『酱狗』，是第一部由韩国华人导演自编自导，由韩国华人主演，讲述韩国华人在韩生 活的电影，给韩国华人创造了一次真正通过银屏而“发声”的机会。电影结束了，看似结 局圆满。主人公从父亲病逝的悲痛中走出，也收获了初恋的甜蜜。但是电影却给我们留下 了“更大的结构性难题”。身份认同问题成为韩国华人永远的挣扎，身份认同就像一把 “双刃剑”，它在给予“我们”一个温暖拥抱的同时，也会“伤害”到“他者”。我们生 活在全球化的时代，当今世界不仅对全球化的经济与政治,而且对形成全球化观念的价 值、伦理和归属感提出问题也具有了强烈的必要性。人类是否应该根据自己出生后偶然所 属的共同体所继承的传统进行范畴化？也许我们需要一种能够适应这个时代的新型的认同 形式，一种世界性的认同。这种认同意识可以超越国籍、文化、共同体的界限。

『Jang-Gae』 (The Foreigner) is a film written and directed by a Korean-Chinese director that stars an actual Korea-Chinese as the protagonist. The release of this film presented an opportunity for the Korean-Chinese community to deliver their message through the screen. The end of the movie is a “happy ending” in which the main character escapes the sadness of his ailing father’s death and finds love. However, the film leaves us with a “great structural challenge” by bringing up long-standing issues of identity and struggle faced by the Korean-Chinese individual whose identity is much like a “double-edged sword” that warmly embraces “us” while wounding “others.” In the globalized scenarios of recent times several people may experience the strong need to raise questions about the global economy and politics along with their sense of value and belonging. Should groups of human beings be categorized based on their traditions that may be unintentionally inherited from the community they belonged to? A new identity model that is more suited to this era: a kind of “global identity” would go beyond the boundaries of nationality, culture, and community. Humanity is inherently varied and pluralistic and multiple identities ought to be respected for their individuality and freedom of choice.

摘要
1. 绪论：关于电影『酱狗』
2. 身份认同：一把“双刃剑”
3. 国际孤儿：那些被关闭的“大门”
4. 结论：对世界性身份认同的思考
参考文献
논문초록

• 梁楠(东亚大学中国学系助教授) | 양난