As a folk art that combines earthy simplicity with refined elegance, Henan Diaoqu in China has gradually formed its performance style since the Ming and Qing dynasties, giving rise to multiple sub-genres and enduring through the ages. As one of the most representative traditional opera forms in the Central Plains region, its linked melody structure and widely appealing vocal styles have all been deeply influenced by Confucian thought. However, the development of Diaoqu has gone through multiple periods, and under the impact of modernization, its inheritance and development face multiple challenges. Based on the dual dimensions of cultural genes and musical forms, this paper clarifies the developmental context of Diaoqu and analyzes the manifestation of Confucian thought in its qupai (melody card) structure, libretto texts, and performance practices. It thus puts forward innovative ideas for the contemporary inheritance of Diaoqu, proposing the integration of Confucian "music education" philosophy with modern music education to facilitate its modern transmission, achieve its living inheritance empowered by digital technology, and rediscover its value in cross-cultural dialogue.

中国河南大调曲子作为大俗大雅的民间艺术，自明清以来便逐渐形成其表演形式，并 衍生出多个曲种，历久弥新。作为中原地区最具代表性的传统曲艺形式之一，其联曲体结 构、雅俗共赏的唱腔形式等均受到儒家思想的浸润和熏陶。然而，大调曲子的发展历经多 个时期，并在现代化的冲击下，其传承与发展面临多重困境，本文基于文化基因与音乐形 态的双重维度，厘清大调曲子的发展脉络，并分析大调曲子在曲牌结构、唱词文本与表演 实践中呈现出的儒家思想，从而为大调曲子的当代传承提出创新性思考，通过儒家“乐教” 思想与现代音乐教育的融合，助力大调曲子的现代传承，实现大调曲子在数字技术赋能下 的活态传承与在跨文化对话中的价值再发现。

【目 录】
【摘要】
1. 绪论
2. 河南大调曲子的历史演进与儒家思想渗入
    1) 起源与发展脉络
    2) 儒家思想对大调曲子的深层影响
3. 音乐形态的儒家伦理表达
    1) 曲牌结构中的秩序性
    2) 唱词文本的道德教化功能
    3) 表演实践中的身体伦理
4. 当代传承困境与儒家思想的现代转化
    1) 传承危机的多维透视
    2) 创新路径的探索
４. 结语
【参考文献】
【论文摘要】

• 王铮(浙江师范大学艺术学院副教授，硕士生导师，中国音乐家协会古筝学会理事，中国民族管弦乐 协会古筝专业委员会理事) | Wang Zheng