Taboo character is typical phenomenon of Chinese characters system, it is considered as the effective key in decrypting the date of Han-Nom texts inscirption texts. Such key is maintained clearly on the ancient books add steles of Vietnam, specially Taboo characters system in the insription texts of Tran Dynasty (1225-1400). Based on research results, we have found a new form of Taboo character previously published in studies in Vietnam Taboo characters. Such new characters forms have helped us easily discover in cription texts at the date of Tran dynasty in Ninh Binh. This is the useful and reliable source for researching of Vietnam Taboo characters in particular and ancient books of Vietnam in general.

This research bases on primary sources written in Sinograph and Nôm (vernacular Vietnamese script) by scholars in premodern Vietnam, to make a pedagogical analysis on the role of the Sanzijing (三字經) in Literary Sinitic education in premodern Vietnam. Thus, this paper claims, the study of the civil service examination in premodern Vietnam should be covered from its starting point, the primary level, to fill the gap of a partial concern by modern scholars of the high level.

베트남은 한자문화권의 한 국가로, 이미 오래 전부터 한문화의 깊은 영향을 받 았다. 베트탐의 외교와 행정 교류, 과거, 시문의 창작 등 생활의 각 방면에서 베트 남인들은 한자와 한문의 생활을 하였다. 특히 베트남인들은 여전히 한자와 한-쯔 놈의 서적을 국내외의 여러 도서관과 장서관에 보존하고 있다. 한-쯔놈 서목의 통 계와 한-쯔놈 이중 언어 사전을 편집하는 과정 속에서 베트남에서 오랜 동안 시 행되었던 한자교육의 역사를 살펴볼 수 있다.

Korean families were separated in the wake of division of Korea into north and south. Separated families became refugees, defecting from North Korea. Therefore, it can be said that all of the North Korean refugees, who have currently settled down in South Korea, fall under the category of separated families. Under these circumstances, group experience and homesickness of North Korean refugees have been the driving force of their artistic creation, which has been reflected in their works. It was found that the North Korean refugee painters had felt homesick. Young-rim Choi also is North Korean refugee painter. He described the utopia that he had dreamed of in his works as they put emphasis on pain from loss of hometown and nostalgia for childhood. He also reflected his hometown indirectly in his works. His works have the common features such as landscape that is similar to that of his hometown, influence by tumulus murals, which can be assumed based on iconic and expressive technique. It is right to say that the common features express objects of ideology that is intrinsic to painter’s mind, rather than simple landscape or person. This is because his paintings connote painter’s longing, memory, dream, and hard feelings of deep sorrow simultaneously. As the painter look for images that are similar to those of his hometown due to physical absence of homeland, such images mean that consciousness of internal diaspora of Korea among North Korean refugee painter is expressed in the passive way. This study was meaningful in that the works and achievements by Young-rim Choi were examined in the perspective of internal diaspora of Korea, even though he has never been investigated until recently, with a view to getting an in-depth understanding of his works and positioning the painter on the historical map.

The paper is the research on variants in the block-printed literature written in Chinese character during the Chinese domination, related the recognition and definition of variants, the analysis of character variants, i v vi g h g s i th st k s, mp ts, wh h t s’ dditi d subtraction, summarizes the variation characteristics and explores the character relationship between Vietnam and China. the statistics of the number of characters and their variants in order to seek the character variants frequency in the block-printed literature written in Chinese character during the Chinese domination in Vietnam history.

This article briefly describes the background of the origin of Dr. monument, conducting a preliminary study on the content of the Dr. monument and its characters, and explores the history and culture of Vietnam and Chinese characters’ development in Vietnam.