현행 정재에서는 도입부와 종결부에 죽간자가 구호를 부르고 물러난 다음 전체 무원이 무 진· 무퇴할 때 두 팔을 옆으로 펴 들고 나아갔다가 다시 물러나는 춤으로 공통되게 진행하고 있다. 본 연구는 이를 『악학궤범』에 수록된 당악정재를 중심으로 내용을 확인하였을 때 다음 과 같은 결론을 얻었다. 당악정재 14종의 도입부와 종결부에 추어진 춤사위는 모두 ‘염수·염수족도·절화무·사수 무·팔수무·퇴수무· 협수무’이다. 도입부와 종결부로 구분하여 무진· 무퇴할 때의 춤사위를 살 폈을 때, 도입부에서 무진할 때에는 절화무· 염수· 염수족도를 추었고, 무퇴할 때에는 염수· 사 수무· 팔수무를 추었다. 그리고 종결부에서 무진할 때에는 염수족도· 협수무를 추었고, 무퇴할 때에는 사수무와 퇴수무를 각각 추었다. 『악학궤범』과 현행 정재의 내용을 비교하였을 때 도입부와 종결부에서 무원들이 무진· 무퇴 할 때의 춤사위가 고정된 것이 아니었다. 정재마다 도입부와 종결부의 무진· 무퇴의 춤사위가 구분되어 차이가 있었고, 중요한 것은 정재마다 도입부의 무진과 무퇴, 그리고 종결부의 무진· 무퇴의 춤사위가 다른 것을 알 수 있었다.

This research aims to examine the dance movements made by the dancers while they were carrying out mujin and mutoe in the introduction and conclusion of Dangakjeongjae during the early Joseon period. To that end, a total of 14 kinds of Dangakjeongjae documented in Akhakguebeom were examined and compared. In the documents of dance movements made by dancers in the introduction and conclusion of Dangakjeongjae, the names of dance movements are specifically recorded and the progression of dance are explained. Different kinds of Jeongjae determine whether dance could be performed or not when mujin and mutoe are performed. As for this, two different ways of documenting the dance movements were identified. One is that dance movements are not documented because mujin and mutoe are not performed; the other is that dance movements are not documented even though mujin and mutoe are performed. All of the dance movements made during the introduction and conclusion of the 14 different kinds of Dangakjeongjae consist of‘yeomsu, yeomsujokdo, jeolhwamu, sasumu, palsumu, toesumu, and hyeopsumu’. In the introduction, jeolhwamu, yeomsu, and yeomsujokdo are performed for mujin; yeomsu, sasumu and palsu for mutoe. In the conclusion, yeomsujokdo and hyeopsumu are performed for mujin; sasumu and toesumu for mutoe. In the current form of jeongjae, all the dancers just dance with their arms spreading out to their sides when performing mujin and mutoe. This is because most of the dance movements made during the introduction and conclusion of court jeongjae, which is recorded in the documentations, are carried out in the form of mujin and mutoe. However, when Akhakguebeom is examined, the dance structure is different from that of the current one. Dances vary according to different jeongjae, and there are no particular dance forms for mujin and mutoe in the introduction and conclusion. The most noteworthy thing is that dance movements for mujin and mutoe are different between the introduction and conclusion.

국문요약
Ⅰ. 머리말
Ⅱ. 도입부· 종결부의 정재별 춤사위 기록내용
Ⅲ. 도입부· 종결부의 춤사위 진행유형
1. 도입부의 춤사위
2. 종결부의 춤사위
Ⅳ. 맺음말
참고문헌
Abstract

• 손선숙(한국문예연구소 연구원) | Son, Seon-Suk (Institute of Korean Literature and Arts)