The topics addressed, scope, and approach of this paper involve contemporary postmodern/poststructural critical theory, literary criticism in particular, and Mahayana (大乘)—especially kongan (公案) and hwadu (話頭) Ch’an(Chinese)/Seon(Korean)/Zen (Japanese)—Buddhist thought (佛敎思想) is explained in detail. However, the theoretical ground is only to help the twenty-first century audience to deeply comprehend how literature and film offer us precious opportunity to experience the sublime (崇古)—aesthetic sensibility (美的感覺), through which we glimpse (一見) the ultimate reality (窮極的 現實). It is time now that intellectual (philosophical, critical, academic) explanation and spiritual experience are brought to work together in the common area, literature (文學) and film (映畫). It is important for literary readers to experience someone’s life story in the way of encountering the non-duality (非二重性) of the ultimate reality.

本文涉及的主題、範圍和方法涉及當代後現代主義或後結構主義的批判理論（特別是文學批評），並且詳細闡述了大乘（尤其是公案和漢、韓、日語話頭）佛教思想。然而，這些理論僅能幫助21世紀的觀眾深刻體會審美感覺，這是文學和電影帶給我們體會崇高的寶貴機會，我們也通過這種審美感覺窺見窮極現實。在文學和電影的共同領域中，是時候將知識詮釋（哲學、批判和學術）和精神體驗融合在一起。對於文學讀者而言，用遭遇窮極現實的非二重性方式體驗一個人的生活故事極其重要。

Abstract
I. The Problem (難點) with the Western(西歐) Style of Reasoning
II. Literary works and Film lead us to encounter pure consciousn
III. A literary text or a film as a vast kongan (公案)
IV. Buddhism for the Future (未來) of Humanity
References

• Jae-seong Lee(Pusan National University in Korea) | 이재성