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고전주의의 재토착화와 구축적 논리의 문제 - 군너 아스플룬트의 우드랜드 채플(1918-20)에 관한 연구 - KCI 등재

Revernacularization of Classicism and the Matter of the Constructional Logic - A Study on Gunnar Asplund's Woodland Chapel (1918-20) -

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건축역사연구 (Journal of Architectural History)
한국건축역사학회 (Korean Association of Architectural History)
초록

The purpose of this paper is to research Gunnar Asplund's Woodland Chapel (1918-20) in terms of the revernacularization of classicism and to investigate into the matter of the constructional logic. The term 'revernacularization of classicism' was used by Alan Colquhoun to explain the process to return to the pure sources of classical architecture, and the case of a successful fusion of classicism and vernacular traditions was suggested by Demetri Porphyrios through Scandinavian Doricist sensibility in the early 20th century. Porphyrios's classicism, not as style but as sensibility, is premised on a constructional logic of vernacular, and is to achieve an aesthetic quality by its mythical elaboration. Woodland Chapel, a representative of the Scandinavian Doricism according to him, illustrates characteristics of the revernacularized classicism as in the fact that it thickly displays vernacular images at the same time as relying on classicism; in the return to primitive simplicity; and in the mythopoeic power. However, the constructional logic of this building was obscured in the capital of the portico columns, the interior dome, and the whole structure of the roof. Confronting this paradox, we have to remember that although Porphyrios emphasized the constructional logic he opened an aesthetic exit of the mythical elaboration, which is in accord with the concept of the tectonic as the poetics of construction. Woodland Chapel assumes atectonic features but is never anti-tectonic. Asplund intensified a poetic effect by setting the myth over construction in the chapel, and so it can be seen as a key example of the revernacularized classicism with the Doricist sensibility.

목차
1. 서론
2. 도릭주의의 감수성 및 고전주의의 재토착화
    2-1. 북유럽 ‘도릭주의의 감수성’
    2-2. 로지에의 원시 오두막과 ‘고전주의의 재토착화’
3. 군너 아스플룬트의 우드랜드 채플(1918-20)
    3-1. 배경 / 초기안: ‘작은 채플’(1918)
    3-2. 실현된 ‘우드랜드 채플’(1918-20)
    3-3. 우드랜드 채플의 ‘고전주의의재토착화’ 특성
4. 우드랜드 채플의 구축적 논리 문제
    4-1. 구축의 시학과 도릭건축
    4-2. 우드랜드 채플의 모호한 구축 논리
5. 결론
참고문헌
Abstract
저자
  • 김현섭(고려대학교 건축학과 조교수) | Kim, Hyon-Sob (Assistant Professor, Department of Architecture, Korea University)