예이츠는 『소금쟁이』 에 큐비스트 요소를 반영, 시 표현 방법의 가능성 을 확대한다. 『소금쟁이』 를 분석해보면 피카소의 『아비뇽의 처녀들』 이 표현하는 성과 죽음의 분위기가 느껴지고 또한 피카소가 모델을 이등분 삼등분으로 분해시킨 후 재 구성하여 그린 『거울 앞의 소녀』 의 모습도 떠오른다. 전자가 모더니즘을 사로잡은 주 제 중의 하나라면 후자는 모던화를 겪으면서 발생한 단편화 현상과 연관이 있다. 『소금쟁이』 는 지난날의 자신의 모습을 분해하여 삼등분하여 재구성하여 표현하고 있는데 이는 지난 날 민족주의자로서, 시인으로서, 또 정치가로서의 삶의 편린들이다. 또한 젊 은 예이츠부터 노년의 예이츠까지 시인의 상상력을 사로잡은 성에 대한 탐닉과 죽음 에 대한 고뇌가 배어 있다. 이러한 그의 기억들이 이 시안에서 선, 면, 원, 그리고 도 형을 닮은 큐비스트의 언어로 꿈틀대고 있는 것이다.

본 논문에서는 곤충 모방 날갯짓 초소형 비행체에 적용될 끈을 이용한 날갯짓 구동 장치의 구동 원리와 그 최적화 과정이 소개된다. 이 날갯짓 구동 장치는 끈을 이용하여 구조의 경량화와 관성력 감소로 인한 에너지 효율 상승을 목적으로 설계되 었다. 먼저 장력만 전달할 수 있는 끈의 특성을 고려하여 운동학적인 수식이 정립되었으며, 이를 통해 구동 장치의 거동 특 성을 파악할 수 있었다. 이 수식들은 수정된 패턴 검색 최적화 과정에 포함되어 메커니즘의 운동학적 최적화를 가능하게 만 들었다. 최적화된 형상으로 제작된 시제품은 설계의 구동 원리에 맞게 운동하였으며, 그 날갯짓 폭은 목표한 날갯짓 폭을 만 족시켰다. 수치적 시뮬레이션과 실험 결과는 잘 일치하여 제시된 구동 장치가 실제로 활용될 수 있음을 보였다.

Recent research has shown that many companies in the fashion industry are increasingly weaving close relationships with the art world, to appropriate art values and meanings to be associated with their own products and brands (Hagdtvedt & Patrick, 2008a; 2008b). Businesses related to the fashion luxury sector have been especially prone to using such strategies to transform their products into true artworks to address the issue of commodification resulting from high production volumes (Dion and Arnoult, 2011; Riot, Chameret & Rigaud, 2013). Over the past two decades, the luxury market has undergone huge structural changes through mergers and acquisitions that have transformed an industry made up of small, family businesses into major financial conglomerates and brand owners (Roux & Floch, 1996; Crane 2012). Secondly, globalization and openness to new fast-growing markets such as Asia, have led these luxury conglomerates to increase sales volumes, failing in one of the basic characteristics of such goods: rarity. But if the real rarity of luxury products is a promise that companies can no longer guarantee their own consumers, the elitism of these products can be ensured through an artificial rarity. Jean-Noël Kapferer used the neologism artification recently introduced by French sociologists Nathalie Heinich and Roberta Shapiro and applied it to the analysis of luxury goods (Kapferer, 2012; 2014; Heinich and Shapiro, 2012; Shapiro and Heinich, 2012). He stressed that a strategy based on art implemented by luxury companies is useful mainly to support the perception of rarity by the final consumer. Artification is based on the notion that art –related objects or persons are associated with positive values. Enhancing a corporate image in the consumer’s mind means building positive ties to the brand that will initiate a form of benevolence towards the brand, providing the legitimization of corporate actions and, in some cases, resulting in the purchase of goods and services produced and distributed by the company (Keller, 1993; Aaker, 1996; Aaker & Joachimsthaler, 2000; Keller, 2003). We decided to analyse the effect of Artification on brand value by focusing on the four dimensions of Awareness, Image, Quality and Loyalty by using the same CbBE ( Customer-based Brand Equity) structure previous authors tested on country of origin effect on consumers, based on the main hypotheses further explained (Pappu, Quester & Cooksey, 2006). The first hypothesis relates to the dimension of Awareness and aims to test the level of brand recognition in final consumers when the logo is modified by an artist. • H1 – Consumers’ awareness remains strong when the brand is ‘artified’. We analyze then the Image, as the second dimension of CbBE. Due to the complexity of this dimension, we posited two hypotheses connected to it: • H2a – Consumers’ free associations to the brand are connected to the artworld when the brand is ‘artified’ (e.g. consumers indicate words as art, contemporary art or the name of the artist). • H2b – Consumers’ evaluation of the brand image points to stronger positive associations when the brand is ‘artified’ The last two hypotheses we mention are connected to the dimensions of Quality and Loyalty: • H3 – Consumers’ evaluation of Quality increases when the brand is ‘artified’.  H4 – Consumers’ Loyalty to the brand increases when the brand is ‘artified’. • The analysis was conducted through a between-subjects randomized experiment and manipulated art presence (with art versus without art). Starting from the same panel, two groups were created: one including the treatment (visual arts) and one including no treatment at all. Furthermore, we limited ourselves in this experiment to images of products and pattern created by Louis Vuitton that are actually on the market, associating them randomly to the research units in order to obtain two statistically consistent groups subjected to the different treatment (with art or without art)4. The two groups were labelled ‘artified’ group and control group, the first grouping the respondents to the questionnaire containing images of Louis Vuitton Logo, pattern and product modified by art collaboration with Yayoi Kusama; and the second grouping the respondents to the questionnaire containing images of Louis Vuitton Logo, pattern and product in its standard design. The questionnaire was distributed between the months of May and June 2015 via Qualtrics survey software. It was divided into four distinct blocks: the first concerned the presentation of the survey, the declaration of authorization signed by the participants and the demographic information; the second and the third blocks of questions were identical, with the same series of questions but based on different images used. There were 880 respondents, 825 of whom correctly filled the questionnaire we submitted to them. The control group was made of 413 respondents, 73.13 % of whom were female and 26.87 % male. The ‘artified’ group was made of 71.60 % female and 28.40 % male. We analyzed the four dimensions of Awareness, Image, Quality and Loyalty individually and in a comparative manner between the control and ‘artified’ groups. In the CbBE model, dimensions are analyzed individually since Awareness and brand Image measures are not comparable because they are collected through different measure methods, respectively through multiple choice and open-ended questions. Such dimensions as Image, Quality and Loyalty which were raised through Likert scales were then subjected to mono multivariate statistical analysis. The main results are shown in table 1. By reading the results for CbBE, Hypothesis H1 [Consumers’ awareness remain strong when the brand is ‘artified’] has been confirmed. The aided brand awareness shows no important differences between the two groups, so visual artists may modify logos or the appearance of luxury products without the fear of compromising brand awareness in the final consumers. Hypothesis H2a [Consumers’ free associations to the brand are connected to the arts when the brand is ‘artified’ (e.g. the word art, contemporary art or the name of the artist)] was not confirmed. Hypothesis H2b was partially confirmed as Generic Associations and Brand Personality were impacted by the use of the visual arts, while Organizational Associations were not. Brand loyalty and Perceived Quality were not impacted by the Visual Arts either, so Hypothesis H3 and H4 were not confirmed. As a main result for CbBE analysis, the Visual Arts have an impact on Customer-based Brand Equity, limited to Brand Image dimensions. The fact that Brand Image is one of the most complex dimensions of brand value opens the way to the development of future analysis and research in the visual arts as external source for brand equity, especially for Brand Personality. The main results of our research show that an artification effect is visible especially at the level of brand image and brand personality, two complex and valuable components of Brand Value from a consumer perspective. This opens to further in-depth analysis of these two components for future research. Large luxury groups (such as Cartier and Prada) have long used an art-based strategy to increase the value of their products, avoiding the risk of a loss of prestige perceived by the final consumer who would no longer recognize the exclusivity of a product that seems to be increasingly more industrial than handmade. Art can therefore contribute to alter and rework the image and market position of a specific brand or an entire product line, ensuring the transition from an ordinary image to a prestigious one, or strengthening the existing prestigious perception (Hetsroni & Tukachinsky, 2005; Lee et Al., 2015). We believe that a strategy based on art implemented by luxury companies is beneficial mainly to support the perception of rarity by the final consumer. Luxury goods would have to be unique or at least not produced in too high volumes precisely because of their craftsmanship and the care with which they are made. Rarity is not compatible with the increase in sales volumes required by the financial holdings that own the same luxury brands (Roux and Lipovetsky, 2003; Kapferer, 2012; 2014; 2015). The artification process we researched would have exactly the dual purpose of improving the brand image of companies that apply it, while increasing the perception of luxury in end consumers. What is more, we believe that the luxury brands from the industry sector that belong to large financial conglomerates now have the strength to simultaneously apply all the components in the artification process, by sustaining activities of sponsorship, philanthropy or generic collaboration with artists. The fact that luxury products are an integral part of the world of visual arts combined with the fact luxury brands have now the strong support base of large financial conglomerates can ensure the right economic and cultural support needed for the application of such a strategy. In the case of fashion companies, we believe artification is a process in itinere. In our experiment free associations to the brand show that only 2 consumers out of 880 remembered or knew the name of the artist (Yayoi Kusama) and 10 people indicated the substantive ‘art’ or ‘contemporary arts’ as free associations in the ‘artified group’ (only 2 in the control group). This shows that luxury brands ‘art-based strategy cannot only concentrate on temporary collaborations with artists. Luxury brands as Louis Vuitton must act as art institutions able to display arts collections to the widest public and bestow art status and global recognition to collaborating artists (Masè and Cedrola, 2017). This strategy relies on LV ability to raise consumers’ awareness of the arts. While the art-oriented public recognizes artistic collaborations, the larger public does not yet is still very much aware of new designs. Novelty is equally perceived by both, but is partially decoded by one category of consumers.

Recently, functionalization of construction materials using nano materials is being studied in domestic and overseas. In this study, functionalization of cement composites using excellent mechanical characteristics, electrical and thermal conductivity characteristics was carried out. The basic study on the heat characteristics of cement mortar containing Single-walled Carbon Nano Tube(SWCNT), one of the CNT types, has been carried out and this study is aimed to verify whether heat characteristics is effective at low content mixing. The experimental parameters were selected as CNT content, curing age, and supplied voltage. The size of specimens was 50 x 50 x 50mm3 and three specimens were fabricated. As a result, heat characteristics of the SWCNT cement mortar was confirmed even at a low CNT content. As the curing progressed, it was confirmed that heat generation effect was low. But it was confirmed that the heat characteristics were sufficiently exhibited when 100V or more voltage was supplied.

Conventional steel and concrete piles are widely applied in civil engineering industries with long time experience and many advantages. However, steel pipe piles, a sort of most common steel pile, are prone to losing their structural integrity over time due to corrosive and humid conditions. Moreover, concrete piles such as in-situ concrete piles and pretensioned spun high strength concrete (PHC) piles are subject to deterioration of their long-term structural durability. Therefore, Hybrid FRP-concrete composite pile (HCFFT) was developed. HCFFT is consisted of pultruded FRP (PFRP) unit module, filament winding FRP which is in the outside of mandrel composed of circular shaped assembly of PFRP unit modules, and concrete which is casted inside of the circular tube shaped hybrid FRP pile. Therefore, PFRP can increase the flexural load carrying capacity, while filament winding FRP and concrete filled inside can increase axial load carrying capacity. In this paper, field loading experiments were conducted to evaluate field bearing capacity of HCFFT pile with connection and HCFFT pile without connection.

When reinforcing an existing reinforced concrete beam-column building with a precast concrete panel, special connection between the PC member and the RC member is required to solve the time dependent deformation of the RC member and to receive the large shear forces. The aim of this study is to obtain the shear strength of upper connection between the existing RC beam-column and infilled PC wall panels in experimentally and theoretically. Thus, the static shear loading tests were conducted on the 6 specimens with the plate connection. Shear failure was resulted from the weakest portion of interior PC panel, exterior RC, and the connection, when the PC portion which located at the center of specimen was pulled upward from the bottom. T he experimental result was compared with analytical result from ACI 318M-14 Chapter 17 for the shear strength of post-installed anchor and PCI Handbook 7th edition 6.8 Structural Steel Corbel (PCI Design Handbook 7th edition, 2010) for the strength of cast-in H-beam. The analytical and experimental results show final failure at the same location. The failure loading of experiment showed larger than average 6% to that of the analysis.

Stable Isotope Analysis (SIA) of carbon and nitrogen is useful tool for the understanding functional roles of target organisms in biological interactions in the food web. Recently, mixing model based on SIA is frequently used to determine which of the potential food sources predominantly assimilated by consumers, however, application of model is often limited and difficult for non-expert users of software. In the present study, we suggest easy manual of R software and package SIAR with example data regarding selective feeding of crustaceans dominated freshwater zooplankton community. We collected SIA data from the experimental mesocosms set up at the littoral area of eutrophic Chodae Reservoir, and analyzed the dominant crustacean species main food sources among small sized particulate organic matters (POM, <50 μm), large sized POM (>50 μm), and attached POM using mixing model. From the results obtained by SIAR model, Daphnia galeata and Ostracoda mainly consumed small sized POM while Simocephalus vetulus consumed both small and large sized POM simultaneously. Copepods collected from the reservoir showed no preferences on various food items, but in the mesocosm tanks, main food sources for the copepods was attached POM rather than planktonic preys including rotifers. The results have suggested that their roles as grazers in food web of eutrophicated reservoirs are different, and S. vetulus is more efficient grazer on wide range of food items such as large colony of phytoplankton and cyanobacteria during water bloom period.

The intermediate product resulting from the radical degradation experiment of PCE and the atomic charge gained through Gaussian03W were compared against each other. The result was that the ratio of PCE radical degradation was almost 98% or higher after the 9 hr point in reaction time. The reaction speed constant was 0.16 hr-1 and it followed the first reaction. We could see that at each location of the PCE molecule, dechlorination happened at a point where the negative atomic charge was the greatest. Moreover, the intermediate product of PCE radical degradation that was confirmed in the experiment and literature coincided exactly with the intermediate product in the atomic charge calculation. Therefore, when the atomic charge is calculated, the radical degradation pathway of the organic chlorine compound could be forecast.

In this study, TbDyFe thin films with the thickness of 1000 Å are fabricated by DC magnetron sputtering. TbDyFe thin films are prepared by DC magnetron sputtering method. The pressure of Ar gas below 1.33 kPa and DC input power of 200 W are used for the sputtering conditions. During sputtering process the substrate holder is heated up to 150 ℃. The thin films are deposited to a thickness of 1000 Å on polyimide substrate with a thickness of 2 μm. The fabricated microstructures are observed by X-ray diffraction (XRD) and the film thickness is measured. Magnetostrictions are determined from the curvature of the thin films which are measured by the optical cantilever method. The experimental results are discussed with numerical data.

마산만에서 수치모델을 이용하여 해파리의 시·공간적 분포를 파악하였다. 먼저 3차원 해수유동모델(POM)을 이용하여 조석, 바람, 수온·염분의 효과를 고려한 잔차류를 계산하였다. 마산만의 마산항, 중공업단지, 가포신항에서 발생한 해파리의 거동을 파악하기 위하여 잔차류에 의한 입자추적자 모델을 이용하였다. 해파리의 분포는 마창대교 북쪽해역에서 최대인 2,533 개체수가 나타났다. 이와 같은 현상은 잔차류의 다방향으로 혼재하는 흐름과 지형적인 영향으로 판단된다. 해파리의 이동에 영향을 미치는 잔차류가 우세한 해역에서 외력조건에 따른 해파리의 집적도를 알아보기 위해서 조석잔차류, 취송류, 밀도류의 유형별 수치실험을 하였다. 특히 마산만의 마창대교와 마산만 입구인 모도해역에서는 취송류(바람에 의한 효과)가 해파리의 집적에 탁월한 것을 확인하였다.

A variety of methods for detecting the location of an underground water pipeline are being used across the world; the current main methods used in South Korea, however, have the problems of low precision and efficiency and the limitations in actual application. On this, this study developed locator capable of detecting the location of a water pipe by the use of an IMU sensor, and technology for using the extended karman filter to correct error in location detection and to plot the location on the coordinate system. This study carried out a tract test and a road test as basic experiments to measure the performance of the developed technology and equipment. As a result of the straight line, circular and ellipse track tests, the 1750 IMU sensor showed the average error of 0.08-0.11%; and thus it was found that the developed locator can detect a location precisely. As a result of the 859.6-m road test, it was found that the error was 0.31 m in case the moving rate of the sensor was 0.3-0.6 m/s; and thus it was judged that the equipment developed by this study can be applied to long-distance water pipes of over 1 km sufficiently. It is planned to evaluate its field applicability in the future through an actual pipe network pilot test, and it is expected that locator capable of detecting the location of a water pipe more precisely will be developed through research for the enhancement of accuracy in the algorithm of location detection.

본 연구에서는 항 내부에서 부하되는 오염물질이 파랑 및 흐름 조건으로 인하여 항외로 유출되는 과정을 수리실험을 통해 알아보았다. 월성원자력발전소 항내에 오염물질이 부하 되었을 시, 실험인자를 변화시켜가며 추적자를 활용한 흐름거동 조 사를 수행하였다. 각 실험의 결과는 지수 함수에 따른 항내 오염물이 감소하는 경향이 나타나며, 항외 유출에 걸리는 시간의 기울기는 각각 다른 결과를 보여주었다. 관측된 데이터로부터 회귀식을 도출한 결과, 흐름 관측의 경우 유입되는 모터의 회 전 속도 30, 20, 10 rpm에서 좌측 항내의 오염물이 50% 유출률에 도달하는 시간은 각각 2.70, 10.40, 26.39 days를 보였다. 모터의 회전속도가 30 rpm인 실험에서 유출되는 감소 추세가 가장 뚜렷하게 나타났으며, 회전속도 10 rpm인 실험에서 기 울기는 완만하였다. 파랑 관측의 우측 영역의 오염물이 50% 유출률에 도달하는 시간은 4.59 days로 나타났으며, 좌측영역 의 경우 15.35 days의 결과를 보였다.

Seawater flow characteristics around deep-sea sediment resuspension system was analyzed using CFD simulation. Seawater flow is influenced by migration velocity of DSSRS and the resuspension system with disturbance device. Especially complicated flow field is generated with discharged flow in the vertical direction, and there is large variation of seawater velocity near the system with vortex flow. Turbulent kinetic energy near the system increases 2～6 times, and its variation is also affected by the operation condition of the disturbance device. The results of this study are expected to be useful in evaluating the environmental effects of the suspended solid matters which are generated in the deep sea sediment disturbance process.

본 연구는 히트펌프와 잉여 태양에너지를 이용한 온실의 난방효과를 검토하고, 난방을 위한 FCU(Fan Coil Unit)의 적정 소요대수를 검토하였다. 실험기간 동안 최저 및 평균 외기온은 각각 26.2℃, –11.5℃ 및 4.4℃정도이었고, 수평면 일사량은 0.75~20.54 MJ·m-2 정도의 범위에 있다. 이 기간 동안 온실로 부터 회수된 총 잉여 태양에너지는 1,579,884.9kcal 정도로 나타나 이상화탄소 배출량을 약 470.3 kgCO2정도 절감시킬 수 있을 것으로 나타났다. 그리고 히트펌프 작동에 의해 축열탱크에 축열된 총 열 량은 26,556,903.6kcal로 이산화탄소의 발생량을 8,366.2 kgCO2정도 절감시킬 수 있는 것으로 나타났 다. 히트펌프에 의해 축열된 총 열량 중에 잉여 태양에너지에서 얻은 열량의 비율은 최소 0.0%, 최대 20.9%, 평균 6.1%정도로서 기상상태나 히트펌프 작동상태 등에 따라 큰 차이가 있었다. 히트펌프 시스 템의 성능계수와 히트펌프의 효율은 각각 약 2.64정도 및 약 86.6%전후인 것으로 나타났다. 또한 총 난방에너지는 23,554,744.7kcal으로서 실제 히트펌프에 의해 축열탱크에 축열된 량의 약 88.7%정도를 이용하는 것으로 나타났다. 시간당 전체 난방에너지는 10,993.1~18,786.9kcal·h-1범위였고, 평균 14,381.3kcal·h-1이로서 대부분 난방부하보다 많은 것으로 나타났다. FCU는 대당 1,597.9 kcal·h-1 전후의 값이나 5.0~6.0m2당 1대 정도로 설계하면 큰 문제가 없을 것으로 추정되었다.