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A study on the cultural sustainability of contemporary fashion brands based on traditional fashion - Focusing on Korea, Japan, and Belgian brands - KCI 등재
전통 패션 기반 현대 패션브랜드에 나타난 문화적 지속가능성에 관한 연구 - 한국, 일본, 벨기에 브랜드 사례를 중심으로 -
pp.828-848
The purpose of this study is to analyze how modern fashion brands practice cultural sustainability by investigating the ways they use and reinterpret traditional culture and clothing. The transmission and reinterpretation of traditional cultural elements connect the past, present, and future. These forces also lead to the development of new creativity in the fashion industry. Three brands have been selected for case studies: Danha (Korea), Mittan (Japan), and Jan Jan Van Essche (Belgium). These brands possess in-depth understanding of traditional cultural elements, including clothing, dyeing techniques, and patterns unique to various regions and minority groups. The brands all make use of traditional cultural identities whose clothing contains the historical and sentimental values of various regions and ethnic groups. The use and mixing of various cultures can be seen as the respectful preservation of global culture. Also, in contemporary fashion, the use of traditional culture plays an important role in the presentation and development of creative designs. The use of traditional handicraft techniques and the use of traditional clothing in the past convey cultural diversity to future generations; they will have a lasting influence on future fashion trends. The results of the study show that cultural sustainability in contemporary fashion has been implemented through safeguarding and respecting indigenous cultures and developing cultural elements into creative design.
I. Introduction
II. Theoretical Background
1. Cultural sustainability
III. Traditional Fashion-Based Brand Cases in Terms of Cultural Sustainability
1. Danha
2. Mittan
3. Jan Jan Van Essche
IV. Traditional Fashion-Based Brand Cases in Terms of Cultural Sustainability
1. Practicing cultural sustainability as a safeguarding and respecting traditional cultures
2. Practicing cultural sustainability as a developing new colors creativity
V. Conclusion
References
