논문 상세보기

A Brief Analysis of the Creative CharacteristicsandSinging Processing of the Aria ‘Hard as a Rock’ in Mozart'sOpera ‘Woman's Heart’

浅析莫扎特歌剧≪女人心≫ 中咏叹调≪坚如磐石 ≫ 的创作特点与演唱处理

  • 언어CHI
  • URLhttps://db.koreascholar.com/Article/Detail/446941
구독 기관 인증 시 무료 이용이 가능합니다. 4,900원
ESG경영연구 (Journal of ESG Management Research)
지속가능경영학회 (Sustainability Management Society)
초록

Wolfgang Amadeus Mozart, one of the most important composers in the classical period, wrote more than 600 instrumental and vocal works in his life. Among many musical works, besides the well-known symphonies and concertos, his 22operas had a far-reaching impact on later generations. During his settlement in Vienna, Mozart co-wrote with theatre poet Da Pent. Three famous comedy operas, the last one is Woman's Heart, completed in 1790. This paper takes Feudiligi's aria "Hard as a Rock" in Mozart's opera "Woman's Heart" as the object of study, through in-depth analysis of the creative background, Lyric characteristics and musical structure of the work, and summarizes the singing characteristics of "Hard as a Rock". With a summary, I hope to put forward the theoretical basis for the singing of the same type of songs, and summarize the corresponding more optimized learning methods.

沃夫冈.阿玛迪斯.莫扎特,古典主义时期最重要的作曲家之一,毕生共写了六百多首 器乐和声乐作品。在众多音乐作品中,除了众所周知的交响曲及协奏曲外,他的22部 歌剧更是对后世影响深远。莫札特在维也纳定居期间,曾经与剧院诗人达・彭特共同 创作了三部著名喜歌剧,最后一部是1790年完成的≪女人心≫。本论文以莫扎特歌剧 ≪女人心≫中女高音角色费奥迪莉姬的咏叹调≪坚如磐石≫为研究对象,通过对作品 的创作背景、剧情以及曲式结构等创作特征进行深入分析,并对≪坚如磐石≫的演唱 特点进行了归纳与总结,希望为同类型歌曲的演唱提出理论基础,并总结出相应的 更优化的学习办法。

목차
논문 소개
Abstract
一、绪论
二、作者简介及歌剧 ≪女人心≫ 的创作背景
    (一) 莫扎特生平介绍
    (二) ≪女人心≫ 的创作背景
三、费奥迪莉姬咏叹调≪坚如磬⽯≫创作特点
    (一) 歌曲剧情与场景介绍
    (二) 歌词特点
    (三) 曲式结构分析
四、≪坚如磬石≫的演唱处理
    (一) A段的演唱处理
    (二) B段的演唱处理
    (三) C段的演唱处理
五、结语
References
摘要
저자
  • Huang Huili(Shandong Province, China, Lecturer, School of Music and Dance, Heze College, Ph.D., Namseoul University, Korea, Research Direction: Art Management) | 黄惠力 (中国山东菏泽人,菏泽学院音乐与舞蹈学 院,讲师, 韩国南首尔大学在读博士,研究 方向:艺术管理学)