Due to the influence and impact of various social and cultural reasons, calligraphy works in this period presented a very unique spiritual outlook. Especially the use of "bird" image is the most prominent, "phoenix", "luan", "gue", "yan", "magpie", "eagle" and other images appear frequently in the calligraphy theory, and they are often used to describe the form, style, charm and spirit of calligraphy.Some images imply the commenters' praise or criticism and their pursuit of ideals, which hides a deeper cultural origin. Through the classification and arrangement of the literature, this paper explores the deep cultural connotation behind it.

魏晋南北朝时期书论大兴, 由于受到种种社会、文化原因的影响与冲击, 这一时期的 书法论著呈现出了十分独特的精神面貌。其中尤以“鸟”意象的运用最为突出, “凤”、 “鸾”、“鹄”、“燕”、“鹊”、“鹰”等形象在书论中频频出现, 它们并多被用于附会和比托 书法艺术的字形、字势、气韵、风神。有些意象则暗含评论者的褒贬品第和理想追求, 这种现象的背后隐藏着较为深层的文化渊源。本文通过对文献的分类和整理, 挖掘出 其背后深厚的文化内涵。

논문 소개
Abstract
一、问题的提出
二、书论中禽鸟的种类和指向
    (一) 猛禽类
    (二)常禽类
    (三)神异类
三、形成原因与文化渊源
    (一) 鸟崇拜的历史烙印
    (二) 鸟与汉字的内在关联
    (三) 道家文化的渗透
    (四) 比兴文化的影响
四、结论
参考文献
摘要

• Yang Gang(Jiaxing University, Zhejiang, China) | 杨刚 (嘉兴学院, 浙江, 中国)