This study discusses the community of participants in new media-based art of Taeyoon Choi, Wafaa Bilal and Mushon Zer-Aviv in relation to current discourses on social functions of art by Nicolas Bourriaud and Jacques Rancière. Focusing on these artists' participatory projects which aim to provide alternative perspectives on wars between countries, to raise awareness about expanding surveillance systems in city spaces, or to create new public spaces on the web, this paper argues that their works hybridize entertainment culture and political activism to suggest a new model for political art.

I. 서론
  서울: 최태윤 <쏠 테면 쏴봐>(2005/2006
  시카고: 와파 빌랄 <국내 긴장>(2007)
  텔아비브: 무숀 제르-아비브 <당신은 여기에 없습니다>(2007/2009)
 Ⅱ. 관객 공동체
 Ⅲ. 뉴미디어의 정치학
 Ⅳ. 결론

• 이혜원(대진대학교 전임강사) | Lee, Hyewon