This paper conducts a study on the porcelain of the “Duobaoge”(多寶格), a representative combination of artifacts from the Qianlong period in the Qing Dynasty. The Duobaoge is the most significant form of artifact combination during the Qianlong’s period era, vividly reflecting Qianlong's unique aesthetic sensibilities while also containing rich political and cultural connotations. This research explores the differences between the artifact combination “BaiShijian” (百十件) and the “Duobaoge” from the same period, clarifying the considerable and diverse significance of the porcelain that constitutes the Duobaoge. Therefore, it comprehensively examines the combinations and contexts of porcelain within the Duobaoge, further analyzing the political intentions and ideological aspects underlying the Qianlong’s vision.

〈Table of Contents〉
[Abstract]
Ⅰ. Introduction
Ⅱ. The Composition and Significance of the Duobaoge andthe Baishijian
    1. The commonalities of box-shaped layout structures
    2. The Structural Distinctions between Duobaoge and Baishijian
Ⅲ. The Composition and Symbolism of Porcelain in theDuobaoge
    1. Ideological and Cultural Significance
    2. Political Intent
Ⅳ. Conclusion
▌References
The Collection of Duobaoge Porcelain during theQianlong Period and Its Political Implications

• MA YINGLING(Master's degree, Department of Archaeology and Art History, Korea University)