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피터 그리너웨이의 영화〈필로우북〉에 나타난 육체의 서 KCI 등재

The body book appearing in Peter Greenaway’s film Pillow Book

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  • URLhttps://db.koreascholar.com/Article/Detail/303151
구독 기관 인증 시 무료 이용이 가능합니다. 4,900원
中國學 (중국학)
대한중국학회 (Korean Association For Chinese Studies)
초록

Cinema is a medium which develops narrative by image and sound. In Digital cinema times, it began to use diverse digital language to arrange diverse images in one screen image. The director Peter Greenaway uses digital hieroglyph to express diverse images in one shot. Pillow Book adopts skins to write letters (Hanzi) and develops narrative. By writing on screen space of skin this space transforms into Haptic space.
In this movie Nakico’s father writes her name in her face. This writing name considers as creating rite which God creates human beings and gives their name. It becomes a rite in her birthdays. Her father's sister reads Pillow Book which does as a servant in a kingdom. Nakico always a writer who can write on her face and marries her husband who is a son of bookstore. But he does not write her name on her face and tears up her books. She divorces her husband and begins to work as a model in Paris. She happens to meet Jerome who tries to write her name on her face. But she does not satisfy because of her bad caligraphy and Jerome asks her to write letters on his skin. Afterwards, she became a writer and makes 13 pillow books. In this end part Nakico does writing rite on her daughter. The rite of writing of name on her daughter becomes a continuous task of family and a way of developing narrative.

목차
1. 서론
2. 디지털 상형문자
3. 촉지적 공간과 피부에 글쓰기
4. 한자와 필로우북의 의미
5. 이름의 의미와 서명 의식
6. 나가며
저자
  • 송진열(동서대 임권택 영화영상예술대학 부교수) | Song, Jin-Yeul
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