In this paper, I have reviewed some of the Korean traditional architectural vocabularies that have to be reconsidered in terms of the problem of decode, the problem of meaning, the meaning of explain meaning, and the problem of form analysis. Especially, correct decode and interpretation of Uigwe’s Korean ancient architecture borrowed character can correct old decode and interpretation. Furthermore, I confirmed that I could correct the Korean ancient architecture vocabulary that was expiscated wrongly. Especially borrowed characters corresponding to 머름[meoreum](paneling) have been known only far away 遠音[meoreum]. In addition, there were also 遠驗[meolheom] ·亇乙軒[meolheon] ·亇乙險[meolheom] · 亇乙音[meoreom], and so on. Furthermore, in the process of decode these notations, it has become possible to assume that the original words of the modern language 머름[meoreum] also came from *멀험[meolheom]. On the other hand, there are many kinds of people like 付叱心[bussim] ·夫叱心[bussim] ·扶叱心[bussim] ·富叱心[bussim] ·富心[bussim]과 北叱心 [bussim] ·北心[bussim]. You can also check the Korean ancient architecture vocabulary. However, corresponding words are difficult to find in modern Korean languages. However, in Jeju dialect, we can confirm the corresponding word. This word was used in the Joseon Dynasty, and confirmed that it is dead language today. As mentioned above, it is confirmed that there are many misconceptions about the decode and meaning of the architectural vocabulary made of borrowed character in existing architectural dictionaries, Korean dictionaries, and Korean ancient architecture related papers. Also, although the form is being confirmed, it has been confirmed that there are many things that need to be clarified, such as what the decode is, what the meaning is, and the origin I have also confirmed a number of things that need to be properly expomed in the original form, the original word. In the future, those who study Korean ancient architecture vocabulary and traditional architectural vocabulary should also be interested in these things and research it properly.

한국의 가양주는 지역별로 그 특징이 다르게 나타나며, 누룩균은 이러한 지역별 가양주의 특징을 결정 짓는데 가장 중요한 요소이다. 본 연구에서는 국내 지역별(충남, 서울, 제주) 가양주에서 분리한 누룩균 배양체의 대사체 분석을 통해, 균주별 특성을 비교 분석하였다. 총 7 지역의 가양주에서 분리된 20종의 누룩균 배양체의 대사체를 용매(Isopropyl alcohol: Methanol: Distilled water)추출 한 후, LC-MS/MS를 이용해 대사체 분석을 수행하였다. 이후 다변량 통계에 기반한 data mining을 통해 결과들을 분석하여 지역 및 균주별 대사체 변이를 규명하였다. Mass spectrometry에서 검출된 300여개의 전체 대사체들은 지역 및 균주별 특이성에 따라 분류 될 수 있었으며, Aspergillus niger 계열 균주들에서는 gluconic acid의 함량이 특이적으로 높게 나타났다. 이러한 지역 및 균주별 대사체의 변이 기여하는 유의적인 대사체들은 약 36개로 screening 되었고, 이들의 조성과 함량에 의해 지역별 가양주들의 특성이 발현되는 것을 확인할 수 있었다. 본 연구 결과는 향후 전통 가양주 유래 유용 미생물 자원의 발굴에 유용한 기초 자료로 활용될 수 있을 것으로 기대된다.

The study aims to perform a literature review regarding Korean traditional myeon (noodles)-related ingredients and recipes. A total of 45 myeon recipe data out of 9 books, documented in Korea from the 1400’s to the 1800’s was analyzed by ingredients and contents. As a result, it turned out that Korean traditional noodles were made with various ingredients including petals, vegetables and meat in addition to grain flour, and that they existed in various types in addition to long and thin noodles. As for main noodle-making ingredients, glutinous millet, buckwheat, mug beans, elms, beans, wheat and millets were used in diverse ways, and as for noodles soups, fermented soy bean sauces (Korean Jang), broth, omija and seeds (sesame, perilla) were used. In particular, noodles, soups and garnish materials were selectively combined and harmonized to advance noodle foods. In conclusion, traditional Koran noodles were precious foods considered to be healthy foods aimed to pray for longevity, and such diversified food ingredients as noodles, soup and garnish have been harmonized to advance recipes. Healthfulness and characteristics of traditional noodles are expected to contribute to exploring noodle-based Korean food culture contents and developing food industries.

T. S. Eliot’s Four Quartets and Murder in the Cathedral inherited the religious and philosophical tradition of Thomas Aquinas’s Summa Theology and Dante’s Divine Comedy. The Anglo-Catholicism, as distinguished from the Roman Catholicism, thereby may be seen to designate Eliot’s religious identity. Dante’s Divine Comedy shows the apex of his contemplation based upon the intellect. Dante illustrates “paradiso” reaching contemplation by using various lights, and Eliot’s Four Quartets similarly reveals a still point that is a mystical experience filled with much light. In Four Quartets the moment of mystical experience can be seen like those in the works of Thomas Aquinas and Dante belonging to a Catholic tradition that reaches sanctification. The action of Archbishop Thomas Becket in Murder in the Cathedral might just sin as a failure to will in accordance with God, which is the choice of good and evil of human acts interpreted by St. Thomas Aquinas’s Summa Theology. For the true martyr is the person who has become the instrument of God, who has lost his will in the will of God, and who no longer desires anything for himself.

한중 양국의 전통시기 문화관에서는 세상에 재앙과 혼란을 가져오는 두려움의 대상, 죽음 과 절망의 공간으로 바다를 인식하고 있다. 이에 반해 대항해시대 이후 서구에서는 바다를 생존의 바다, 미지의 넓은 세계로 나아가는 모험과 동경의 바다라고 인식하면서 바다중심의 근대문명을 태동시켰다. 최남선과 궈모뤄의 시에 보이는 바다는 전통시기 죽음의 바다를 의 미하는 것이 아니라 근대적 계몽과 각성을 통해 변화된 살아 꿈틀거리는 생존과 부활의 바다 로 문화적인 의미가 변이한다. 전통적 문화의 해체와 근대적 계몽으로서의 바다이다. 김기림 과 쉬즈모는 모더니스트로서 바다를 모더니티의 심미적 대상으로 승화시켜 생동하는 이미지 를 통해 바다에 대한 희망과 절망이 교차하는 우울과 고독, 근대적 인간존재의 근원적 비애, 방황과 고민의 자의식을 잘 보여주고 있다.