Lacquer art of Korea and China are from the same root. Lacquer art has been spread from Chinese inland to korean peninsula since Han dynasty, then it affected Japan and countries in southeast Asia. Korean lacquer art undertook Chinese type and then formed its own special style gradually. "Blue is extracted from theindigoplant,butis bluer thanit".The lacquer art from two countries are growing up and contradictory. Korean lacquer art undertakes civil thought and founds country with culture in modern times, which shows the special craft culture in Korea. On the contrary, Chinese lacquer art mostly continues tradition, and lots of traditional skills are almost lost. It is not good or fast in evolution of lacquer art.There is big difference between two countries. Analyzing the lacquer art difference between Korea and China can show the disadvantageof Chinese lacquer art. Under the background of raising rapid development of culture industry in China, how to promote modern lacquer art, incorporate everything, learn from each other, absorb excellent lacquer art tradition from two countries and speed up the evolution of modern lacquer art in two countries, whichis extremely an urgent theme.

韩中漆艺文化同根同祖，自汉代起从中国内陆传播至朝鲜半岛，后逐渐影响到日本及东南亚等国家。韩国漆艺文化承接中 国风式，逐渐形成自己独特风格，“青出于蓝而胜于蓝”。两国漆艺此消彼长，近代韩国漆艺承民用思想，文化立国，展现 了韩民族独特的工艺文明，反观中国漆艺则大部分延续传统,甚至很多传统技艺几尽失传,在漆艺革新方面步履蹒跚，两国 已经出现了较大的差异。分析韩中漆艺文化的差异可以看到中国漆艺的不足，在中国提出大力发展文化产业的背景之下, 如何发展振兴现代漆艺,兼收并蓄，取长补短，吸收两国优秀的漆艺传统,加快两国当代漆艺的革新步伐,是一个迫在眉睫的 重要课题.

1. 韩中两国的漆艺历史
2. 近代中韩漆艺文化的差异
3. 当代中韩漆艺文化变革之路
4. 结论
Reference

• 潘 垒(中国无锡工艺职业技术学院 江苏 宜兴) | Pan, Lei
• 고정훈(동방문화대학원대학교 문화예술콘텐츠학과 교수) | Ko, Jeong hoon Corresponding author