본 연구에서는Stable Diffusion 프레임워크를 활용하여 게임 스타일의 스케치, 특히 도시 장면을 생성하는 방법 을 소개한다. 확산 기반의 모델인Stable Diffusion은 쉬운 접근성과 뛰어난 성능으로 많은 연구자와 일반인들에 게 선호되며, 텍스트-스케치, 이미지-스케치의 생성이 가능하다. Stable Diffusion의 몇 가지 문제는 이미지의 국 소성 보존 문제 및 미세 조정인데, 이를ControlNet과DreamBooth를 사용하여 해결한다. 결과적으로, 본 연구를 통 해 게임 제작에 사용될 수 있는 텍스트-스케치, 이미지-스케치 생성이 가능하며, 더 나아가 아티스트를 돕는 툴 로도 활용될 수 있다.

In general, trees showing water stress planted in a harsh environment like urban landscapes are weakened and can be easily infested by insect borers, such as cerambycid and curculionid beetles. Prunus × yedoensis constitutes a significant portion of urban street trees in Korea and there has been an increasing incidence of damage caused by red-necked longhorned beetle (RLB), Aromia bungii. When water stress is incresed, the production of resin, a natural defense mechanism against the infestation of Aromia bungii larvae, can be decreased that impact on larval survival rates. This study was conducted to investigate the relationship between infestation rate of RLB and water stress of cherry trees. We counted number of larval entrance and adult emergence holes in 50 trees and monitored adult’s behaviors during daytime. In addition, we measured water stress using a pressure chamber for each tree.

본 연구는 산림에 대한 보건학적 가치 제고를 위하여 기초적 자료를 제공하기 위해 대학생 20명을 대상으로 난대림과 도시의 경관 감상에 따른 생리･심리에 미치는 변화를 파악하고자 수행하였다. 주요 결과는 첫째, 알파파(RA, RFA, RSA)를 측정한 결과, 좌측 후두엽(O1)이 도시경관보 다 난대림 경관을 감상할 때 더 활성화되었다. 둘째, 베타파(RB, RLB, RMB, RHB)를 측정한 결과, 통계적으로 유의미하지 않았다. 셋째, SEF50과 SEF90은 도시경관보다 난대림 경관을 감상하는 것이 더 안정･이완된 상태임을 나타냈지만 SEF90의 전두엽(Fz)을 제외하고는 유의미하지 않았다. 넷째, 기분상태검사(K-POMS-B)를 수행한 결과, 난대림 경관 감상은 긴장, 혼돈, 피로의 부정적인 기분상태는 감소하였고, 긍정적인 기분상태 요인인 활기는 증가하여 종합기분장애 점수는 도시(0.95±10.860)에 비해 난대림(-5.45±5.463)에서 감소하는 유의미한 결과를 확인하였다.

본 연구는 Fuzzy-Delphi법과 DEMATEL-ANP법으로 경관평가 모형을 구축한 뒤 하북성 형태시 소재 칠리하(七裏河)를 사례로 실증 분석한 결과이다. Delphi법에 따른 1차 설문지를 이용하여 최초 54개 지표를 40개 지표로 줄인 후 전문가 Fuzzy-Delphi법에 따른 2차 설문지 및 데이터 처리 결과 모든 평가 지표는 수렴기준에 도달하였다. 평가지표 중간값이 임계값보다 낮은 지표를 삭제한 뒤 최종적으로 22개 지표를 중심으로 도시 하천 호안지역 경관 평가체계를 구성하였다. 도출된 모델은 치수, 친수, 이수, 보수 등 4개 방면의 기능분류이며, 다시 기능적 측면, 안전성 측면, 경관적 측면, 생태적 측면, 사 회경제적 측면 등 5가지 기준으로 유형화되었다. 평가지표 중 영향력이 큰 상위 5개 요인은 수역경관 (C11), 건설투자(C19), 식물피복률(C16), 호안의 친수성(C10), 시각적 조화(C9) 순이었다. 그러나 인문 경관의 다양성(C12)요인의 가중치가 최하위임을 볼 때 도시 하천의 호안경관과 인문경관은 거의 배 제된 상태이며, 자연경관과 수역경관의 상호작용에 더 많은 관심을 기울이고 있음이 확인되었다. 한편 도시 경관평가 체계에서 5개 준칙층의 순서는 경관 미학성> 생태성 > 사회경제성 > 기능성 > 안 전성 순으로 나타났는데 이는 도시 내 수로의 호안 지역 경관의 전체적인 경관 감지와 흡인력을 반영 한 결과로 평가되었다. 칠리하 호안구역의 종합적 경관 평가치는 70.93점으로 만족스러운 수준이지 만 익수사고에 대비한 구조시설(C6) 인문경관의 다양성(C12) 그리고 역사문화 풍습의 구현(C22) 항 목에 있어서는 시급한 개선이 필요한 것으로 밝혀졌다.

본 연구는 수생식물 경관선호도에 대한 평가를 통하여 수생식물 경관을 향상시킬 수 있는 방법을 구명(究明)하고자 중국 난창시의 대표적 도시습지공원 3곳을 대상으로 하여 현장평가와 AHP 평가를 진행하였다. 경관의 정량평가를 위하여 수생식물과 어우러진 경관에 대한 현장조사를 수행하였으며, 정성평가를 위하여 각 도시습지공원에 대한 이미지를 도출하고 이에 대한 선호성 평가를 수행하였다. 연구를 통해 얻은 주요 결과를 정리하면 다음과 같다. 첫째, 기존 수생식물경관 평가에 관한 선행연구에서 얻어진 총 25개 경관요인에 대한 요인분석 결과, 생물종 다양성, 전체환경의 조화성, 관상 특성의 다양성, 생활유형 다양성, 서식지의 조화성, 건강상태(활력도), 계절다양성, 식물경관의 접근성 그리고 식물과 경관의 조화성 등 총 9개 요인을 선정하였다. 둘째, 9개 요인에 대한 AHP 평가 결과, 생물종 다양성, 관상특성의 다양성, 식물과 전체환경의 조화성 등 3개 요인의 가중치는 각각 0.315, 0.147, 0.153으로 전체의 61.5%를 차지하였다. 도출된 요인은 중국 내 습지공원은 물론 수생식물 경관선호도 향상을 위해 우선적으로 고려해야 할 인자로 부상되었다. 셋째, 9개 정량 및 정성평가 요인에 대한 가중치분석 결과, 각 공원별 평가점수는 위저우완(0.42) > 샹후(0.35) > 아이시후(0.23)의 순으로 나타났는데, 특히 위저우완의 경우 다양한 수심으로 종다양성이 높고 접근성이 좋아 친수공간으로의 높은 활용성이 평가에 반영된 결과라 판단된다.

본 연구는 중국 산둥성 쯔보시의 도시공원 중 하루 평균 인구 유동량이 가장 많은 인민공원, 횃불공원, 치성호공원을 대상으로 식재경관 조성에 중요한 영향을 미치는 20개 식재경관 지표를 선정한 후 공원 이용자들이 식재경관에 중요도와 이용 후 만족도에 관한 설문조사를 실시하였다. 수집된 자료는 IPA 분석을 활용하여 식재경관 지표별 중요도 및 만족도를 파악하고 개선이 필요한 지표를 도출하였다. 연구결과, 중요도 분석에서는 인민공원과 치성호공원은 식물종 다양성, 횃불공원은 나무의 그늘이 가장 중요한 지표로 분석되었다. 한편, 만족도 분석에서는 인민공원 및 횃불공원은 나무의 그늘, 치성호공원은 식물종 다양성이 가장 높은 만족도를 가지는 것으로 나타났다. 대응표본 T-검사 결과, 인민공원은 16개 지표, 횃불공원은 15개 지표, 치성호공원은 15개 지표가 중요도 및 만족도 사이에 뚜렷한 통계적 차이가 있는 것으로 분석되었다. IPA 분석결과, 인민공원은 사계절 경관 등 4개 지표, 횃불공원은 꽃모양의 다양성 등 4개 지표, 치성호공원은 식물 층위의 미 등 3개 지표가 중요도는 높았으나 만족도가 낮게 나타나 중점적으로 개선해야 한 지표로 도출되었으며, 이를 토대로 중점적으로 개선해야 한 지표에 대해 개선방안을 제안하였다. 연구를 통하여 공원 이용자들의 식재경관 만족도를 향상하고 더 좋은 식재경관 체험을 할 수 있을 것으로 기대된다.

본 연구는 중국 산둥성 쯔보시 인민공원과 치성호 공원 이용자 설문조사 결과를 바탕으로 식재경관 조성지표 간의 상관성 및 유형화 특성을 분석할 목적으로 시도되었다. 연구결과를 요약하면 다음과 같다. 대부분 식재경관 조성지표 간 상관성이 있었으며, 사계절 경관과 흥미로운 식재와의 상관성이 가장 높았고 식물의 안전성과 식물 공간구축의 상관성이 그 다음이었다. 요인분석 결과, 미적 요인, 재료적 요인, 이용적 요인, 관리적 요인으로 유형화되었으며, 식물 층위의 미·꽃모양의 다양성·꽃색의 다양성·친근한 식물·교목과 관목 비율·식물의 상징성이 미적 요인에서 뚜렷한 영향을 미쳤다. 재료적 요인은 식물의 공간구축과 사계절 경관, 이용적 요인은 나무의 그늘과 식물종다양성, 관리적 요인은 식물 보호 관리가 비교적 영향이 큰 것으로 나타났다.

본 연구는 정저우시에 최근 조성된 상성유적공원, 상성공원, 인민공원, 자형산공원 등 4개 유적지 공원을 대상으로 6개의 경관요소 즉, 전통수종, 역사적 폐허 및 유적, 전통건축, 조형물, 도로포장 및 소재, 수경요소 등의 측면에서 지역문화경관의 적용 및 문제점을 분석 평가하고자 하였다. 분석결과, 전통건축과 역사적 폐허 및 유적의 관리 측면에서 문제점이 드러났다. 상성 유적공원, 상성공원, 자형산공원에 조성된 전통건축은 모두 송나라 이후의 건축양식을 따르고 있어 상나라시대의 건축적 특징을 반영하지 못하고 있다. 인민광장의 경우 유적은 반개방적인 방법으로 보존 전시하고 있으나 부실한 관리로 인해 유적의 인위적인 훼손이 심각하고 특히 유적지의 고목들이 벽체를 크게 훼손하고 있다. 조형물 측면에서는 인민광장의 경우 상나라시대와 관련된 조형물이 없으며 도로포장 측면에서는 상성유적공원과 상성공원의 일부에만 문화적 토템이 적용되었을 뿐 공원 도로포장의 대부분이 현대식 포장으로 인해 지역의 역사문화적 특성을 반영하지 못하고 있다. 전통 수종 측면에서는 상성유적공원과 인민광장의 경우 대부분 전통수종을 식재했으나 상성공원 및 자형산공원의 경우 외래수종이 많아 지역 고유의 자연경관 을 연출하지 못하고 있다. 이러한 문제들은 면밀한 역사적 고증을 바탕으로 지역문화경관의 구성요소 및 설계원칙을 고려하여 개선해 나갈 필요가 있다. 수경요소는 자형산공원에만 적용 되었으나 지역특성을 상징하는 황하강을 모티브로 한 은유적 설계의 적용이 부족하다. 지역의 역사문화에 대한 은유적 표현 방법과 의미 해석에 대한 다양한 연구가 선행되어야 하는 만큼 향후 이에 대한 지속적인 논의가 필요하다.

본 연구는 중국의 28개 도시풍경명승구에서 선정한 200개 디지털 이미지를 대상으로 경관의 매력도에 영향을 미치는 경관요소 및 시각조형요소의 선호도를 분석하였으며, 그 결과를 정리하면 다음과 같다. 첫째, 중국내 관련 선행연구들을 종합하여 28가지 경관요소 및 7개 경관의 시각조형요소를 선정하였으며, 직관평가법을 이용하여 이들에 대한 선호도를 평가한 결과, 경관요소의 시각적 선호도는 꽃, 잔디, 유희시설 및 정원시설물의 순으로 나타났으며, 시각조형요소는 규모, 색상 및 상대위치의 선호도가 높은 것으로 분석되었다. 둘째, 요인분석 결과 28개 경관요소는 8개의 경관요인(관광서비스, 수경시설, 안전·지도시설, 매력물, 식물, 도로·광장, 자연풍경 및 지형요인)으로 설명될 수 있었다. 셋째, 도출된 경관요인 및 시각조형요소를 대상으로 피평가자들의 선호도 성향을 분석(T-검정, 분산분석)하였다. 경관요인의 경우 매력물 및 식물재료에서 성별에 따른 선호도 차이를 보였는데, 정원, 문화유적 등을 포함하는 매력물의 경우 여성이 남성보다 높은 점수를, 식물재료의 경우 남성이 여성보다 높은 점수를 주었다. 연령별로는 도로·광장인자의 경우 40세 이상의 평가자들이 20대 이하의 젊은 층에 비하여 높은 점수를 주었다. 시각조형요소 중 색상요소의 경우 여성이 남성보다 선호도가 높게 나타났다. 결론적으로 명승구 계획에 있어 자연경관뿐 아니라 안내판, 안전지도 등의 관광기반시설 설치가 중요한 경관요소임을 알 수 있었으며, 주 이용객의 특성을 반영한 설계가 이루어져야 함을 알 수 있었다.

Introduction In the last decade, the luxury industry has witnessed strategic changes in its concept, essence and operation modes resulting from different factors and, in particular, digitalisation and democratisation in luxury fruition. As a result of those changes, luxury consumption has started to be perceived not simply in a conspicuous purchase perspective of goods or services, but as a 360 degrees experience, where cities - in particular in the emerging fast growing economies - have started being filled with luxury and fashion brands, invading every city area from streets to airports, from clinics to hotels and with concept stores, luxury flagship stores, sponsorships for events and urban artefacts, adding value to the symbolic production of an urban lived space (Bellini and Pasquinelli, 2016). In this new dimension of luxury, the underlying hypothesis of this paper is that luxury product brands are enriched by and, hence, draw value from the synergy with city brands and diverse fashion and art city locations, activities and events. This statement is based on that luxury perspective seeing luxury more in its experiential dimension than in the one of a pure desire for an exclusive object purchase and ownership. Accordingly, to what extent is the relation between the luxury brand and the city brand functional to the boosting of luxury brand experiential content? From our point of view, this deserves more specific focus. Based on these premises and with respect to the current evolution of fashion luxury cities and the retailing scenario, this paper will specifically focus on the evolution and different forms of concept stores with particular attention to their interaction with the urban context. The case of concept stores is particularly relevant due to the crisis of this retailing model caused by the rise of luxury e-shops which are becoming dominant brand channels also for luxury segments. In the case of the concept stores we can, in fact, see if and to what extent the value of ―offline stores‖ is rooted in their physical presence in an urban environment that is rich in history and cultural heritage. Two case studies will be carried out, XXX in Shanghai and Luisa Via Roma in Florence, Italy, thus including two different urban contexts characterised by a different relation with fashion and luxury industries, historically and nowadays. Authentic luxury experiences in relevant city contexts (that is in city contexts with which fashion brands succeed in establishing a meaningful, credible and so valuable relation) may add value to luxury brands, in particular to those brands with no consolidated heritage and identity, as in the case of the new Chinese luxury brands. In general, for those luxury brands with a very limited identity and an almost absent heritage, in-store experience is likely to be of special relevance and of increasing importance (Atsmon et al, 2012). Without neglecting the rise of online brand channels and the vibrancy of virtual fashion spaces, the shopping location certainly still represents a crucial factor for the increasingly diverse and demanding luxury customers, for whom the shopping location is not just an instrument of purchase but also a value-adding experience on its own (Rintamaki et al, 2007). Fashion City: An Evolutionary Perspective Historically luxury and fashion have been linked to some specific cities in western countries such as Paris, London, Milan and New York, the so called capitals of luxury and fashion (Breward and Gilbert, 2006); those capitals are considered to be the places where luxury fashion production and consumption cross each other providing economic value for the sector and a unique experience for the consumers. More recently, the scenario has been changing. The ‗fashion city‘ has strated being one of the ‗brands‘ of economic development, seen as capable of strategically boosting attractiveness for the repositioning of a diverse set of cities across the world (Breward and Gilbert, 2006). Urban authorities, policy-makers, and various academic approaches have devoted attention to this phenomenon. The concept of the fashion city has started being part of urban plans and municipal promotional activities trying to reposition cities as attractive destinations for firms, human capital and especially for the ―creatives‖, investors, consumers, and tourists. An increasing number of developing and fast growing countries have achieved the status of ‗second-tier‘ cities of fashion (Larner et al., 2007) such as Antwerp, Shanghai, Beijing, Istanbul, Melbourne, Moscow, Vienna, as centres of reference of a highly diversified fashion context of culture, design, manufacturing and consumption. Although these cities have very different economic and cultural background and history, they indicate the evolution and the interaction between fashion and fashion players - including concept stores - and the urban context. Academia has started clarifying what a fashion city was, what constitutes a traditional fashion city and the interaction between luxury fashion and the fashion city. However, the interaction and evolution of luxury fashion cities and some of the urban players, such as concept stores, is far from being fully clarified and understood. The same can be said regarding the characteristics of the emerging luxury fashion cities. In particular, with respect to the differences characterising those new luxury fashion cities, there is still a very limited research. This article is aimed to make a contribution in this field by discussing the relation between fashion players (i.e. concept stores) and the urban landscape. This will also lead to define a set of characteristics of the contemporary luxury fashion city, based on their functional role in supporting luxury brands‘ value creation processes. In fact, it is certainly not possible to analyse the impact of the global luxury capitals on luxury brands without considering the evolution in city branding, i.e. the way in which cities are represented in order to create an image of the place. Fashion and Luxury in the Urban Branscape As said, ‗fashion city‘ has evidently been considered as potential device to reposition ‗second tier‘ – either large or small - urban contexts. If on the one hand fashion design has been integrated into urban policies in order to boost local economies (Martinez 2007), on the other hand fashion marketing seems to have integrated its luxury fashion strategies into the ―urban brandscape‖ (Bellini and Pasquinelli 2016). Fashion branding has, then, gone clearly in the direction of actively pursuing an appropriation of the city image whose value is drawn by corporate brands (Tokatli 2013). This last aspect, however, has received rather limited attention in literature. In the last decade, the fashion city has enhanced its economic and cultural importance specifically thanks to the economic value generated by the creative process and cultural value of cities (DMCS, 2001; Scott, 2002; Power and Scott, 2004; Breward and Gilbert, 2006; Rantisi, 2011; Bellini and Rovai, 2018). Initially, fashion cities and their fashion design component had only been considered with respect to the creative industry in relation to the mix of physical and symbolic processes involved in the current fashion industry. This combined a highly globalised manufacturing chain with a designer fashion sector mostly concentrated in fashion‘s world cities, together with other image-producing activities that contribute to the creation of place-based symbolic narratives (Williams and Currid-Halkett, 2011). However, the evolution towards new luxury fashion cities has shown a diversification of their meaning and positioning (Martìnez 2007). The delocalisation of fashion manufacturing in offshore urban centres together with the digitalisation and IT component in the process have modified the fashion industry (Segre Reinach, 2005), in parallel with the changes in the economy of media, marketing and the symbols associated to them. Accordingly, it is important to stress how the geographical origin, connection or association of fashion brands to places is simply constructed and negotiated (Pike 2010, 2011), until becoming a pure matter of perception in some case (Thakor and Kohli 1996). Moreover, it is important to notice – and this paper is engaged with this issue – how the fashion brand connection to a city can be built through the creation and exploitation of ―a status market‖ in which the brand is located (Hauge et al. 2009): think, for instance, of how fashion brands capitalize on the presence of prestigious urban assets such as cultural heritage and fine arts (Bellini and Pasquinelli, 2016). This is particularly relevant if thinking that fashion luxury‘s world cities also can count on valuable frameworks of cultural players such as museums, theatres, libraries, festivals, and academic institutions reinforcing their attractiveness (Volonté, 2012). Also relying on such mechanisms, a new wave of luxury and fashion capitals has emerged, i.e. the so called ‗not-so-global‘ cities of fashion, exemplifying new forms of symbolic economy and manufacturing that are not included in the usual classification of luxury fashion cities as New York, Milan, London and Paris (Rantisi and Leslie, 2006; Larner et al., 2007). Such ―not so global cities‖ largely contribute to reshaping the global geography of fashion capitals, which can be redefined as the result of the multiple and highly diverse typologies of links a city succeeds in establishing with products, firms, events and fashion stores, by drawing values and symbols from them (Jansson and Power 2010 ; Power and Jansson 2011). Research Design and Methodology The urban dimension of luxury and fashion brands characterising the emerging geography of fashion has not been extensively analysed. In this direction, this article will focus on the analysis of two international luxury fashion urban centres, i.e. Florence and Shanghai, which will be framed as brandscapes interacting with fashion players that are locally based. Particular attention will be drawn to concept stores by analysing their evolution and their changing relation with the surrounding urban contexts, notwithstanding a clear acknowledgement of the growing relevance of e-shops and digital platforms. A qualitative methodology, based on a review of internet sources, in-store visits and in-depth semi-structured interviews with store managers (to understand the concept store‘s strategy) and various local fashion players (to frame the urban brandscape and its relation with fashion), will be adopted to build a comparative framework. Reputable key players in the respective cities as concepts stores, i.e. Favotell in Shanghai and Luisaviaroma in Florence will be selected as case studies. That is, the study will highlight the synergies between fashion brands and city brands by focusing especially on concept stores, their interaction with the urban symbolic ecosystem and their evolution in the geography of contemporary emerging luxury fashion capitals. Expected Results Below the key propositions that we expect to discuss as a result of the presented study: ⦁ The urban brandscape is mirrored by the concept stores which tend to narrate the connection of their brand to the city ; ⦁ The concept store goes out into the city pushing its visible and distinctive presence in the urban symbolic ecosystem ; this mechanism is rich in symbolic content benefiting the fashion brands whose local, physical and tangile presence in specific urban settings has a strategic role in global value creation ; ⦁ The concept store has developed from a purely physical setting to including the online store ; also throughout such development, it maintains the physical location – its style, taste and connection to specific urban settings and local heritage – as reference and vividly alive ; ⦁ The global travelling of the concept store-city connection – also but not exclusively through digital platforms – make the city brand travel and evolve.

The purpose of this study is to highlight the idea that the approach and methodology in Landscape Architecture and Urban Studies are rooted in regional planning, and to trace the legacy that can be borrowed from modern city and landscape planning. This study examines the academic relationship between Geddes’ Urban Evolution and McHarg’s Ecological Landscape Planning theory, and explores the significance of regional planning that can be accommodated in both Landscape Architecture and Urban Studies areas at present. As a result, the Geddes’ theory and the McHarg’s ecological landscape planning emphasized a scientific understanding of plans based on evolutionary theories and local research in regional planning. However, the McHarg’s theory was definitely different from the Geddes’ theory and offered its own unique identity and possibilities. First, it was completely focused on the environment. Second, it suggested a concrete methodology consisting of a technique of land suitability analysis to visualize an environmental or regional investigation. Third, McHarg advocated drawings as a visualization tool. McHarg’s theory of ecological landscape planning can be thought of as an evolutionary version of the theory of urban evolution. The study was limited to an applicable range to solidify the possibility of applying the theory in real situation, and more concrete and substantial approaches were suggested accordingly.

The objectives of this study are to investigate the effect of plant type on the roof of a model building on the temperature of the interior space, and to provide the suitable plant species for a green roof. On the roof of scaled model building, grass (GR: Zoysia japonica), sedum (SE: Sedum makinoi Aurea), maekmundong (MM: Liriope platyphylla), and jasanhong (JH: Rhododendron schippenbachii) was planted. From June 28 to August 28, i.e., for 63 days, the internal and external temperature of the model building and the light intensity were measured and compared with the control model building (CON: no plant and substrate on the roof). With increased global radiation, the maximum temperature was increased from 28.2℃ to 51.74℃ for CON, from 27.2℃ to 47.7℃ for GR, from 27.7℃ to 49.3℃ for SE, from 27.9℃ to 48.3℃ for MM, from 27.5℃ to 48.9℃ for RD, whereas the outside temperature increased between 25.5℃ and 34.6℃. A positive linear relationship was observed between global radiation and the internal temperature (r=0.987-0.989) and hence, the temperature difference between the internal and external model building (ΔT) was larger with increased radiation. A positive linear relationship was shown between light intensity and ΔT at difference radiation levels. The regression coefficient was estimated as 0.99-1.00℃/[100W/m2] under 500 J/cm2, 1.10-1.15℃/[100W/m2] at averaged radiation 1,800J/cm2, whereas the large decrease in the coefficient, i.e., 0.76-0.86℃ /[100W/m2] was observed for above 1,800J/cm2 radiation level. The ΔT per unit of light intensity observed a significantly different between treatments. With the planted grass on the roof of the model building, the lowest ΔT per unit solar radiation was observed, which means that the covered roof with grass causes the building internal temperature to be less affected by the sun radiation.

Understanding the identity of an urban space is one of the most important considerations for spatial planners and designers, who are charged with revealing and strengthening the space’s sense of place. However, in many cases, an urban space is regarded merely as a physical form, lacking an interpretation of various semantics, such as its history, political economy, social culture, and art. The purpose of this study is to investigate how an urban space evolves, and thus, how the social images of urban spaces can be recognized with Lefebvre’s theory. Therefore, we examine an urban district to reveal the interaction between societies and spaces through images reflected in news media and public articles, and eventually define the identity of the space. This study takes Yeonnam-dong district as its case, and carefully examines the social relations affecting spatial practices in the area by means of Lefebvre’s spatial triad: representation of space, representational space, and spatial practice. Using historical observation as a research method, we conducted a case review of Yeonnam-dong over 40 years (from 1975 to 2016). The results indicate that there have been complicated power dynamics and struggles to form the current image of Yeonnam-dong, which is still an ongoing process; this exemplifies Lefebvre's notion of the social construction of spaces. The results provide meaningful lessons for planners and designers that they should play important roles as coordinators in radical spatial changes. One of the major limitations of this study is that it does not fully examine the detailed roles of each social entity in the landscape changes, which should be investigated in further studies.

This is a research-based urban design project that explores how a landscape approach could contribute to regenerating a decrepit residential district. The focus is on a post-war housing area in Rotterdam, the Netherlands, called Groot-IJsselmonde. This site is a typical example of a post-war district in the Netherlands, with a layout clearly defined by plenty of green; good infrastructure; and a clear division among living, working, and recreation spaces. This research defines how this restructuring effort has been applied to the post-war neighborhoods in this district and what landscape architecture can contribute to this community’s sustainability. In order to better understand how the design of open spaces can improve community sustainability, this research ponders the following questions: What are the meaning and characteristics of restructuring post-war neighborhoods in the present day? What are the strategies for restructuring these neighborhoods? And what is the new role of landscapes in contemporary cities, especially in post-war neighborhoods? Also, as it is understood that a spatial program is the engine of a project and that urban agriculture has potential as a restructuring tool, in this study “productive landscapes” are employed as a major concept in the design and operationalized in a physical setting. In the end, this research proposes adding a productive function to any unused green areas and meaningless landscapes to help enhance both the economic and social elements of the community. As it is situated in a similar social context to this Dutch case (such as having entered a post-industrial society and regarding apartments as the major housing system), this study is expected to provide useful and practical lessons for current urban regeneration in Korea.

Landscapes are dynamic and therefore they experience frequent changes over time. This research analyzed the landscape changes and spatial characteristics of woodlands in an urban fringe landscape to provide information for the sustainable landscape ecological planning. The results showed that the studied landscape changed between 2002 and 2014 mainly due to new road construction and residential development. Several landscape ecological indicators were used to assess the woodland changes and the overall effect of woodland changes on the landscape structure. The results of the landscape ecological analysis revealed a decrease in patch size of less 5ha (n=13) and between 5ha and 9.9ha (n=2). AWSI decreased from 4.03 in 2002 to 3.89 in 2014, and MND increased from 38.41m in 2002 to 49.12m in 2014, and SDI of land cover type decreased from 1.16 in 2002 to 0.18 in 2014. The results suggest that woodlands have become smaller and more isolated. The shape of the woodlands has also become simpler and more regular. These spatial woodland changes adversely impact the biodiversity. For further information on landscape ecological conditions, a more comprehensive analysis based on more landscape ecological metrics and ecological information such as habitats and species surveys is needed in future studies.

본 연구에서는 최근 개정된 경관법과 도시재생법의 상호연계방안을 모색하고자 하며, 특히 실행력이 약한 경관법의 단점을 도시재생법과의 상호연계를 통해 경관계획의 실효성을 높일 수 있는 방안을 모색해 보고자 한다. 문헌연구를 통해 최근 개정된 경관관련 법⋅제도와 도시재생관련 법⋅제도의 주요 내용과 다른 법과 경관법 간의 관계, 경관법과 도시재생법 간의 관계를 살펴보았다. 사례연구에서는 미국의 메인스트리트 프로그램과 BID를 선정하고 경관과 연관성이 많은 프로그램을 중심으로 고찰 하고 한국의 도시재생 선도지역 중 창원시와 순천시를 선정하여 도시재생활성화 계획내용에 대해서 경관과의 관련성을 고찰한다. 문헌연구와 사례연구를 통해서 경관법과 도시재생법의 연계 필요성과 연계방안을 도출하였다. 경관법과 도시재생법 의 주요 연계방안으로는 경관법에 의해 도시재생사업의 경관심의를 가능하도록 하는 방안, 경관법에 의한 경관계획과 도시재생법에 의한 전략계획 및 활성화 계획 수립 시 상호 연계하는 방안, 도시재생 활성화 지역으로 선정된 지역의 경관협정을 유도하는 방안이 도출되었다.

The worldwide conversion of natural lands into urban land uses is the most significant process affecting landscape character and ecological conditions. The aim of this research was to analyze the changes of landscape character and ecological conditions to provide comprehensive information to assist policy makers in meeting wider sustainability objectives in an urban fringe landscape. The result indicated that the landscape experienced the decrease in woodland cover (-22.70%) and agricultural land cover (-10.30%) between 2002 and 2014. However, the urban land cover sharply increased from 5.07% in 2002 to 38.07% in 2014. Due to their location on the edge of the core urban area, this landscape character unit had been under increasing pressure from new built developments. Development pressures include housing expansion from adjoining urban areas, and business developments particularly associated with key road intersections and expansions of public infrastructure. Furthermore, the landscape had been changing rapidly as massive high-rise apartment developments were built as the core urban area expands, with the removal of woodlands and arable fields. These landscape changes in the study area had a strong impact on landscape character for this period. The index of landscape heterogeneity declined from 0.802 in 2002 to 0.712 in 2014. The index of area weighted mean woodland patch shape was decreased from 3.196 in 2002 to 2.784 in 2014. The result suggested that it became a more homogeneous landscape and had less species and a less stable ecological structure for this period. This research only used the index of landscape heterogeneity for landscape ecological analysis. For more ecological information, a more comprehensive analysis based on landscape ecological metrics is needed in future researches.