Yeats’s studies of ancient myths, legends and occult tradition form a part of his artistic enterprise to quest for the occult wisdom and reaffirm the power of occult imagination. His work is so deeply immersed in the supernatural that it intends to regenerate the modern world by reopening ancient spiritual wellsprings and reviving primal religious sensibilities. His interest in occultism did most to create occult images and symbols as signs of imaginative salvation. Yeats’s mystical lore helped him ascertain the spiritual reality within human consciousness and use magical symbols as a means of calling up visions. Art for Yeats is about the “wisdom of the daemonic image” which holds for a moment of illumination the warring opposites of flesh and soul. Yeats created occult images of spiritual intensity to convey the quality of the Unity of Being out of the increasingly scientific and secular culture of the modern age. His occult images create the rich texture of his poetry that examines the spiritual situation of modern humanity.

Throughout Yeats's life, his occultism absorbed much of his time and energy. Yeats's occultism supported and enriched his poetry and plays, providing him with themes, the symbols, a philosophy that affirmed recurring self-renewal. Through the development of Yeats's occult thinking, from the Golden Dawn, through Per Amica Silentia Lunae, to A Vision, a continuous, coherent direction can be traced. Books II and III of A Vision, deal with the nature of the human soul, its different principles, and its progression after death. In "The Completed Symbol," Yeats elaborates on the Four Principles of the soul ― the Husk, the Passionate Body, the Spirit, and the Celestial Body. The Principles find their Unity in the Celestial Body, man's archetype in Heaven. In "The Soul in Judgement", examining the six after-death states, death, in general, is also presented as a transfer of consciousness from the physical plane to a higher one. During the first three states, or until Beatitude, the Spirit passes each time into a higher state of consciousness; after Beatitude, following the circular pattern of "The Great Wheel," the Spirit lapses slowly into relative unconsciousness. These six states, like the twenty-eight phases, affect each other, and in each one the Spirit has to act under certain laws. The soul has to pass through all of these states in order to progress and to prepare for its reentry into the physical world. This belief in the six after-death states stems from the occult sources mainly Theosophy which also teaches that the soul passes through six planes of consciousness after death -- the divine, the monadic, the spiritual, the intuitional, the mental, and the astral plane or plane of passions and emotions. Yeats uses the lunar cycle to explain the soul's journey between lives. The concept of the Thirteenth Sphere is important because in the occult traditions, the number thirteen is also symbolic of unity and perfection. In A Vision the Thirteenth Sphere represents Unity since in it all antinomies are resolved. Yeats's view of the soul is directly related to his belief in a universal duality ― the existence of opposite but equal forces that dominate a cycle alternately.