본 연구의 목적은 첫 번째로, 중국에서 최근에 새로이 등장한 ‘상문화(丧文化)’ 즉 상실의 문 화 양상을 살펴보는 데 있고, 두 번째로, 이러한 상문화가 특정한 청년 집단인 불계회사원 집단 이 일상 회사 생활에서 어떻게 내면화하는가를 검 토하는 데 있었다. 이를 위하여 본 연구는 커 뮤니티 담론분석 및 심층 인터뷰 두 가지 분석방법을 사용하였다. 담론 분석 결과, 중국 90後청 년들은 자아좌절 및 자존감의 상실으로 인해 부정적인 에너지를 표출한다. 그리고 이들은 자기 보호의 장치로서 일상 생활에서 냉소적인 태도를 취하며, 다양한 자조문구 및 이미지를 사용한 다. 더 나아가 온라인에서 유행했던 상문화가 오프라인 소비문 화로 이어지고 있다. 심층 인터뷰 결과, 불계회사원들은 타지 취직에 대한 부담, 경제적 불안, 중국의 ‘화(和)’를 중요시하는 기업 문화, 그리고 회사에 대한 소속 감의 상실 때문에 회사에서 상문화를 수용하고 무사안일(無事安逸)주의를 표방 한다.

본 연구의 목적은 화교 중고등학생의 문화적응 스트레스, 중국어 및 한국 어 능력, 학교적응의 전반적인 경향을 살펴보고, 문화적응 스트레스와 중국 어 및 한국어 능력이 학교적응과관련이 있는지 알아보는 것이다. 화교 중고 등학생의 문화적응 스트레스는 중국어 능력 압박,한국어 능 력 압박, 한국문 화적응 압박, 중국문화유지 압박의 하위영역으로 구성되며, 학교적응은 공 부, 친 구, 교사, 생활 차원의 적응으로 구성된다. 본 연구의 자료는 서울 및 인천 소재 화교 학교에 재학 중인 중고등학생으로부터 수집하였으며, 총 424명의 자료를 기술통계및 다중회귀분석을 사용하여 분석하였다.

본 연구는 중국인 학습자에 맞춘 비평적 미디어 리터러시 교수-학습 방안을 설계 하고자 하 는 데 그 목적을 두었다. 이를 위해서는 우선 지금까지 중국에서 청소년과 젋은 세대의 미디어 리터러시 능력을 측정한 수치가 매우 낮아졌다는 결과를 통하여 중국인 학습자의 비평적 미디 어 리터러시 함양의 필요성을 제시하고, 미디어 리터러 시의 개념과 그 개념의 확장을 고찰하였 다. 그리고 미디어 리터러시와 비평적 사고의 관계를 살펴봄으로써 비평적 미디어 리터러시 개 념을 재규명하였다. 아울러 문학작품 에서 미디어 매체의 변화와 가능성을 확인하고, 비평적 미 디어 리터러시 교수-학습 원리를 검토하여 정리하였다. 앞선 논의를 바탕으로 본고는 윤동주 시에 대한 미디어 텍스트를 활용한 비평적 미 디어 리터 러시 교수-학습 방안을 구체화하여 설계하고자 하였다. 그 중에 중국인 학습 자들의 수업 대화와 이해 양상에 대해서도 살펴보았다. 이를 통해서 중국인 학습자가 다양한 미디어 텍스트에 대한 인식과정, 이들을 비판적으로 이해하고 감상하는 전모 (全貌)를 파악할 수 있었다. 더 나아가 중 국인 학습자에 맞춘 비평적 미디어 리터러 시 교수-학습 방안을 마련하고자 하였다.

이 연구에서는 간호 교육의 교수 수준을 향상시키는 방법을 모색하고자하며 간호 교육 과정 에서 PDCA주기관리방법을 적용하여 간호 전문 과정의 교육 과정을 전문 교육 계 획 (Plan), 특 수 교육 및 교수 구현 (Do), 교육 효과의 형성, 교수 효과의 피드백(Check) 및 교육 및 교육 품질 의 최적화를 달성하기 위해 PDCA주기의 지속적인 재진입을 통 해 간호 재능 훈련 프로그램 (Action) 개정은4 가지 단계, PDCA 관리 방법의 적용은 간 호 전문 교사의 교수 능력을 향상시 키고, 또한 간호 교육의 질적 향상을 촉진하고 간호 인력 양성의 질을 향상시키는 것입니다.

In recent years, the teaching concept of multicultural music education, which integrates many different types of cultural characteristics, has been born recently, and cultural diversity is very significant. Music education in our country has achieved rapid development, and integrating this concept into college music education will certainly effectively promote the further development of college music education in our country. Based on the analysis of the basic concept of multi-cultural music education and the necessity and function of permeating multi-cultural education in college music education, this paper explores the infiltration strategy of multi-cultural education in college music education in order to promote the continuous development of college music education.

As a classical performing art and folk art in Japan, Japanese culture and music was listed on the intangible cultural heritage in 2003. From the perspective of academic history, this paper combs the historical origin of Japanese Ningyo, the artistic characteristics of Japanese Ningyo, Japanese Ningyo and kabuki, and the ecological status and protection of Japanese literary Ningyo by collecting, sorting out and reading and analyzing the literature objects of Japanese Ningyo research in China, tries to reflect the current research situation of Japanese literature and music, and to provide reference for further study of Japanese literature and music in the future.

Fashion performance is a form of stage art. Plastic art is one of the external and important elements of fashion performance art form. Music in fashion performance is one of the internal and important elements of fashion performance art form. This paper mainly focuses on the integration of plastic arts and Music Arts in the teaching of fashion show. From the two aspects of fashion model modeling and fashion modeling, this paper analyses the application of plastic arts in fashion show. At the same time, from the music style, it analyses the selection and application of different styles of music in fashion show. Through the methods of practical investigation, literature investigation and behavioral research, modular research is carried out. Through scientific research methods, more effective teaching methods and ways are explored to promote the overall audio-visual effect of fashion show, which is of special significance to the teaching of fashion show specialty.

It is universally accepted that school education aims at transmitting academic knowledge. However, knowledge transmission only may not shape future citizens with international competitiveness. Enlightened by hot spots and trends of American education, several opinions on transcending knowledge transmission and shaping future citizens are stated in this paper.

Singing teaching is an important means for music learners to improve their musical cultural quality and singing skills. From the perspective of academic history and taking the literature related to singing teaching as the research object, this paper systematically combs the theoretical viewpoints of singing teaching of scholars at home and abroad over the years, and gives objective cultural evaluation, in order to provide reference for promoting the theoretical research and practical process of singing teaching.

"Choral art" and "cultural construction" are closely connected.Taking how choral art platform of Hubei Polytechnic University is serving the local public cultural construction of Huangshi City as an example, this paper explores how to make use of the choral art professional platform of colleges and universities give play to the advantages of talent resources and professional gathering, and promote the construction of local public cultural service. Through practice, while cultivating diverse service means, the cultural accomplishment and aesthetic taste of the masses are cultivated, so as to promote the perfection and development of local public cultural service undertakings, meet people's demand for public cultural service products, and promote social harmony.

One of the oldest ethnic groups in China is Tibetan, whose cure is very strong and its religious characteristics are very distinct. With the rapid development of the times, Tibetan dance began to merge, infiltrate modern dance and other ethnic dance elements, many modern elements can be found in creative consciousness and creative techniques, and in the process of inheriting Tibetan dance, not only its unique style has been retained, but also the dance innovation has been successfully realized, which has different aesthetic characteristics. This paper briefly introduces the types of Tibetan dance, expounds in detail the aesthetic characteristics of Tibetan dance, and expounds the original formation of the aesthetic characteristics of Tibetan dance. Because of the innovation and development of Tibetan dance, this paper probes into it for reference.

From the perspective of intangible cultural heritage protection, this paper takes Xinhua folk song as the research object, and through the first-hand information obtained through field research, analysis the present situation of Xinhua folk song inheritors and its songs that have survived, thus launching the thinking of the inheritance and development of Xinhua Shan Ge.

At present, piano accompaniment is essential in the study of national folk dance in our country. It can train students to gradually form their understanding and perception music, melody and the beauty of national folk dance in the depths of their hearts. Therefore,the correctness of the piano accompaniment music style of national folk dance is particularlyimportant. The accuracy of this style needs to be based on a deep understanding and research of folk music of various ethnic groups. At the same time, it is necessary to deeply understand the connotation and style characteristics of dance works, and pianists should also have better playing ability and impromptu accompaniment ability. This paper analyzes the problems existing in the teaching of piano accompaniment of national folk dance at present, and analyzes the problems existing in the teaching of piano accompaniment of national folk dance. The reason and the solution are put forward in order to promote the further development of piano accompaniment teaching of Chinese folk dance.

The traditional music of "Xiang" brand occupies an important position in the national folk music system of China, and its singing degree is also extremely high. It is mainly divided into six forms: flower drums, folk songs, opera rap, labor slogans, revolutionary songs, lanterns. However, under the update of the times, the expression of music is constantly innovating. "Traditional music" is also combined with other forms, involving the Internet, film and television drama works, social media, cultural tourism, exhibitions, industry integration, etc. aspect.

Based on my creative practice, this paper hopes to explore the influence of oriental aesthetic character in contemporary creation on the future of Chinese contemporary art through the study of the concept, concept, modeling technique and material language of the work. China has a 5,000-year-old civilization, and the oriental aesthetics is broad and exquisite, and outstanding works are emerging. However, in the current judgment of Western values and aesthetic standards, the art of the East seems to be not mainstream in the world. Of course, the first one is more related to the right to speak, and the second is the problem of our own creative vision. I hope that through my practice, I apply the wisdom and aesthetic standards of the East, and use Western modeling methods to create a work that is contemporary and readable, based on the view that middle school is the body and Western learning is used. Localized creative elements, taken from the West, combine ideas and means to present Eastern wisdom through new works.

Due to the influence and impact of various social and cultural reasons, calligraphy works in this period presented a very unique spiritual outlook. Especially the use of "bird" image is the most prominent, "phoenix", "luan", "gue", "yan", "magpie", "eagle" and other images appear frequently in the calligraphy theory, and they are often used to describe the form, style, charm and spirit of calligraphy.Some images imply the commenters' praise or criticism and their pursuit of ideals, which hides a deeper cultural origin. Through the classification and arrangement of the literature, this paper explores the deep cultural connotation behind it.

This study mainly focus on the development of secondary education in the period of China's New Culture Movement. Through the research on the problems and controversies of " the separation of liberal arts and practical courses of study", "second department system" and " the separation and elective course system" of secondary education experienced during the New Culture Movement period, this paper mainly discusses and studies the consequent adjustment and reform of education objectives, function, curriculum and teaching methods. Therefore, the reform of secondary education is a systematic project, which would be influenced and restricted by various social factors. And it should adapt to the requirements of economic and social development, as well as meeting people's requirements of educational fairness and quality education.

As the essence of Chinese traditional culture, opera music affects the development of traditional Chinese culture and traditional music. With the changes of the times, the opera music is learning from and integrating with the modern national vocal music in its development process. This article mainly discusses the development of the opera music and the modern national vocal music by taking the song Gong Linna's version of "Mountain Ghost" as an example. In this paper, the author uses the literature research method and the summary induction method to collect, review, compare and analyze the song “Mountain Ghost” and the historical literature of modern national vocal music and opera, and the video of Gong Linna’s singing version of “Mountain Ghost”. The audio is deeply analyzed in terms of pronunciation, voice chamber, stage performance, etc. The general conclusion is that the modern national vocal music and opera music are integrated in the four aspects of theme, aria, stage performance and accompanying instrument. Therefore, the singer is called to use dialectics to treat the integration and development of opera music and national vocal music.

With the continuous development of popular music, it has become an important part of social and cultural life. Many colleges and universities at home and abroad have carried out talent training for popular music related majors. Academia and industry have also done a lot of research work on popular music related issues. Because of the times, it is imperative to put forward and establish popular musicology. This paper discusses the setting of popular musicology and related issues from three aspects: the background and reasons of popular musicology, the institutional basis for the setting of popular musicology, and the theoretical proof of the setting of popular musicology. In addition, some orientations of the subordinates of popular musicology are put forward.

LARA is a website of summarizing language attrition research in the world. Its Chinese translation is called "Language Attrition Research Archive". It is divided into six parts: first language attrition, second language attrition, language relearning, symposia, other related subfields and researchers. Based on the authoritativeness of the research results on language attrition presented by this website, taking 1980 as a watershed, the research results before and after 1980 are classified and introduced. Since 1980, the study of language attrition has been welldeveloped, so the study of this stage has been classified and introduced in detail. In addition, this paper makes a brief comparison between language attrition Chinese research and international research from three aspects: the attributes of literature database, the number of documents, the depth and dimension of literature research.