Based on my creative practice, this paper hopes to explore the influence of oriental aesthetic character in contemporary creation on the future of Chinese contemporary art through the study of the concept, concept, modeling technique and material language of the work. China has a 5,000-year-old civilization, and the oriental aesthetics is broad and exquisite, and outstanding works are emerging. However, in the current judgment of Western values and aesthetic standards, the art of the East seems to be not mainstream in the world. Of course, the first one is more related to the right to speak, and the second is the problem of our own creative vision. I hope that through my practice, I apply the wisdom and aesthetic standards of the East, and use Western modeling methods to create a work that is contemporary and readable, based on the view that middle school is the body and Western learning is used. Localized creative elements, taken from the West, combine ideas and means to present Eastern wisdom through new works.

本文以我的创作实践出发, 希望通过对作品的立意、观念、造型技巧及材料语言等方 面的研究尽可能的探究东方审美品格在当代创作中的应用于对未来中国当代艺术的影 响。中国有着五千年灿烂的文明, 东方美学观博大精生, 优秀的作品层出不穷。但在当 下以西方价值观及美学标准的评判下, 东方的艺术似乎在世界范围内似乎不属于主流, 当然, 第一这更多的与话语权有关, 第二是我们自身创作视野的问题。我希望通过我的 实践, 应用东方的智慧与审美标准, 借用西方的造型手段来创造一种具有当代可读性的 作品, 本着中学为体, 西学为用的观点进行研究。本土化的创作元素, 取经于西方, 将观 念与手段结合, 通过新的作品呈现方式展现东方智慧。

논문 소개
Abstract
一、绪论
二、正文
    (一) 中国山水画的审美情趣
    (二) 西方当代判断下的东方审美
    (三) 九曜——立体的山水画
    (四) 九曜——当代80后的审美表达
三、结语
References
摘要

• Tan Xu(Guangzhou Dunxing Public Art Design Institute, Guangzhou, China, Dongbang Culture University, Seoul, Korea) | 谭旭 (广州敦行公共艺术设计院, 广 州, 中国, 东方文化大学院大 学校, 首尔, 韩国)