The composition of TV frame has been developed as a visual methods. It can be necessary to produce into the spectator's view in order to understand that ways of seeing in a variety of moving images. Split-Screen has a point of view that is not only to produce a variety of moving images at the same time, but also to create the pattern of visual images. It widely uses where TV drama, sport program, show program, and even TV commercials. It also becoming increasingly structured by the TV frame of an image as a discourses. This study focus on the split screen as a method of creating TV frame works and how it can be use as a visual effects into the spectator's point of views. Split-screen offers a new paradigms as method of TV frame works and concepts that can be applied in terms of different size of TV frame either 4:3 or 16:9. It is, of course, already contains number of features as an experience of fields. Most important thing the split-screen tend to be narrative structure as a contemporary skill of usages and recourse of frame works. From this study of the meaning of "split-screen" is the development of frame works in order to send a variety of images throughout the spectator's wide vision of view.

• 함현(청운대학교 방송영상학과 교수) | Hyun Hahm