This study proposes strategies for projecting media art onto glass-surfaced architecture, addressing challenges such as transparency, reflection, and visibility. Using the Aqua Art Overpass in Seoul as a case study, the research compares glass and opaque surfaces through mock-ups and luminance simulations. By applying high-lumen projectors, special films, and content adjustments, the study demonstrates that glass facades can effectively serve as dynamic media surfaces. The findings highlight the visual and spatial potential of glass in urban environments, offering practical insights for future applications in architectural media art.

ABSTRACT
1. 서론
2. 이론적 배경
    2.1 유리 마감재의 광학 특성과 시인성
    2.2 일반 (불투명) 마감재의 광학 특성과 시인성
3. 사례 비교 분석
    3.1 유리 마감재 사례: 서울시 서초구 아쿠아아트 육교 워터스크린
    3.2 일반 마감재 사례 1: 서울시 도봉구 로봇 과학관
    3.3 일반 마감재 사례 2 : 인천시중구자유공원
    3.4 유리 vs 일반 마감재 종합 비교
4. 유리 마감재 기반 미디어아트 구현의 타당성 분석
    4.1 미디어 매체로서 유리의 시각적·공간적 특성
    4.2 도시 경관과의 조화 및 공공 예술로서의 가능성
5. 유리 마감재 기반 미디어아트 구현을 위한 설계 전략
    5.1 하드웨어 선정 및 설치 방안
    5.2 특수 필름 적용 방안
    5.3 시각적 보완 전략
6. 결론 및 시사점
    6.1 유리 마감재 기반 미디어아트 구현을 위한 전략적 고찰
    6.2 연구의 한계 및 향후 과제
    6.3 시사점
참고문헌
<저자소개>

• Eunjin Son(Graduate School of Advanced Imaging and Science, Chung-Ang University, 84, Heukseok-ro, Dongjak-gu, Seoul, Korea) | 손은진
• Sanglim Han(Graduate School of Advanced Imaging and Science, Chung-Ang University, 84, Heukseok-ro, Dongjak-gu, Seoul, Korea) | 한상임 Corresponding author