浅析莫扎特歌剧≪女人心≫ 中咏叹调≪坚如磐石 ≫ 的创作特点与演唱处理
Wolfgang Amadeus Mozart, one of the most important composers in the classical period, wrote more than 600 instrumental and vocal works in his life. Among many musical works, besides the well-known symphonies and concertos, his 22operas had a far-reaching impact on later generations. During his settlement in Vienna, Mozart co-wrote with theatre poet Da Pent. Three famous comedy operas, the last one is Woman's Heart, completed in 1790. This paper takes Feudiligi's aria "Hard as a Rock" in Mozart's opera "Woman's Heart" as the object of study, through in-depth analysis of the creative background, Lyric characteristics and musical structure of the work, and summarizes the singing characteristics of "Hard as a Rock". With a summary, I hope to put forward the theoretical basis for the singing of the same type of songs, and summarize the corresponding more optimized learning methods.
沃夫冈.阿玛迪斯.莫扎特,古典主义时期最重要的作曲家之一,毕生共写了六百多首 器乐和声乐作品。在众多音乐作品中,除了众所周知的交响曲及协奏曲外,他的22部 歌剧更是对后世影响深远。莫札特在维也纳定居期间,曾经与剧院诗人达・彭特共同 创作了三部著名喜歌剧,最后一部是1790年完成的≪女人心≫。本论文以莫扎特歌剧 ≪女人心≫中女高音角色费奥迪莉姬的咏叹调≪坚如磐石≫为研究对象,通过对作品 的创作背景、剧情以及曲式结构等创作特征进行深入分析,并对≪坚如磐石≫的演唱 特点进行了归纳与总结,希望为同类型歌曲的演唱提出理论基础,并总结出相应的 更优化的学习办法。