 수업에 비하여 학생들의 과학 학업 성취도와 태도 향상에 효과적인 것으로 나타났다. 이러한 과학사 활용수업은 과학 학업 성취도에서는 상위권에게 유의미한 효과가 나타났으며, 과학과 관련된 태도에서는 상, 중위권에서 긍정적인 효과를 보였다. 이와 관련하여 학습자의 수준을 고려한 교수-학습 자료와 수업 모형 개발은 과학사 활용 수업에 도움을 줄 수 있다.